Imagen del autor

Claes Oldenburg (1929–2022)

Autor de Claes Oldenburg: An Anthology

82+ Obras 531 Miembros 5 Reseñas

Sobre El Autor

Incluye los nombres: Claes Oldenburg, Claes] [Oldenburg

Créditos de la imagen: Claes Oldenburg, 2012.

Obras de Claes Oldenburg

Notes in hand (1971) 54 copias
Claes Oldenburg: Drawings and Prints (1969) — Compositor — 32 copias
Claes Oldenburg: Early Work (2005) 16 copias
Claes Oldenburg (2012) — Fotógrafo — 9 copias
Images a la Carte (2004) 6 copias
Notes 4 copias
Inverted Collar and Tie (1994) 3 copias
Store Days (1967) 2 copias
The European desktop (2010) 2 copias
The Haunted House (1987) 1 copia
Claes Oldenburg (1964) 1 copia
The Multiples Store. (1996) 1 copia

Obras relacionadas

Theories of Modern Art: A Source Book by Artists and Critics (1968) — Contribuidor — 754 copias
Pop Art Redefined (1969) — Contribuidor — 66 copias
In Memory Of My Feelings (1967) — Ilustrador — 64 copias
Il Corso del coltello = The Course of the knife (1986)algunas ediciones22 copias
Claes Oldenberg and Coosje Van Bruggen (2002) — Contribuidor — 12 copias

Etiquetado

Conocimiento común

Miembros

Reseñas

First edition of 1.000 copies, reprinted in 2007. Offered on the internet in February for prices from USD 20,-.
 
Denunciada
FlipBool | Mar 9, 2024 |
This breezy and acerbic collection of early writings and illustrations by Oldenburg presents gnomic visions of an earlier America. Oldenburg’s hand shines through in the loose, vivid prose and in the overall presentation. The pamphlet includes “Two Scenarios from an Incomplete Pageant of America,” a pair of excerpts from the longer, unfinished narrative “Faustina,” and a postscript.

Originally published by Something Else Press between 1965 and 1967, the Great Bear Pamphlet series was envisioned by founding editor Dick Higgins as a “poor man’s keys to the new art,” or a means of exposing the most vital work of the time to a mass-market audience, and vice versa. The series made uncompromisingly radical work maximally accessible, with slim, chapbook-like publications of a mostly uniform, pared down design. Taken together, the pamphlets constitute a firsthand survey of the sixties avant-garde (Higgins, Barbara Moore, and Emmett Williams all had a hand in the editorial process) that is both sweeping and utterly unique, transmitting a still-vibrant signal of expanded possibility in art, music, and poetry. Presented here in a facsimile edition, the Great Bears epitomize the utopian vision of Higgins and Something Else.… (más)
 
Denunciada
petervanbeveren | Jan 22, 2023 |
Claes Oldenburg kept a series of pressure binders in which he mounted scraps of paper and drawings, and made notes. This selection of fifty pages from his notebooks is colorful and playful, with his scribblings decoded on the facing pages. At the end of the book, there are notes on which of the pages were eventually the inspiration for completed works.
 
Denunciada
petervanbeveren | Jul 14, 2022 |
Claes Oldenburg, multiples 1964 - 1990 : [erscheint anlässlich der Ausstellungen: Claes Oldenburg: Multiples 1964 - 1990 ; Portikus, Frankfurt am Main, 22. Februar - 31. März 1992 ; Lenbachhaus München, 8. April - 10. Mai 1992 ; Hochschule für Angewandte Kunst in Wien, 6. Oktober - 21. November 1992] / [Katalogkonzeption und -bearb.: Martin Hentschel. Übers.: Christoph Hollender]
 
Denunciada
vecchiopoggi | Oct 16, 2016 |

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Estadísticas

Obras
82
También por
5
Miembros
531
Popularidad
#46,874
Valoración
4.1
Reseñas
5
ISBNs
42
Idiomas
4

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