Imagen del autor

Violet Winspear (1928–1989)

Autor de The Honey Is Bitter

98+ Obras 866 Miembros 23 Reseñas 3 Preferidas

Sobre El Autor

Créditos de la imagen: Violet Winspear

Series

Obras de Violet Winspear

The Honey Is Bitter (1967) 40 copias
A Girl Possessed (1980) 23 copias
Desire Has No Mercy (1979) 23 copias
Time of the Temptress (1977) 22 copias
The Girl at Goldenhawk (1974) 22 copias
Satan Took a Bride (1975) 21 copias
Blue Jasmine (1969) 19 copias
The Child of Judas (1976) 18 copias
No Man of Her Own (1981) 18 copias
The Man She Married (1982) 17 copias
Bride's Lace (1984) 17 copias
Beloved Castaway (1968) 17 copias
By Love Bewitched (1984) 16 copias
Lucifer's Angel (1961) 15 copias
Love Is the Honey (1980) 14 copias
The Burning Sands (1976) 14 copias
Love in a Stranger's Arms (1977) 14 copias
Palace of the Peacocks (1969) 14 copias
Black Douglas (1971) 14 copias
Devil in a Silver Room (1973) 14 copias
The Valdez Marriage (1978) 14 copias
The Loved and the Feared (1977) 14 copias
A Silken Barbarity (1987) 13 copias
The Pagan Island (1972) 13 copias
The Passionate Sinner (1977) 12 copias
Tawny Sands (1970) 12 copias
Bride of Lucifer (1971) 12 copias
Sun Lord's Woman (1985) 11 copias
The Unwilling Bride (1969) 11 copias
The Sun Tower (1976) 10 copias
Dragon Bay (1969) 10 copias
House of Storms (1985) 10 copias
House of Strangers (1963) 10 copias
Tender Is the Tyrant (1967) 10 copias
Bride's Dilemma (1965) 10 copias
The Devil's Darling (1975) 10 copias
Pilgrim's Castle (1969) 10 copias
The Awakening of Alice (1978) 10 copias
The Noble Savage (1974) 10 copias
The Glass Castle (1973) 9 copias
The Chateau of St. Avrell (1970) 9 copias
Rapture of the Desert (1972) 9 copias
The Sin of Cynara (1976) 9 copias
Palace of the Pomegranate (1974) 9 copias
Dear Puritan (1971) 9 copias
Beloved Tyrant (1964) 9 copias
The Tower of the Captive (1966) 8 copias
The Little Nobody (1971) 8 copias
Love's Agony (1981) 8 copias
Secret Fire (1984) 8 copias
The Viking Stranger (1966) 8 copias
Wife Without Kisses (1961) 8 copias
The Love Battle (1977) 8 copias
Dearest Demon (1975) 8 copias
The Dangerous Delight (1968) 8 copias
Desert Doctor (1965) 8 copias
The Strange Waif (1962) 8 copias
The Kisses and the Wine (1973) 7 copias
The Cazalet Bride (1970) 7 copias
The Silver Slave (1972) 7 copias
Raintree Valley (1971) 7 copias
Forbidden Rapture (1973) 7 copias
Of Dolls and Angels (1992) 6 copias
The Court of the Veils (1968) 6 copias
Darling Infidel (1976) 6 copias
Love's Prisoner (1964) 5 copias
The Sheik's Captive (1979) 4 copias
Romance Treasury: The Mountains of Spring / O Kiss Me, Kate / Blue Jasmine (1976) — Contribuidor; Contribuidor — 4 copias
The Honeymoon (1986) 3 copias
The Child of Judas [Manga] (2015) — Original Text — 1 copia
Schejkens brud (1980) 1 copia
Att älska en främling (1981) 1 copia

Obras relacionadas

How to Write a Romance and Get it Published (1983) — Contribuidor, algunas ediciones121 copias
Lucifer's Angel (2002) — Original Text — 3 copias
Dragon Bay — Original Text — 2 copias
The Passionate Sinner (2003) — Original Text — 1 copia
Pilgrim's Castle [Manga] (2011) — Original Text — 1 copia
No Man of Her Own [Manga] (2016) — Original Text — 1 copia
The Sun Tower (2017) — Original Text — 1 copia
Darling Infidel — Original Text — 1 copia
The Man She Married (2022) — Original Text — 1 copia

Etiquetado

Conocimiento común

Otros nombres
Winspear, Violet
Fecha de nacimiento
1928-04-28
Fecha de fallecimiento
1989-01
Género
female
Nacionalidad
UK
Lugar de nacimiento
Hackney, London, England, UK
Ocupaciones
clerk
dishwasher
packer
Biografía breve
Violet Winspear was born on 28 April 1928 in London, England. She worked in a factory since 1942, when in 1961 she sold her first romance novels to Mills & Boon. In 1963, she became a full-time writer. She wrote from her home in the south-east England, that she never left, but she meticulously researched her far-flung settings at the local library. She never married, and had no children, but she inspired her nephew Jonathan to write. Violet died at January 1989 after a long battle with cancer.

She said: "The real aim of romance is to provide escape and entertainment", but she created a maelstrom when in 1970 she commented: "I get my heroes so that they're lean and hard muscled and mocking and sardonic and tough and tigerish and single, of course. Oh and they've got to be rich and then I make it that they're only cynical and smooth on the surface. But underneath they're well, you know, sort of lost and lonely. In need of love but, when roused, capable of breathtaking passion and potency. Most of my heroes, well all of them really, are like that. They frighten but fascinate. They must be the sort of men who are capable of rape: men it's dangerous to be alone in the room with." The comment, that they were 'capable of rape' caused uproar and lead to her receiving hate mail. Interestingly, she railed against the work of authors such as Harold Robbins. Winspear's forte was creating and sustaining sexual tension between her characters while building fantastic worlds.

Miembros

Reseñas

"I -- I sensed something RUTHLESS about him. He moulds people to his tastes, and he makes them submit whether they want to or not," Lauri described Maxim di Corte to her aunt Pat when, as an inexperienced girl, Lauri first joined Maxim's famous corps de ballet.

There was no doubt that Maxim de Corte would use these ruthless qualities to make her submit to him as a dancer, but could he make her do the same for him -- as a woman?
Harlequin 1208
 
Denunciada
Karen74Leigh | Dec 27, 2022 |
This book was okay but it had tons of potential that it didn't live up to. The conflict was different with the heroine being a 4th Jewish and his Muslim father having been murdered in a racially motivated attack. But that conflict was dropped pretty quickly. The one about the withheld passport came out of left field. She was so crazy about him that her instant knee jerk reaction to leave him and her leaping to the conclusion that he was still going to divorce her was weak writing. Both would have worked better if there had been ongoing threads about them. But they were pretty much hot and heavy after just some lip service to the conflicts.… (más)
 
Denunciada
Luziadovalongo | Jul 14, 2022 |
It was a fairly good read. There was sufficient contact between the couple to allow me to buy the relationship unlike some of these older HPs where there are almost no scenes of them together. The hero was alpha but far from a dick. The heroine was overly feisty. She kept berating him for being autocratic when he really wasn’t. The end was nice, sufficiently long to get a lot of I love yours and explanations covered.
 
Denunciada
Luziadovalongo | Jul 14, 2022 |
Just okay. I’m not fond of heroine’s who sassily fight the hero at every turn just to show how independent they are. The dialogue was so unrealistic. The heroine was an absolute ninny. The ending was pretty much just a whimper and a sigh. I liked him but wondered what he saw in her.
 
Denunciada
Luziadovalongo | Jul 14, 2022 |

También Puede Gustarte

Autores relacionados

Estadísticas

Obras
98
También por
9
Miembros
866
Popularidad
#29,561
Valoración
3.0
Reseñas
23
ISBNs
329
Idiomas
5
Favorito
3

Tablas y Gráficos