Fotografía de autor
91+ Obras 1,160 Miembros 8 Reseñas 1 Preferidas

Sobre El Autor

Clement Wood was a writer, lawyer, and schoolteacher who was born in Alabama in 1883. Wood's work as editor for The Complete Rhyming Dictionary is his best remembered contribution to modern poets everywhere. Clement Wood died in 1950. (Bowker Author Biography)

Obras de Clement Wood

Poets' Handbook (1940) 18 copias
Tom Sawyer Grows Up (1939) 10 copias
Flesh and Other Stories (2012) 2 copias
King Henry, the rake (1929) 2 copias
Flesh 2 copias
The Best American jokes (1920) 2 copias
Strange Fires (1951) 2 copias
Desire and Other Stories (1952) 2 copias
The Tabloid Murders (1930) 2 copias
The Coffin 1 copia
Fair Game (1949) 1 copia
Nigger (2022) 1 copia
Studio Affair [189] (1951) 1 copia
Mountain 1 copia
Glad to Earth 1 copia

Obras relacionadas

Shudder Again: 22 Tales of Sex and Horror (1993) — Contribuidor — 231 copias
The Pulps: Fifty Years of American Pop Culture (1886) — Contribuidor — 103 copias
Americana Esoterica (1927) — Contribuidor — 16 copias
Bachelor's Quarters: Stories from Two Worlds (1944) — Contribuidor — 7 copias
The Ambassador (1961) — Contribuidor — 5 copias

Etiquetado

Conocimiento común

Nombre legal
Wood, Clement Richardson
Fecha de nacimiento
1888-09-01
Fecha de fallecimiento
1950-10-26
Género
male

Miembros

Reseñas

This is an updated version of Clement Wood's original work from 1936, which I have reviewed separately, although LIbraryThing seems to have combined the two. There is little difference, except for the addition of 10,000 new entries. Wood's original essay on "The Poet's Craft" is included basically intact, except for at least one slight edit, which replaces the N-word with "peoples". Other than that, the original essay, with its references and quotes to poets both well-known and largely forgotten--including Clement Wood himself--appears unchanged. (Wood was a prolific writer of all types of books, including poetry, pulp fiction, pornography, and pretty much anything else you can imagine, as well as being a socialist and atheist--which didn't sit too well with many folks in Alabama, where he grew up.)

I do find it a bit amazing that his highly opinionated and prescriptive essay is still in print, but I guess rhyming dictionaries are not on the top of the list for paying anyone to make substantial updates. In any case, it is mostly a good introduction, though he dwells too long on really obscure French forms of poetry. I am convinced that Stephen Fry used Wood's work as the basis for his brilliant "The Ode Not Taken" which provides, in a much more modern and humorous manner, the same sort of instruction, minus the non-essentials, and with integrated exercises along the way--in line with Wood's own suggestion.

As for the rhyming dictionary itself, it is laid out in a phonetic arrangement that takes a while to get used to compared to a rhyming dictionary that includes an index (or an ebook where you can easily search for the word you want to rhyme with). But by omitting an index, there is a whole lot more room for actual rhymes.

This newer version continues to insist, quite vehemently, that "north" and "forth" (and "nor" and "fore" as well) don't rhyme because the 'o' sound is different. The contention is that the 'o' in "old" and the 'o' in "for" are different sounds. But I don't buy it. Nor do the Penguin Rhyming Dictionary or Merriam-Webster Rhyming Dictionary I bought at the same time.

Of all four rhyming dictionaries I purchased, the M-W, which is organized alphabetically by the letters to be rhymed (such as "orth") may be the easiest to use. It doesn't really require an index, and you don't have to look at a lot of phonetic symbols.
… (más)
 
Denunciada
datrappert | 4 reseñas más. | Apr 24, 2020 |
I bought this after reading reviews of some newer versions which said that they didn't include the long introductory part on The Poet's Craft. However, my newer version does include it, with at least one slight edit, which replaces the N-word with "peoples". Other than that, the original 1936 essay, with its references and quotes to poets both well-known and largely forgotten--including Clement Wood himself--appears intact. (Wood was a prolific writer of all types of books, including poetry, pulp fiction, pornography, and pretty much anything else you can imagine, as well as being a socialist and atheist--which didn't sit too well with many folks in Alabama, where he grew up.)

I do find it a bit amazing that his highly opinionated and prescriptive essay is still in print, but I guess rhyming dictionaries are not on the top of the list for paying anyone to make substantial updates. In any case, it is mostly a good introduction, though he dwells too long on really obscure French forms of poetry. I am convinced that Stephen Fry used Wood's work as the basis for his brilliant "The Ode Not Taken" which provides, in a much more modern and humorous manner, the same sort of instruction, minus the non-essentials, and with integrated exercises along the way--in line with Wood's own suggestion.

As for the rhyming dictionary itself, it is laid out in a phonetic arrangement that takes a while to get used to compared to a rhyming dictionary that includes an index (or an ebook where you can easily search for the word you want to rhyme with). But by omitting an index, there is a whole lot more room for actual rhymes. I haven't done any sort of comparison with the newer edition, which claims to include 10,000 new entries, but the arrangement is the same.

Both books also insist that "north" and "forth" (and "nor" and "fore" as well) don't rhyme because the 'o' sound is different. The contention is that the 'o' in "old" and the 'o' in "for" are different sounds. But I don't buy it. Nor does the Penguin Rhyming Dictionary or Merriam-Webster Rhyming Dictionary I bought at the same time.

Of all four rhyming dictionaries, the M-W, which is organized alphabetically by the letters to be rhymed (such as "orth") may be the easiest to use. It doesn't really require an index, and you don't have to look at a lot of phonetic symbols.
… (más)
½
 
Denunciada
datrappert | 4 reseñas más. | Apr 24, 2020 |
The text/content is useful and thorough, the introductory primer on poetry is helpful. I made the mistake of assuming this edition was the same in other respects as a copy of this work which I have from Doubleday 1991. However, this edition turns out to be mass-market quality: cheap paper and diminutive size, lower quality binding. Much prefer the 1991 Doubleday which I have but is falling apart from use.
 
Denunciada
rodwms | Mar 23, 2019 |
A wonderful and much-used resource.
 
Denunciada
unclebob53703 | 4 reseñas más. | Feb 21, 2016 |

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Miembros
1,160
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