Primeros reseñadoresJ.P. Lane

Through 69 oil and watercolor paintings, JP Lane tells the story of 53 Grand Homes, including the triumphs, tragedies, and humor of the families who built them. The book features homes from 31 towns, from Redding to Bakersfield. This funny, heartwarming coffee table book also features 20 architectural styles and numerous painting tips.

Praise for Grand Homes:

“JP Lane has brilliantly captured the artistic essence of our 1959 mid-century-modern home designed by architect Carter Sparks. His expressionist painting during sunset strongly reflects Carter’s post-war period and newly found optimism and flare for innovation. Lane also graphically represents the societal attitudes of sitting by the reflecting pool at night enjoying the warm weather of the Great Central Valley. His colors emulate a sense of the mid-century design attitudes and symbolizes this great time of the valley’s movement of non-conformity and personal experience in art. As was with this mid-century period of art, Lane’s paintings are also transcending and revolutionary.” —Milford Wayne and Laurie Donaldson, California State Historic Preservation Department

“Grand Homes, lovely paintings, unique histories, and painting tips. What a pleasure to have the Oroville Chinese Temple Complex included. With this book as your guide, you will discover new sites, towns to explore, histories to expand on and, perhaps, paint a Grand Home of your own.” —Machelle Conn, Lead Docent, City of Oroville

“A beautifully created book, capturing the spirit and love of the diverse people who have made the Central Valley their home. A treasure which will live on forever. Thank you!” —Jean Okuye, California Farmland Trust

Sample profile: The Zalud House in Porterville

This house was commissioned by John Zalud and his wife Mary Jane, both of whom were born in Bohemia (in present day Czech Republic). After marrying in Chicago, they moved to Tulare and opened a restaurant and bar, catering to the local railroad workers. After the railroad relocated, they moved their family to Porterville, opening a saloon, and a rumored gambling room.

"The Zalud House is one of few houses of that era that has not undergone any remodeling and one of few museums in the nation that is furnished entirely with the original owners' possessions." Aside from the amazing architecture, what draws many visitors to this museum is the tragedies suffered by this family, which seem to know no ends. One daughter died of tuberculosis and the son died after a tragic horse-riding accident. Those types of deaths, although heartbreaking, were not that uncommon during that time. However, what happened to Zalud's daughter, Anna, and son-in-law, William Brooks, captured headlines in 1917.

Brooks was employed by the National Cash Register Company and traveled with his new associate and his wife, the Howes, to St. Louis, Australia and New Zealand. His wife, Anna Zalud, stayed behind in Porterville while her husband was on business. Though accounts vary, Julia Howe heard that Brooks was bragging publicly upon his return that they had had an affair while on the trip, damaging her social standing and creating a scandal in her house. "Her beauty and grace obtained entry for her into the most exclusive homes in the east bay district of Oakland." Brooks apparently ruined all of that by tarnishing her reputation.

While her husband was on business in Buenos Aires, Argentina, she traveled to Porterville, found Brooks drinking with friends in the lobby of the Pioneer Hotel, shot him four times in the chest, sat down, ordered a drink, and waited for the police.

I just want to know what drink she ordered, which we can assume was free of charge and delivered with trembling hands.

Her only public comment after killing Brooks; "A good job done."

Through 69 oil and watercolor paintings, JP Lane tells the story of 53 Grand Homes, including the triumphs, tragedies, and humor of the families who built them. The book features homes from 31 towns, from Redding to Bakersfield. This funny, heartwarming coffee table book also features 20 architectural styles and numerous painting tips.

Praise for Grand Homes:

“JP Lane has brilliantly captured the artistic essence of our 1959 mid-century-modern home designed by architect Carter Sparks. His expressionist painting during sunset strongly reflects Carter’s post-war period and newly found optimism and flare for innovation. Lane also graphically represents the societal attitudes of sitting by the reflecting pool at night enjoying the warm weather of the Great Central Valley. His colors emulate a sense of the mid-century design attitudes and symbolizes this great time of the valley’s movement of non-conformity and personal experience in art. As was with this mid-century period of art, Lane’s paintings are also transcending and revolutionary.” —Milford Wayne and Laurie Donaldson, California State Historic Preservation Department

“Grand Homes, lovely paintings, unique histories, and painting tips. What a pleasure to have the Oroville Chinese Temple Complex included. With this book as your guide, you will discover new sites, towns to explore, histories to expand on and, perhaps, paint a Grand Home of your own.” —Machelle Conn, Lead Docent, City of Oroville

“A beautifully created book, capturing the spirit and love of the diverse people who have made the Central Valley their home. A treasure which will live on forever. Thank you!” —Jean Okuye, California Farmland Trust

Sample profile: The Zalud House in Porterville

This house was commissioned by John Zalud and his wife Mary Jane, both of whom were born in Bohemia (in present day Czech Republic). After marrying in Chicago, they moved to Tulare and opened a restaurant and bar, catering to the local railroad workers. After the railroad relocated, they moved their family to Porterville, opening a saloon, and a rumored gambling room. "The Zalud House is one of few houses of that era that has not undergone any remodeling and one of few museums in the nation that is furnished entirely with the original owners' possessions."

Aside from the amazing architecture, what draws many visitors to this museum is the tragedies suffered by this family, which seem to know no ends. One daughter died of tuberculosis and the son died after a tragic horse-riding accident. Those types of deaths, although heartbreaking, were not that uncommon during that time. However, what happened to Zalud's daughter, Anna, and son-in-law, William Brooks, captured headlines in 1917. Brooks was employed by the National Cash Register Company and traveled with his new associate and his wife, the Howes, to St. Louis, Australia and New Zealand. His wife, Anna Zalud, stayed behind in Porterville while her husband was on business. Though accounts vary, Julia Howe heard that Brooks was bragging publicly upon his return that they had had an affair while on the trip, damaging her social standing and creating a scandal in her house.

"Her beauty and grace obtained entry for her into the most exclusive homes in the east bay district of Oakland."

Brooks apparently ruined all of that by tarnishing her reputation. While her husband was on business in Buenos Aires, Argentina, she traveled to Porterville, found Brooks drinking with friends in the lobby of the Pioneer Hotel, shot him four times in the chest, sat down, ordered a drink, and waited for the police.

I just want to know what drink she ordered, which we can assume was free of charge and delivered with trembling hands. Her only public comment after killing Brooks; "A good job done."

He’s a rock star who can’t remember his own songs…and his only hope is a Japanese kid who hates his music.

Waking up from a coma handcuffed to a Tokyo hospital bed is bad enough. Being arrested for assault is worse. But failing to remember his own songs is the final straw for Wood, stage name Driftwood.

Stuck in Tokyo until the trial, he thinks of everything that brought him to that point. Wood traverses the rock scene of the late 1990s – the American South, Europe, the former Soviet Union, and Tokyo – with his bandmate, Jesse, their exhausted manager, Rachel, and a condescending Bassett Hound. Through bar brawls, cattle prods, voodoo rituals, acid trips, and fights over the TV remote, the characters explore themes of race, sexuality, fame, love, and death.

And in the most frightening moment of his life, hope. Hope to rebuild his life with the help of a young woman he met in Tokyo, and a Japanese guitar player who helps fill the terrible emptiness where his songs used to be.

An engaging whirlwind of a novel – The Driftwood Tour is a love letter to musicians and music lovers across the globe.

He’s a rock star who can’t remember his own songs…and his only hope is a Japanese kid who hates his music.

Waking up from a coma handcuffed to a Tokyo hospital bed is bad enough. Being arrested for assault is worse. But failing to remember his own songs is the final straw for Wood, stage name Driftwood.

Stuck in Tokyo until the trial, he thinks of everything that brought him to that point. Wood traverses the rock scene of the late 1990s – the American South, Europe, the former Soviet Union, and Tokyo – with his bandmate, Jesse, their exhausted manager, Rachel, and a condescending Bassett Hound. Through bar brawls, cattle prods, voodoo rituals, acid trips, and fights over the TV remote, the characters explore themes of race, sexuality, fame, love, and death.

And in the most frightening moment of his life, hope. Hope to rebuild his life with the help of a young woman he met in Tokyo, and a Japanese guitar player who helps fill the terrible emptiness where his songs used to be.

An engaging whirlwind of a novel – The Driftwood Tour is a love letter to musicians and music lovers across the globe.

He’s a rock star who can’t remember his own songs… and his only hope is a Japanese kid who hates his music.

Waking up from a coma handcuffed to a Tokyo hospital bed is bad enough. Being arrested for assault is worse. But failing to remember his own songs is the final straw for Wood, stage name Driftwood.

Stuck in Tokyo until the trial, he thinks of everything that brought him to that point. Wood traverses the rock scene of the late 1990s—the American South, Europe, the former Soviet Union, and Tokyo—with his bandmate, Jesse, their exhausted manager, Rachel, and a condescending Bassett Hound. Through bar brawls, cattle prods, voodoo rituals, acid trips, and fights over the TV remote, the characters explore themes of race, sexuality, fame, love, and death.

And in the most frightening moment of his life, hope. Hope to rebuild his life with the help of a young woman he met in Tokyo, and a Japanese guitar player who helps fill the terrible emptiness where his songs used to be.

An engaging whirlwind of a novel—The Driftwood Tour is a love letter to musicians and music lovers across the globe.