Imagen del autor

Torquato Tasso (1544–1595)

Autor de La Jerusalen libertada (2 v.)

129+ Obras 1,203 Miembros 10 Reseñas 4 Preferidas

Sobre El Autor

Few poets have had a more anguished life than Italy's Torquato Tasso, about whom Goethe wrote his celebrated tragedy Torquato Tasso. His great chivalric epic of the Christian crusades is Jerusalem Delivered (1575). Tasso, who was a critic before he was a poet, sought to make Homer and Virgil his mostrar más models and Dante his source of Christian poetic inspiration, but the resulting epic, as finally published in 1581, is a work of Petrarchan melancholy. Unlike Dante or Ariosto, Tasso did not succeed in objectifying a world in the epic manner. In celebrating the deeds of heroes, he remained subjective and lyric. The reason may be, as some have suggested, that he felt Italy was a long way from becoming a significant united nation capable of sustaining a truly epic enterprise in its literature. Forlorn in love, overwhelmed by melancholy, ever suspicious of intrigues against him, Tasso became self-critical to the point of trying to rewrite his epic to placate its severest critics. He traveled much and was several times confined as insane by patrons and friends who loved him. He died in Rome, where he had been summoned to be honored, like Petrarch, with the poet's laurel. Second to Jerusalem Delivered, Tasso's most influential literary work has been his pastoral play Aminta (1581), which has been performed and highly praised. As in his epic, the poetic voice is lyric. Some modern critics have come to believe that, with his all-pervasive lyricism, Tasso was far ahead of his times. (Bowker Author Biography) mostrar menos
Créditos de la imagen: wikimedia commons

Obras de Torquato Tasso

La Jerusalen libertada (2 v.) (1580) — Autor — 786 copias
Aminta, fabula pastoril (1449) — Autor — 90 copias
Rinaldo [audio recording] (2006) — Writer — 36 copias
Dialoghi (1983) 18 copias
Opere (1995) 12 copias
Noches (2004) 10 copias
Tasso (2000) 9 copias
Torquato Tasso (1994) 8 copias
Poesie (1952) — Autor — 8 copias
Rinaldo (2017) 6 copias
Creation of the World (1982) 6 copias
Prose (1959) 4 copias
Intrichi d'amore: Comedia (1978) 4 copias
Teatro (2003) 3 copias
Aminta e Rime (1976) — Autor — 3 copias
Il Re Torrismondo (1993) 3 copias
Rime eteree (2013) — Autor — 3 copias
Poesie E Prose (1987) 2 copias
Lettere da Sant'Anna (1960) 2 copias
LA JERUSALÉN LIBERTADA (1959) — Autor — 2 copias
1 (1974) 2 copias
Lettere dal manicomio (2005) 2 copias
Lettere poetiche (1995) — Autor — 2 copias
I quattro poeti Italiani — Autor — 2 copias
AMINTA. TORQUATO TASSO (2009) — Autor — 2 copias
Rimes et plaintes (2002) 1 copia
Los mensajeros (1999) 1 copia
Aminta, a cura di Claudio Varese — Autor — 1 copia
Le lettere 1 copia
Les Flèches d'Armide (1994) 1 copia
Le Messager (2012) 1 copia
Prose 1 copia
Orazioni 1 copia
Casa Gonzaga 1 copia
Opere Minori 1 copia
OPERE 1 copia
Noches (2003) 1 copia
Lettere, 2 1 copia
Lettere, 1 1 copia

Obras relacionadas

The Columbia Anthology of Gay Literature (1998) — Contribuidor — 158 copias

Etiquetado

Conocimiento común

Fecha de nacimiento
1544-03-11
Fecha de fallecimiento
1595-04-25
Lugar de sepultura
Chiesa di Sant'Onofrio al Gianicolo, Rome, Italy
Género
male
Nacionalidad
Italy
Lugar de nacimiento
Sorrento, Italy
Lugar de fallecimiento
Rome, Italy
Lugares de residencia
Naples, Italy
Venice, Italy
Padua, Italy
Ferrara, Italy
Paris, France
Educación
Padua University, Italy
Ocupaciones
courtier
poet
Relaciones
Tasso, Bernardo (father)
Biografía breve
Torquato Tasso was born in Sorrento in the Kingdom of Naples to a noble Italian family. His father Bernardo Tasso was a courtier for many years in the service of the Prince of Salerno. He was thrown into poverty and exile when his patron ran afoul of the Spanish authorities. The boy lived with his mother and his only sister in Naples and was educated by Jesuits. After his father's fall, he joined him in Rome. In 1557, Bernardo Tasso was offered a place at the court of Urbino. Young Tasso grew up among the cultivated, literary men who gathered there and became a companion of Francesco Maria della Rovere, the duke of Urbino's heir. He was subsequently sent to study law at Padua but spent most of his time on philosophy and poetry. Before the end of 1562, he had produced Rinaldo, a narrative poem. After a short period of further study at Bologna, he entered the service of Cardinal Luigi d'Este at the court of Duke Alfonso II d’Este of the powerful city state of Ferrara. As a young, handsome, accomplished, and well-bred gentleman, Torquato Tasso was much admired. He completed an influential play with music, Aminta, in 1573 (printed 1581) and his masterpiece, the epic poem Gerusalemme Liberata, in 1574. During the years 1575-1577, Tasso's mental health declined, and he developed the persecution mania that led to stories about a restless, moody, half-mad writer with violent outbursts that have come down in history. Bad behavior got him confined to the St. Anna madhouse in Ferrara, where he lived until 1586. From there, he corresponded with princes and men of learning throughout Italy and wrote prose works on philosophical and ethical themes. Tasso left St. Anna's at the intervention of Vincenzo Gonzaga, Prince of Mantua. Beginning in the autumn of 1587, he travelled restlessly between Mantua, Bologna, Naples, Florence, and Rome, where the pope granted him a pension and promised to make him poet laureate.
His health grew worse, and he died at age 51.

Miembros

Reseñas

Flashy and beautiful but I feel like it would be better in Italian.

He carries some traditions from the Greek epics but also expands upon them. I'm not quite sure why it was recommended for a course on American literature though...
 
Denunciada
OutOfTheBestBooks | 7 reseñas más. | Sep 24, 2021 |
This is the Capricorn books paperback of 1958 . I read it so long ago that I am planning a reread. The book was rendered into English Verse by Edward Fairfax, in 1592, and was an inspiration for courtly verse and genteel fantasy for the next three hundred years. It remains a fun read as long as it is viewed as a fantasy, as it is historically useless.
 
Denunciada
DinadansFriend | 7 reseñas más. | Jul 25, 2019 |
John Addington Symonds a nineteenth century critic said that Torquato Tasso thought he was writing a religious heroic poem but Jerusalem Delivered (Gerusalemme liberata) turned out to be a poem of sentiment and passion. First published in 1581 it was immediately popular and a complete translation by Edward Fairfax appeared in 1600 and this was the version that I read. The Fairfax translation is considered a work of literature in its own right because he took liberties with Tasso’s original, heightening the passion and sentiment as he thought fit. It reads beautifully with some purple passages that sing out from the page:

"So, in the passing of a day, doth pass
The bud and blossom of the life of man,
Nor e'er doth flourish more, but like the grass
Cut down, becometh withered, pale and wan:
Oh gather then the rose while time thou hast
Short is the day, done when it scant began,
Gather the rose of love, while yet thou mayest,
Loving, be loved; embracing, be embraced.”


Tasso’s long poem of 20 cantos is subdivided by Fairfax into stanzas of eight lines with a rhyming scheme that adds to the ease of reading.

Jerusalem Delivered is a romantic treatment of the first crusade when Godfrey led a force of 80,000 foot soldiers and 10,000 horse and reached Jerusalem in 1099. He captured the city after a siege of five weeks and ruled for a year. The poem tells the story of the siege but also tells of the love affairs between the French knights and the pagan (Moslem) women. Although Godfrey (Goffredo) is the hero of the history poem and the voice of reason and piety, it is the warriors Rinaldo and Tancredi who grab the attention. Rinaldo is tempted by the pagan sorceress Armida who lures him away from the fighting and encourages his banishment by Godfrey. The entrapment gradually turns into a real love affair which overwhelms the two characters. Tancredi falls in love with the warrior pagan woman Clorinda but kills her when he doesn’t realise who she is on the battle field:


But now, alas, the fatal hour arrives
That her sweet life must leave that tender hold,
His sword into her bosom deep he drives,
And bathed in lukewarm blood his iron cold,
Between her breasts the cruel weapon rives
Her curious square, embossed with swelling gold,
Her knees grow weak, the pains of death she feels,
And like a falling cedar bends and reels.


When he removes her helmet he is mortified, but Clorinda’s last request is that he baptise her, so that he can save her soul. Tancredi is beset with visions of Clorinda throughout the poem, but there is yet another pagan women in love with him: Erminia who he saved and protected at the battle of Antioch on the way to Jerusalem. Tasso’s female characters are as strong as their male counterparts whether they are warriors, or sorceresses.

Tasso’s poem is a carefully planned epic and differs in this respect from Ariosto’s “[Orlando Furioso]” and Spenser’s [Faerie Queen]. It has its fair share of fantasy for example the isle of temptation created by Armida or the pagan sorcerer Ismen’s spells that guard a sacred wood and on the christian side there is the archangel Michael who intervenes in critical moments on the battlefield, but they are interwoven into the overall scheme of Tasso’s story and don’t feel like fantasy add-ons. The battle scenes are rich in detail and Tasso/Fairfax’s poetry rises to the occasion, it certainly has an epic feel.

Tasso makes his pagan characters as heroic and as chivalrous as their christian counterparts. It would appear that he was worried about the way his poem would be read by his catholic patrons and he submitted it for scrutiny before publication and then worried himself to the point of insanity with revisions; eventually producing Gerusalemme Conquistata, which excised the romantic and fantasy elements and which nobody reads today.

Not everything in Jerusalem Delivered is wonderful, there are some cantos that look backward to earlier poetry, for example the majority of canto 17 is little more than a list of the leaders of the Egyptian army who are travelling to Jerusalem to support their Moslem compatriots, however the longueurs are few and far between and for the most part this is a very readable poem with some exciting battle scenes and plenty of romance with not a little compassion and even a hint of eroticism:

These naked wantons, tender, fair and white,
Moved so far the warriors' stubborn hearts,
That on their shapes they gazed with delight;
The nymphs applied their sweet alluring arts,
And one of them above the waters quite,
Lift up her head, her breasts and higher parts,
And all that might weak eyes subdue and take,
Her lower beauties veiled the gentle lake.


One of the great epic poems of the Renaissance and for me the Fairfax translation was a five star read.
… (más)
3 vota
Denunciada
baswood | 7 reseñas más. | Aug 18, 2018 |
This is an epic poem about the First Crusade to liberate the Holy Land. Little read today, it was once consider a must read during the Renaissance. Tasso imitates Homer and Virgil in composing this work and pits love against duty within the main characters. A work that should be resurrected.
1 vota
Denunciada
JVioland | 7 reseñas más. | Jul 14, 2014 |

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