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Paula Modersohn-Becker (1876–1907)

Autor de Paula Modersohn-Becker: The Letters and Journals

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Nombre legal
Becker, Paula
Fecha de nacimiento
1876-02-08
Fecha de fallecimiento
1907-11-20
Lugar de sepultura
Worpswede, Germany
Género
female
Nacionalidad
Germany
Lugar de nacimiento
Friedrichstadt, Dresden, Germany
Lugar de fallecimiento
Worpswede, Germany
Lugares de residencia
Bremen, Germany
Worpswede, Germany
Paris, France
Educación
Académie Colarossi, Paris, France
École des Beaux-Arts, Paris, France
Ocupaciones
painter
artist
diarist
letter writer
Relaciones
Rilke, Rainer Maria (friend)
Biografía breve
Paula Modersohn-Becker was born in Dresden, Germany, and raised in a cultured and intellectual middle-class household. The family moved to Bremen when she was a child. She studied to become a teacher in 1883-1885 and also received private lessons in painting. She received her first drawing lessons in 1892 during a long stay in London with one of her paternal aunts. In 1896, she participated in a course for painting and drawing sponsored by the Verein der Berliner Künstlerinnen (Union of Berlin Female Artists) which offered art studies to women, followed by a one-and-a half-year apprenticeship. In 1898, she moved to the artist' colony at Worpswede, near Bremen. She was a friend of Rainer Maria Rilke and his wife, sculptor Clara Rilke-Westhoff. In 1901, she married Otto Modersohn, a landscape painter. Between 1900 and 1907, she traveled to and stayed in Paris several times, studying at the Académie Colarossi and École des Beaux-Arts, where she met leading avant-garde artists. Her work was especially influenced by Cézanne and Gaugin. She left her husband to devote herself entirely to her art, but returned home in March 1907. She gave birth to a daughter on November 2, 1907, and died suddenly of an embolism on November 20, at age 31. She was the first modern woman artist to paint herself nude, as well as mothers and children, and is now considered one of the most important of the early German modernists.

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The works of German painter Paula Modersohn-Becker (8 February 1876 – 30 November 1907). This is the digital edition of Book LXXXIV in The Zedign Art Series of monographs of the masters, published by The Zedign House. A dedicated webpage of Modersohn-Becker's book and artworks is maintained at https://books.zedign.com/zas/84.html
 
Denunciada
zedign | 2 reseñas más. | Mar 19, 2022 |
The works of German painter Paula Modersohn-Becker (8 February 1876 – 30 November 1907). Composite 2 Edition. This is the standard print edition of Book LXXXIV in The Zedign Art Series of monographs of the masters, published by The Zedign House. A dedicated webpage of Modersohn-Becker's book and artworks is maintained at https://books.zedign.com/zas/84.html
 
Denunciada
zedign | 2 reseñas más. | Mar 19, 2022 |
The works of German painter Paula Modersohn-Becker (8 February 1876 – 30 November 1907). Composite 4 Edition. This is the reference print edition of Book LXXXIV in The Zedign Art Series of monographs of the masters, published by The Zedign House. A dedicated webpage of Modersohn-Becker's book and artworks is maintained at https://books.zedign.com/zas/84.html
 
Denunciada
zedign | 2 reseñas más. | Mar 19, 2022 |
This is the definite edition today of Paula Modersohn-Becker’s letters and diary entries. It is based on (i) 3 older publications, among them Paula Modersohn-Becker: Briefe und Tagebuchblätter (1917 and many subsequent editions, ed.: Sophie Dorothee Gallwitz *), expanded and supplemented by (ii) her entire unpublished writings: further letters to family and friends and notes, (iii) excerpts of letters and notes by Otto Modersohn, Rilke and family members and (iv) criticism published 1899 and 1906. This edition thus opens new perspectives on the artist, her work, her artistic aims, her personality and relationships. The editing is exemplary.

* I reviewed this in some detail (http://www.librarything.com/review/179768025)

This book needs to be consulted by all who want to engage intensively with the work and personality of Paula Modersohn-Becker. (It is this edition on which Brigitte Uhde-Stahl bases her detailed assessment of PMB’s work. ) (VI-20)
… (más)
 
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MeisterPfriem | otra reseña | Jun 8, 2020 |

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