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1edwinbcn
The lasting fame of Laurence Sterne rests on the publication of just two books, his unequaled The life and opinions of Tristram Shandy, gentleman and A Sentimental Journey Through France and Italy which has many cross-references to the novel.
As it is unlikely, any group on LT will choose Laurence Sterne as a featured author, since his fame is mostly based on a single work, the third centennial of Sterne's birth might be an occasion as good as any to read his masterwork, The life and opinions of Tristram Shandy, gentleman.
As it is unlikely, any group on LT will choose Laurence Sterne as a featured author, since his fame is mostly based on a single work, the third centennial of Sterne's birth might be an occasion as good as any to read his masterwork, The life and opinions of Tristram Shandy, gentleman.
2baswood
Tristram Shandy (Norton Critical Editions)
I struggled to read Tristram Shandy, as most of the time I felt out of tune with Laurence Sterne's world. When I had finished I felt as though I had merely skimmed it's pages and so my thoughts on my reading experience are impressionistic at best.
"I wish either my father or my mother, or indeed both of them, as they were in duty both equally bound to it, had minded what they were about when they begot me"
And so the book starts, but it takes another 170 pages before we get to Tristram's birth as Sterne launches into one digression after another. Is he ever going to tell his story the reader wonders and I think that is the point, because Sterne is a master of manipulation. The book does not merely contain authorial interventions it is for the most part completely made up of them: Sterne explains;
"Digressions, incontestably, are the sunshine - they are the life, the soul of reading; - take them out of this book for instance, - you might as well take the book along with them; - one cold eternal winter would reign in every part of it; restore them to the writer; - he steps forth like a bridegroom, bids All hail; brings in variety, and forbids the appetite to fail"
While we are waiting for Sterne to get on with the story of Tristram, we have Sterne telling us how his book should be read, musing over his difficulties, wondering aloud as to which bits of the story should go where, providing us with tantalising glimpses of what he will write in future volumes, or changing his mind as he launches into yet another story. I have used the word manipulation to describe Sterne's style and I could not help feeling that Sterne, as the arch manipulator was having a grand joke at the expense of his readers. We are either fools or cretins or we are of sufficient intellect to appreciate Sterne's grand design. Whether there is a grand design in Sterne's novel has been the subject of much debate and I can imagine Sterne chuckling to himself knowing he was setting hares running that would run for centuries. He would not be disappointed.
Around the time of it's publication there was much debate about its bawdiness (not considered suitable for ladies to read?) and while much of the story is centered around ideas of impotency; Uncle Toby's war wound in his groin that takes three years to heal and his subesequent amors with the Widow Wadman and Tristram's circumcision by a falling sash window, Sterne takes his readers around such a circutious route that we are never really sure what is bawdy and what is not. The classic example is the chapter on noses. The way Sterne writes about the advantages of large noses; this reader could not help thinking of penis and Sterne knows exactly what he is doing because he says:
" by the word Nose, throughout all this long chapter of noses, and in every part of this work, where the word Nose occurs, - I declare, by the word I mean a Nose, and nothing more or less .
I believe that the reason I appeared to miss so much from this first reading is my lack of knowledge of 18th century literature, while I can appreciate the nods towards Rabelais writing a century and a half earlier I struggled with references to Locke and other writers and thinkers of the period. Reading Tristram just for the funny bits is a frustrating experience especially when you are not sure if the joke is on you. Sterne's characters however are engaging; Uncle Toby and his hobby horse, his faithful servant Corporal Trim, the unfortunate Yorrick, Dr Slop, Obadiah and the rest of the Shandy family come to life in these pages. There were passages where I was engaged, but there were many passages where I was a little bored.
The Norton Critical edition contains much literary criticism. It would appear that there were favourable reviews when it was published with many writers appreciating the unique reading experience that it provided. It was championed by Coleridge and the Romantics, generally despised by the Victorians and Edwardians and today is recognised as a classic. It has many imitators and it's similarity to a kind of stream of consciouness technique has made it a protean work in the genre. The criticsm is generally of a high standard, with many reviwers tying themselves in knots attempting to explain the grand design.
I will re-read Tristram Shandy as being forewarned is definitely fore-armed when approaching this book. I rate it at 3.5 stars, but I think there is a 5 star book in there waiting for my next read.
I struggled to read Tristram Shandy, as most of the time I felt out of tune with Laurence Sterne's world. When I had finished I felt as though I had merely skimmed it's pages and so my thoughts on my reading experience are impressionistic at best.
"I wish either my father or my mother, or indeed both of them, as they were in duty both equally bound to it, had minded what they were about when they begot me"
And so the book starts, but it takes another 170 pages before we get to Tristram's birth as Sterne launches into one digression after another. Is he ever going to tell his story the reader wonders and I think that is the point, because Sterne is a master of manipulation. The book does not merely contain authorial interventions it is for the most part completely made up of them: Sterne explains;
"Digressions, incontestably, are the sunshine - they are the life, the soul of reading; - take them out of this book for instance, - you might as well take the book along with them; - one cold eternal winter would reign in every part of it; restore them to the writer; - he steps forth like a bridegroom, bids All hail; brings in variety, and forbids the appetite to fail"
While we are waiting for Sterne to get on with the story of Tristram, we have Sterne telling us how his book should be read, musing over his difficulties, wondering aloud as to which bits of the story should go where, providing us with tantalising glimpses of what he will write in future volumes, or changing his mind as he launches into yet another story. I have used the word manipulation to describe Sterne's style and I could not help feeling that Sterne, as the arch manipulator was having a grand joke at the expense of his readers. We are either fools or cretins or we are of sufficient intellect to appreciate Sterne's grand design. Whether there is a grand design in Sterne's novel has been the subject of much debate and I can imagine Sterne chuckling to himself knowing he was setting hares running that would run for centuries. He would not be disappointed.
Around the time of it's publication there was much debate about its bawdiness (not considered suitable for ladies to read?) and while much of the story is centered around ideas of impotency; Uncle Toby's war wound in his groin that takes three years to heal and his subesequent amors with the Widow Wadman and Tristram's circumcision by a falling sash window, Sterne takes his readers around such a circutious route that we are never really sure what is bawdy and what is not. The classic example is the chapter on noses. The way Sterne writes about the advantages of large noses; this reader could not help thinking of penis and Sterne knows exactly what he is doing because he says:
" by the word Nose, throughout all this long chapter of noses, and in every part of this work, where the word Nose occurs, - I declare, by the word I mean a Nose, and nothing more or less .
I believe that the reason I appeared to miss so much from this first reading is my lack of knowledge of 18th century literature, while I can appreciate the nods towards Rabelais writing a century and a half earlier I struggled with references to Locke and other writers and thinkers of the period. Reading Tristram just for the funny bits is a frustrating experience especially when you are not sure if the joke is on you. Sterne's characters however are engaging; Uncle Toby and his hobby horse, his faithful servant Corporal Trim, the unfortunate Yorrick, Dr Slop, Obadiah and the rest of the Shandy family come to life in these pages. There were passages where I was engaged, but there were many passages where I was a little bored.
The Norton Critical edition contains much literary criticism. It would appear that there were favourable reviews when it was published with many writers appreciating the unique reading experience that it provided. It was championed by Coleridge and the Romantics, generally despised by the Victorians and Edwardians and today is recognised as a classic. It has many imitators and it's similarity to a kind of stream of consciouness technique has made it a protean work in the genre. The criticsm is generally of a high standard, with many reviwers tying themselves in knots attempting to explain the grand design.
I will re-read Tristram Shandy as being forewarned is definitely fore-armed when approaching this book. I rate it at 3.5 stars, but I think there is a 5 star book in there waiting for my next read.
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