Percy M. Young (1912–2004)
Autor de The choral tradition; an historical and analytical survey from the sixteenth century to the present day
Sobre El Autor
Obras de Percy M. Young
The choral tradition; an historical and analytical survey from the sixteenth century to the present day (1962) 26 copias
DING DONG BELL. A FIRST BOOK OF NURSERY RHYMES. DEVISED BY P. YOUNG AND EDWARD ARDIZZONE. [THE ILLUSTRATIONS BY E.… (1957) 10 copias
Britten 5 copias
Bicinia Hungarica — Editor — 3 copias
The oratorios of Handel 3 copias
Vaughan Williams 3 copias
Masters of Music Tchaikobsky 1 copia
Concerto 1 copia
A handbook of choral technique 1 copia
Masters Of Music Stravinsky 1 copia
Football year 1 copia
St. Stephen's Cathedral, Vienna 1 copia
Football year 1 copia
Music 1 copia
Handel 1685-1759 1 copia
Angelus Autem Domini Descendit 1 copia
Samen naar het concert 1 copia
Zoltan Kodaly Choral Method 333 Elementary Exercises Edited With annotations by Percy M. Young (1985) 1 copia
Instrumental Music 1 copia
A First Garland of Great Tunes 1 copia
Obras relacionadas
Etiquetado
Conocimiento común
- Nombre legal
- Young, Percy Marshall
- Fecha de nacimiento
- 1912-05-17
- Fecha de fallecimiento
- 2004-05-09
- Género
- male
- Nacionalidad
- England
UK - Lugar de nacimiento
- Northwich, Cheshire, England, UK
- Lugar de fallecimiento
- York, Yorkshire, England, UK
- Educación
- University of Cambridge (Selwyn College)
Christ's Hospital - Ocupaciones
- musicologist
editor
organist
composer
teacher - Biografía breve
- Percy M. Young, the British music scholar with a special interest in English music of the eighteenth and nineteenth centuries, has also wrote several books about football.
Miembros
Reseñas
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 71
- También por
- 4
- Miembros
- 259
- Popularidad
- #88,671
- Valoración
- 3.2
- Reseñas
- 1
- ISBNs
- 47
- Idiomas
- 2
I am vaguely familiar with both Newman and Elgar, but I don't actually know The Dream of Gerontius very well; clearly I should try and get into it. The paper is a bit light on Newman, setting the writing of Gerontius in sequence with Newman's earlier work but without really explaining its importance. But it's very good on Elgar, looking at why he chose Gerontius and also at the difficulties he had in publication and production because of the strongly Catholic subject matter - an early performance at the Worcester festival only went ahead after Newman's text was altered on instruction from the local Anglican bishop, lest the good people of Worcester might start believing in Purgatory after listening to the piece. Anyway, I learned things from this and am also motivated to go and learn more.… (más)