Robert Rossen (1908–1966)
Autor de The Treasure of the Sierra Madre [1948 film]
Sobre El Autor
Créditos de la imagen: wikimedia.org
Obras de Robert Rossen
Butch Cassidy and the Sundance Kid / The French Connection / The Hustler (Triple Feature) — Director — 5 copias
Johnny O’Clock [1947 film] 5 copias
Columbia Noir Collection #3 5 copias
Film Noir Classics IV: So Dark The Night / Johnny O'Clock / Walk A Crooked Mile / Between Midnight And Dawn / Walk East… (1946) — Director — 4 copias
Western Showdown Collection: 7 Films — Director — 2 copias
Double Feature: The Man from the Alamo [and] They Came to Cordura — Director — 2 copias
Leading Men Collection, Vol. 2: A Farewell to Arms / Gentleman's Agreement / The Grapes of Wrath / Heaven Knows, Mr.… (2013) — Director — 1 copia
Etiquetado
Conocimiento común
- Otros nombres
- Rosen, Robert (birth name)
- Fecha de nacimiento
- 1908-03-16
- Fecha de fallecimiento
- 1966-02-18
- Género
- male
- Nacionalidad
- USA
- Lugar de nacimiento
- New York, New York, USA
- Lugar de fallecimiento
- New York, New York, USA
- Ocupaciones
- film director
screenwriter
producer
Miembros
Reseñas
Listas
Movies wishlist (1)
Premios
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 23
- Miembros
- 624
- Popularidad
- #40,357
- Valoración
- 4.0
- Reseñas
- 10
- ISBNs
- 43
- Idiomas
- 3
- Favorito
- 1
This is a strange noir in many respects, mostly due to Milestone allowing the moviegoer to see the story unfold in chronological order, rather than using flashbacks. It creates sympathy for the twisted Martha Ivers, because the audience understands how one selfish moment in her youth set her on a coarse she can never change. It has been raining inside her soul ever since. At the same time however, we are rooting for the vulnerable Scott to be the victor in a battle she's not sure she can win.
Nearly two decades have passed since the film’s opening when Sam Masterson (Van Heflin) has an accident just outside of Iverstown. It brings back memories of when he was a brash kid, and the girl who now controls both Walter (Kirk Douglas) and the town. He meets the lovely Toni Marachek (Lizabeth Scott) on his first night there and lends her a hand. Fresh from jail and hoping to start over, Toni falls for Sam, but fate may slam the door in her face when his ties to Iverstown come to light.
Barbara Stanwyck is the adult Martha, married to the weaker of the boys from her youth, Walter. She flaunts her feelings for Sam in front of Walter, thinking she has it over on him because he loves her. He may have more courage than she does, however, as their twisted relationship becomes strained further by Sam's return.
Heflin is solid as always and this is one of the great neglected noir films of the 1940s; mostly because it fell into public domain, and for many years good prints were nearly impossible to find. Douglas is very good in his very first screen role, and Stanwyck's portrayal of the sick and twisted Martha Ivers can stand proudly alongside any character she played in the 1940's. Though her screen time is less by comparison, it is Scott, however, who manages to steal this film. Her Toni is easily the most memorable character in the film despite all the star-power around her. Even when she isn't around, we are thinking about Toni’s plight, wondering what will become of her.
A terrific and memorable noir melodrama.… (más)