Lidia Storoni Mazzolani (1911–2006)
Autor de The idea of the city in Roman thought: from walled city to spiritual commonwealth
Sobre El Autor
Créditos de la imagen: Lidia Storoni Mazzolani
Obras de Lidia Storoni Mazzolani
Sul mare della vita 3 copias
Sin título 1 copia
Profili Omerici 1 copia
Obras relacionadas
The Annals of Tacitus: Volume 2, Annals 1.55-81 and Annals 2 (Cambridge Classical Texts and Commentaries) (1981) — Traductor, algunas ediciones — 19 copias
Etiquetado
Conocimiento común
- Nombre canónico
- Storoni Mazzolani, Lidia
- Fecha de nacimiento
- 1911-01-30
- Fecha de fallecimiento
- 2006-09-11
- Género
- female
- Nacionalidad
- Italy
- Lugar de nacimiento
- Rome, Italy
- Lugar de fallecimiento
- Rome, Italy
- Lugares de residencia
- Rome, Italy
- Educación
- Sapienza Università di Roma
- Ocupaciones
- Writer
Journalist
Translator
Historian - Biografía breve
- Lidia Mazzolani Storoni was born in Rome. Her father Ulderico Mazzolani was a lawyer and member of Parliament. She attended the Ennio Quirino Visconti di Roma liceo. In 1931, she married Enzo Storoni, an anti-Fascist politician, with whom she had two daughters. She graduated with a degree in arts from the University of Rome, La Sapienza. She became an historian of the ancient Roman world, specializing in the Imperial era. Her best known work is probably Empire Without End (1976). She also wrote other nonfiction, including biographies and essays. She also translated Latin classical texts by writers such as Livy, Cicero and Tacitus, and modern works by authors such as Margaret Yourcenar into Italian. She also contributed articles to magazines and newspapers, including La Stampa, Il Giornale, and La Repubblica. Her interests extended to archaeology and she collaborated on the documentary film De immortalitate (1990), directed by Luigi Bazzani, about the ancient Etruscans and early Christians.
Miembros
Reseñas
Estadísticas
- Obras
- 19
- También por
- 6
- Miembros
- 136
- Popularidad
- #149,926
- Valoración
- 3.9
- Reseñas
- 1
- ISBNs
- 22
- Idiomas
- 2
L'epigrafe latina di una donna romana, Turia, una domina di tutto rispetto di cui, per ironia della sorte, si è tramandata conoscenza fino ad oggi.
"Essi hanno fermato nel marmo un momento del tempo; non rappresentano soltanto, come tutte le iscrizioni biografiche, i fatti personali, i sentimenti del defunto e dei superstiti; dietro i loro volti, ripresi in primo piano, nello sfondo si vedono muovere gli altri, i grandi, quelli che facevano storia."… (más)