Robert Tressell (1870–1911)

A political novel based in Edwardian England, describing the lives of several workers for a painting and decorating company. I was expecting the story to have much more humour in it than I found. Nearly every chapter began with some bleak outlook or description of misery and gloom. It made a good comparison to the improvements of the poor today; the predictions that the rich/poor divide would always remain, and questioned whether a socialist structure of government could eradicate the rich/poor divide. I was interested and amused by the conversations on science, in particular how the earth must be flat not spherical (the same arguments are still used today, more than 100 years on!). I liked the detail of methods used in mixing paints, using brushes and ladders, sanding down using pumice stones etc.… (más)

This book was completed in 1910 but published posthumously, as the Irish author died of TB at the age of 40 a year later. It’s an unabashedly socialist novel that follows the lives of a group of English working men. They earn poverty wages and live in constant fear of being unemployed. While a lot of conditions described in the book seem as true of the working poor today as a century ago, the one striking difference is that there was no safety net whatsoever. If the men were out of work for too long, they and their families would literally starve to death, and the only alternative was going to the workhouse, which is not really described in this novel but seems to be feared as an equivalent fate to death. The most harrowing part is when one of men believes he should murder his wife and bright young son and then himself to spare them a worse fate, and is mulling over the best way to do it. That was Stephen King-level horror. There are a lot of long speeches about socialism that are meritorious but boring and I ended up skimming through them. It was mostly this one guy Owen making the speeches, but the other men dismissed him as a nut. I think this book deserves its status as a classic.… (más)