Catherynne M. Valente
Autor de The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making
Sobre El Autor
Nota de desambiguación:
(eng) Catherynne Valente is nonbinary and uses any/all pronouns.
Créditos de la imagen: At Aussiecon IV.
Series
Obras de Catherynne M. Valente
Fade to White 17 copias
The Descent of Inanna 11 copias
The Lily and the Horn 8 copias
White Lines On A Green Field 8 copias
The Radiant Car Thy Sparrows Drew 8 copias
Music of a Proto-Suicide 7 copias
A Delicate Architecture 6 copias
The Sin of America 6 copias
The Long Goodnight of Violet Wild — Autor — 6 copias
The Future Is Blue {story} 5 copias
What the Dragon Said: A Love Story 5 copias
The Wolves of Brooklyn 4 copias
Apex Magazine 23 (April 2011) 4 copias
Secretario 4 copias
The Consultant 4 copias
Apex Magazine 15 (August 2010) — Editor — 4 copias
One Breath, One Stroke 3 copias
Apex Magazine 16 (September 2010) — Editor — 3 copias
In the Future When All's Well 3 copias
Mouse Koan {short story} 3 copias
The Red Girl {short story} 2 copias
The Wedding {short story} 2 copias
A Voice Like a Hole (short story) 2 copias
Down and Out in R'lyeh {short story} 2 copias
A Dirge for Prester John 2 copias
Golubash (Wine-Blood-War-Elegy) 2 copias
Mother is a Machine 2 copias
The Ice Puzzle 2 copias
Planet Lion {short story} 2 copias
Snow Day 2 copias
The Maiden Death 1 copia
The Sin-Eater {short story} 1 copia
The Perfect Host {short story} 1 copia
Palimpsest {short story} 1 copia
The Hanged Man 1 copia
Apex Magazine 21 (February 2011) — Editor — 1 copia
Psalm of the Second Body 1 copia
LOST FAIRYLAND 1 copia
The Manticore's Tale 1 copia
A Hole to China 1 copia
Kallisti (short story) 1 copia
The Room (short story) 1 copia
A Buyer (short story) 1 copia
Urchins (short story) 1 copia
Red Engines (short story) 1 copia
Aeromaus (short story) 1 copia
The Omikuji Project 1 copia
The City of Blind Delight 1 copia
The Seething Sea Sufficeth Us 1 copia
Coming of Age on Barsoom 1 copia
Green Like Dying 1 copia
The Quidnunx 1 copia
The Legend of Good Women 1 copia
Apex Magazine 22 (March 2011) 1 copia
Silently and Very Fast 2 1 copia
Silently and Very Fast 1 1 copia
Silently and Very Fast 3 1 copia
Obras relacionadas
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From a Certain Point of View: 40 Stories Celebrating 40 Years of The Empire Strikes Back (2020) — Contribuidor — 344 copias
Sisters of the Revolution: A Feminist Speculative Fiction Anthology (2015) — Contribuidor — 292 copias
Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It (2010) — Contribuidor — 263 copias
The Best Science Fiction and Fantasy of the Year Volume Six (2012) — Contribuidor, algunas ediciones — 137 copias
Mad Hatters and March Hares: All-New Stories from the World of Lewis Carroll's Alice in Wonderland (2017) — Contribuidor — 117 copias
Whedonistas!: A Celebration of the Worlds of Joss Whedon by the Women Who Love Them (2011) — Contribuidor — 109 copias
The Long List Anthology Volume 2: More Stories From the Hugo Award Nomination List (2016) — Contribuidor — 58 copias
Clash of the Geeks — Contribuidor — 56 copias
More Human Than Human: Stories of Androids, Robots, and Manufactured Humanity (2017) — Contribuidor — 50 copias
Fantasy Magazine, Issue 59 (December 2015) - Queers Destroy Fantasy! Special Issue (2015) — Contribuidor — 44 copias
The Long List Anthology Volume 7: More Stories From the Hugo Award Nomination List (2022) — Contribuidor — 29 copias
The WisCon Chronicles, Vol. 2: Provocative essays on feminism, race, revolution, and the future (2008) — Contribuidor — 25 copias
Current Futures: A Sci-Fi Ocean Anthology — Contribuidor — 6 copias
StarShipSofa Stories Volume 3 — Contribuidor — 4 copias
Clarkesworld: Issue 047 (August 2010) — Autor — 2 copias
Etiquetado
Conocimiento común
- Nombre legal
- Thomas, Bethany (birth)
- Fecha de nacimiento
- 1979-05-05
- Género
- non-binary
- Nacionalidad
- USA
- Lugar de nacimiento
- Seattle, Washington, USA
- Lugares de residencia
- Northern California, USA
Maine, USA - Educación
- University of California, San Diego (BA)
University of Edinburgh (MA - Classics) - Ocupaciones
- poet
writer
literary critic - Premios y honores
- Lambda Literary Award (2010)
Mythopoeic Award (2008)
James Tiptree Jr. Award (2006)
Locus Award (2012, 2014)
Hugo Award (2012)
Eugie Foster Memorial Award for Short Fiction (2016) (mostrar todos 13)
Grand Prix de l'Imaginaire (2017)
Theodore Sturgeon Memorial Award (2017)
Andre Norton Award (2009)
storySouth Million Writers Award (2007)
World Fantasy Award (2007)
Rhysling Award (2008)
Nebula Award (2012) - Agente
- Michele Rubin (Writers House)
- Aviso de desambiguación
- Catherynne Valente is nonbinary and uses any/all pronouns.
Miembros
Debates
Subterranean railway fantasy en Name that Book (junio 2012)
Reseñas
Listas
Five star books (1)
Best Dystopias (1)
al.vick-series (1)
Simon & Schuster (1)
Urban Fiction (1)
Books to Read (1)
music to my eyes (1)
Overdue Podcast (1)
Read These Too (2)
2010s (2)
Summer Reading (2)
Female Author (3)
Must-Read Maine (4)
Parallel Novels (1)
Europe (1)
Strange Cities (1)
Best First Lines (1)
Magic Realism (1)
Shelf 101 (1)
io9 Book Club (1)
Premios
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 159
- También por
- 135
- Miembros
- 19,689
- Popularidad
- #1,106
- Valoración
- 3.9
- Reseñas
- 1,083
- ISBNs
- 320
- Idiomas
- 10
- Favorito
- 103
Accompanied by a half-badger/half-wombat named Bonk and an antisocial pangolin girl named Never, Omsmo must embark on a quest to find the Eightpenny Woods - the kingdom where all the forest creatures go when they die - to make amends.
This took me a little bit to get into it. I knew it was going to be good, but my attention for it didn’t truly catch on until a little over 100 pages in, once all the group had been assembled.
As much as Bonk initially annoyed me, the more and more I got to know him, the more I understood and liked him. I even started writing down my favorite insult names he used: ornery wee fork, ya dropped egg, absolute doorknob, trashcake supreme. I loved Never off the bat and loved every inch of her antisocial self.
There’s a narrator you see only in the beginning and towards the end, that breaks the fourth wall between the narrator and the reader - otherwise it’s told in third person through Osmo’s POV.
I can see middle grade readers really enjoying this and walking away from the last few pages feeling like they themselves went on an adventure. Even as an adult, I felt that I was just told the most fabulous story sitting around a campfire. Give it a few more pages when you’re getting into it than you probably usually do - but you won’t regret it!… (más)