Leah Williams

Säga vad man vill, men en fördel när man hoppar över ett antal nummer i samlingenmed Gwenpool-serier och går direkt på denna "försök att rädda henne så hon fortfarande får ha egna tidningar"- samling är att hon själv kan hantera all förklaring själv genom att bryta fjärde väggen.

Så, hon behöver göra sig relevant. Hon tänker att hon behöver skaffa sig någon mer förmåga än just det där med fjärde väggen, och att tas för någon konstig blandning av Gwen Stacey och Deadpool (vilket väl någonstans ändå är precis vad hon är). Plan A: råna en bank för att locka dit Spindelmannen så hon kan bli biten och få hans krafter. Plan B: Gör en massa saker som blir till häftiga omslag (demaskera Spindelmannen! Förför Reed Richards! Klä dig i bikini och reta upp Hulken). Plan C: teama upp med Deadpool. Plan D. Gör dåliga saker (Dödsmatch på paradisö med massa olika hjältar).

Det hela verkar funka till slut: hon får en ny serie, vilket visas i serien, och inser själv att hon kommer få det (och att hon därmed kommer bli en ny version av sig själv). Alltså: det hela är väldigt, väldigt meta. Antingen gillar man det, eller också får man hålla sig undan från henne.… (más)

Access a version of the below that includes illustrations on my blog.

I'm not really in touch with DC continuity these days; I left off as a regular reader around the time of Convergence (which I never even finished), and that was over six years ago; I think the only things I've read since then have been some Tom King miniseries (are those even in continuity?) and N. K. Jemisin's Far Sector. So I didn't really have any context for this book; I think Power Girl's backstory has been rolled back to something approaching its pre-Flashpoint state, but I am not really sure. Mostly this doesn't matter to the story being told, but I didn't really know the status of the Super family, or why PG would feel excluded from them.

The premise of the book is pretty odd, to be honest. Some kind of event results in Power Girl obtaining psychic powers, so she and a new-to-me superhero with the not-very-heroic name of Ruin open a superhero counseling business. While Ruin talks to the heroes in the real world, Power Girl (physically?) journeys into their minds, helping clear away issues. I think probably there's a good story to be told about Power Girl adapting her often fists-first approach to something more nuanced, but this seemed to be more of a mediocre one. Like, it's not bad... but I also didn't find a lot to enjoy here. There's some neat puzzles to be solved, but Power Girl didn't totally ring true to me, and I would happily never see Johnny Sorrow in a JSA comic ever again—or, really, any kind of psychic manipulator trying to take down Power Girl.

Power Girl ditching her civilian identity of Karen Starr and replacing it with "Paige" struck me as pretty pointless. Like, why do that? Would you suddenly have Batman declare that his name is Ryder now? No, of course not; it's the kind of desperate fiddling one only does to a second-tier character... but it's the kind of fiddling that never works because it just confirms to the reader that they're reading about a second-tier character. Give it a decade or two and I'm sure she'll be Karen again. On the other hand, I did like the reckoning between her and Supergirl, which had some nice moments.

I like Maurgerite Sauvage's art style. She draws two-thirds of the book and has a distinctive, character-driven approach... but man, what is up with those thick black lines around everyone's eyes? It makes everyone look demented and ruins what would otherwise be a good effect.

Surely the real highlight of the book is the covers—and I say this as the kind of person who normally doesn't get very excited about comic book covers. I'm not very into the Stanley Lau cover for Power Girl Special #1 that was chosen for the collection cover (his stuff never looks very naturalistic to me), but the Warren Louw cover for Action Comics #1051 and the Will Jack covers for Action Comics #1053 and Power Girl Special were excellent, beautiful work. Plus, of course it's fun to get Amanda Conner back even if just on a variant (for Power Girl Special again) and I did like the David Nakayama variant for Power Girl Special, which features PG with her old Justice League International teammates Fire and Ice... though it seems a bit misleading DC used this on the back cover, given neither character appears in the actual book! My kids saw me reading this book and kept asking me about the characters, and now my five-year-old not only knows who Fire and Ice are, but can tell you that Fire used be called "the Green Flame" and Ice "Icemaiden"!

So, yeah, I do love Power Girl, but while this is a perfectly serviceable comic, it doesn't capture what I love about the character. Surely PG at her best will remain the Amanda Conner ongoing, as well as her old JLI/JLE appearances.

The Justice Society and Earth-Two: « Previous in sequence… (más)

Leah Williams’ X-Terminators features art by Carlos Gómez, colors by Bryan Valenza, letters by Travis Lanham, and covers by Federico Vicentini & Matt Milla. It collects all five issues of the titular series focusing on a team-up with Dazzler (Alison Blaire), Jubilee, Boom-Boom (Tabitha Smith), and Wolverine (Laura Kinney). The story begins with Dazzler breaking up with her boyfriend and calling Jubilee and Boom-Boom for a girl’s night. As they party, they discover that Dazzler’s ex spiked their drinks. When they awaken, the trio find themselves in a fighting arena surrounded by a vampire audience with Wolverine trapped alongside them. Unbeknownst to Dazzler, her ex was Xarus, the son of Dracula. He teamed up with the Collector and plans to add the women to his menagerie.

Leah Williams’ story is absolutely brilliant, full of bombastic action and snappy dialogue. The whole book has the tone of a road trip comedy and she perfectly draws out the essential characteristics of each character. All four – Dazzler, Jubilee, Boom-Boom, and Wolverine – have been through more than their fair share of drama over the many years of X-Men history, which Williams references while showing how they process their trauma through friendship. It’s easy to identify with how they feel like human disasters trying to find joy and companionship in a bleak world. Gómez’s art and Valenza’s colors perfectly capture the tone of Williams’ writing as well as the characters’ identities. Great fun for fans of the characters or of Williams’ writing.… (más)

I haven’t had this much fun reading an X-Men title in a long time. When Dazzler kicks her cheating boyfriend out of her apartment, she calls on Jubilee and Boom Boom to go take her out to help drown her sorrows. That’s when they get kidnapped by vampires, stumble on Wolverine (Laura, not Logan), end up in space, and save some Fae. And kickass and look fantastic while they’re doing it. It’s just as batshit crazy as it sounds, and just as much fun.

Leah Williams’ writing is laugh out loud funny, and she captures the personalities of the X-Ladies spot on. Carlos Gomez’s art is slick, stylish, and vibrant; an excellent choice for the story. Bryan Valenza’s eye-searing colors are the perfect compliment to pull everything together. I’m hoping we’ll get some more of this particular combination of talent again with this cast of characters in the future.

Collecting X-Terminators (2022) #1-5

#xmen #leahwilliams #carlosgomez #marvel #marvelcomics #xmencomics #graphicnovel #xterminators #book #books #bookstagram #bookreview #frommybookshelf #frommybookshelfblog… (más)