Imagen del autor

Linda Wagner-Martin

Autor de Sylvia Plath

52+ Obras 789 Miembros 8 Reseñas

Sobre El Autor

Linda Wagner-Martin is Frank Borden Hanes Professor of English and Comparative Literature emerita at the University of North Carolina-Chapel Hill in the United States. She has published over 75 books, including Hemingway's Wars: The Public and Private Battles and The Routledge Introduction to mostrar más American Modernism. mostrar menos

Obras de Linda Wagner-Martin

Sylvia Plath (1987) 303 copias
Three Lives [Bedford Cultural Editions] (1999) — Editor — 32 copias
Barbara Kingsolver (2004) 7 copias
Ernest Hemingway: Seven Decades of Criticism (1998) — Editor — 7 copias
William Faulkner: Six Decades of Criticism (2002) — Editor — 6 copias
Denise Levertov (1967) 5 copias
The Pearl 3 copias
Introducing poems (1976) 2 copias

Obras relacionadas

La perla (1947) — Introducción, algunas ediciones13,155 copias
Las costumbres nacionales (1913) — Introducción, algunas ediciones2,387 copias
The Heath Anthology of American Literature, Volume 1 (1990) — Contribuidor, algunas ediciones; Editor, algunas ediciones255 copias
The Portable Edith Wharton (Penguin Classics) (2003) — Editor, algunas ediciones103 copias
Hemingway and Women: Female Critics and the Female Voice (2002) — Contribuidor — 7 copias

Etiquetado

Conocimiento común

Nombre canónico
Wagner-Martin, Linda
Otros nombres
Wagner, Linda Welshimer
Fecha de nacimiento
1936-08-18
Género
female
Nacionalidad
USA
País (para mapa)
USA
Educación
Bowling Green State University
Ocupaciones
professor (English and Comparative Literature)
Organizaciones
University of North Carolina, Chapel Hill
Premios y honores
Guggenheim Fellowship
Hubbell Medal for lifetime achievement in American literature (2011)
Biografía breve
Linda Wagner-Martin is Hanes Professor of English and Comparative Literature at The University of North Carolina at Chapel Hill, USA. She was the 2011 recipient of the Hubbell Medal for lifetime service in American literature (sponsored by the MLA), and has received the Guggenheim fellowship, the senior National Endowment for the Humanities fellowship, the Bunting Institute fellowship, and awards from the Rockefeller Foundation, the American Philosophical Association and others. She has published more than fifty-five books of criticism, some edited, including Sylvia Plath: A Biography (1987) and “Favored Strangers”: Gertrude Stein and Her Family (1995), as well as studies of Ernest Hemingway, Zelda Fitzgerald, Barbara Kingsolver, and others. Recent books are A History of American Literature from 1950 to the Present (2013) and Toni Morrison and the Maternal (2014).

Miembros

Reseñas

This was a depressing difficult book to read. Zelda was an athletic beautiful young woman, courted by many men, but F Scott Fitzgerald was determined he’d “own” this southern belle himself. He truly believed he owned not only her but all her ideas, what she could and couldn’t do with her life, etc. When she tried to exert some independence, particularly in ballet and writing, he blasted her! Her ballet was a waste and her ideas belonged to him. Eventually he broke her, from owning her and everything she did, having many affairs, and drinking so excessively no one could stand to be around him. So she was institutionalized—and he insisted on demanding the treatments she received—until her doctors, belatedly, realized he was her problem. But by then the electric shock treatment and his unrelenting beating her down had ruined her health. Frustratingly, at the beginning of the book, it felt like the author was being an armchair psychiatrist. But then her thorough research shone through. It was obvious how broken she was, from primary sources: letters between Scott/Zelda, Scott/doctors, and a lengthy transcription of a heartbreaking joint therapy session. Zelda loved Scott and wanted to obey and do his bidding, but she needed freedom—physically and emotionally. Highly recommended but it is a disturbing read.… (más)
 
Denunciada
KarenMonsen | 2 reseñas más. | Aug 6, 2023 |
A sudden windfall
just what the doctor ordered
well, he's not sick now.
 
Denunciada
Eggpants | Jun 25, 2020 |
I reviewed this book for The Year's Work in English Studies, vol. 97 (2018): https://academic.oup.com/ywes/ – perfect for undergraduate classroom use.
 
Denunciada
james.d.gifford | Apr 4, 2020 |
Broad sweep in selection of essays, careful consideration of detail within a given essay. Addresses verse and stageplays, Eliot's style of language, assessment of Eliot's place in letters, and some biographical detail. Overall provides interpretations to weigh, and accept or reject the offered interpretation. For all the different contributors, the tone is uniform in its equanimity. In this, the collection is like Eliot's own writing.

M.L. Rosenthal's essay on The Waste Land reveals its origins as montage: comprised of sections sometimes published separately, and many eventually edited out or even worked into "The Hollow Men". Rosenthal argues the structure differs from other of Eliot's poetry in that it is formally open, and not so carefully designed as the Quartets, a result of Eliot's deliberate vision and not a lesser achievement.

D.R. Schwarz's essay on "Gerontion" is fascinating, and helpful in making sense of the poem, arguing Eliot deliberately emulates the tradition of a meditation poem but to illustrate a failed attempt at meditation.

W.T Moynihan's essay on Four Quartets provides an analysis of the structure, noting how each Quartet follows a similar outline internally, while also contributing to the overall argument of the complete work. Man's Time contrasted with God's Time.

Each essay is instructive. A fine introduction, worth owning.

//

TOC in comments.
… (más)
1 vota
Denunciada
elenchus | Feb 18, 2012 |

También Puede Gustarte

Autores relacionados

Estadísticas

Obras
52
También por
6
Miembros
789
Popularidad
#32,272
Valoración
½ 3.6
Reseñas
8
ISBNs
154
Idiomas
5

Tablas y Gráficos