Imagen del autor

Edna St. Vincent Millay (1892–1950)

Autor de Collected Poems

115+ Obras 5,925 Miembros 76 Reseñas 83 Preferidas

Sobre El Autor

Edna St. Vincent Millay 1892-1950 Edna St. Vincent Millay, American poet, dramatist, lyricist, lecturer, and playwright, was born on February 22, 1892 in Rockland, Maine, and educated at Barnard College and at Vassar College, where she earned her B. A. (Her poem "Renascence" won fourth place in a mostrar más contest and was published in The Lyric Year in 1912; this resulted in a scholarship to Vassar.) Millay's first volume of poetry, "Renascence and Other Poems," was published in 1917. In 1923, "The Ballad of the Harp-Weaver" won her a Pulitzer Prize in Poetry. Other works include: "A Few Figs from Thistles;" "Sonnets in American Poetry," "A Miscellany," "The Lamp and the Bell" and "There Are No Islands Any More." Millay also wrote the libretto for "The King's Henchman," one of the few American grand operas. Edna St. Vincent Millay married Eugen Jan Boissevain in 1923. Shortly after, they purchased a farm in upstate New York, which they called Steepletop. Millay lived here for the rest of her life, composing some of her finest work in a little shack separate from the main house. Boissevain died in 1949. Millay died of a heart attack in her home on October 19, 1950. (Bowker Author Biography) mostrar menos
Créditos de la imagen: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Obras de Edna St. Vincent Millay

Collected Poems (1956) 1,092 copias
Collected Sonnets (1959) 780 copias
Selected Poems (1991) 505 copias
Renascence and Other Poems (1917) 442 copias
A Few Figs from Thistles (1920) 132 copias
Fatal Interview (1931) 131 copias
Conversation at Midnight (1937) 108 copias
The King's Henchman (1926) 91 copias
Wine from These Grapes (1934) 78 copias
Second April (1921) 73 copias
Huntsman, What Quarry? (1939) 67 copias
Make Bright the Arrows (1940) 54 copias
Mine the Harvest (1949) 53 copias
The murder of Lidice (1942) 28 copias
Take Up the Song: Poems (1986) 27 copias
The Lamp and the Bell (1921) 21 copias
Renascence (1917) 13 copias
Three plays (1926) 10 copias
Afternoon on a Hill (2019) 5 copias
Herkenningen : vertaalde gedichten (1981) — Autor — 3 copias
The King's Henchman: Lyric Drama in Three Acts (1926) — Librettist — 3 copias
Poems 2 copias
The harp-weaver (1924) 2 copias
Poems and Satires (2021) 1 copia
El amor no lo es todo (2023) 1 copia
The Pertinent 1 copia
Antología poética (2020) 1 copia
FEAR (1927) 1 copia
Inland {poem} 1 copia

Obras relacionadas

Las flores del mal (1936) — Traductor, algunas ediciones; Introducción, algunas ediciones7,564 copias
One Hundred and One Famous Poems (1916) — Contribuidor, algunas ediciones1,947 copias
The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contribuidor — 1,261 copias
Winter Poems (1994) — Contribuidor — 1,181 copias
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contribuidor, algunas ediciones917 copias
The Best Loved Poems of Jacqueline Kennedy-Onassis (2001) — Contribuidor — 546 copias
A Pocket Book of Modern Verse (1954) — Contribuidor, algunas ediciones443 copias
Sisters of the Earth: Women's Prose and Poetry About Nature (1991) — Contribuidor — 396 copias
Cries of the Spirit: A Celebration of Women's Spirituality (2000) — Contribuidor — 372 copias
Literature: The Human Experience (2006) — Contribuidor — 340 copias
The Penguin Book of Women Poets (1978) — Contribuidor — 297 copias
Writing New York: A Literary Anthology (1998) — Contribuidor — 278 copias
The Art of Losing (2010) — Contribuidor — 199 copias
A Day on Skates: The Story of a Dutch Picnic (1934) — Prólogo, algunas ediciones185 copias
American Religious Poems: An Anthology (2006) — Contribuidor — 162 copias
Best Remembered Poems (1992) — Contribuidor — 159 copias
The Saturday Evening Post Treasury (1954) — Contribuidor — 137 copias
American Wits: An Anthology of Light Verse (2003) — Contribuidor — 135 copias
A Comprehensive Anthology of American Poetry (1929) — Contribuidor — 128 copias
No More Masks! An Anthology of Poems by Women (1973) — Contribuidor — 123 copias
The Penguin Book of Women's Humour (1996) — Contribuidor — 118 copias
The Standard Book of British and American Verse (1932) — Contribuidor — 116 copias
Thirty Famous One-Act Plays (1943) — Contribuidor — 111 copias
Twentieth-Century American Poetry (1777) — Contribuidor — 97 copias
Poems Between Women (1997) — Contribuidor — 92 copias
Poems to See By: A Comic Artist Interprets Great Poetry (2020) — Contribuidor — 91 copias
Storytelling and Other Poems (1949) — Contribuidor — 90 copias
The Virago Book of Wicked Verse (1992) — Contribuidor — 82 copias
Gods and Mortals: Modern Poems on Classical Myths (1684) — Contribuidor — 68 copias
American Sonnets: An Anthology (2007) — Contribuidor — 66 copias
The Hungry Ear: Poems of Food and Drink (2012) — Contribuidor — 63 copias
The Vintage Book of American Women Writers (2011) — Contribuidor — 56 copias
Women of the Weird: Eerie Stories by the Gentle Sex (1976) — Contribuidor — 42 copias
A Quarto of Modern Literature (1935) — Contribuidor — 39 copias
An American Omnibus (1933) — Contribuidor — 31 copias
60 Years of American Poetry (1996) — Contribuidor — 28 copias
Pulitzer Prize Reader (1961) — Contribuidor — 27 copias
Great companions : critical memoirs of some famous friends (1959) — Contribuidor — 22 copias
Arthurian Literature by Women: An Anthology (1999) — Contribuidor — 19 copias
American Poetry, 1922 A Miscellany (2007) — Contribuidor — 19 copias
Ellery Queen's Poetic Justice (1967) — Contribuidor, algunas ediciones18 copias
Twelve Classic One-Act Plays (2010) — Contribuidor — 18 copias
Queer Nature: A Poetry Anthology (2022) — Contribuidor — 15 copias
Fairy Poems (2023) — Contribuidor — 15 copias
The Panorama of Modern Literature (1934) — Contribuidor — 14 copias
Modern Women Poets (2005) — Contribuidor — 13 copias
Bright Poems for Dark Days: An Anthology for Hope (2021) — Contribuidor — 9 copias
Men and Women: The Poetry of Love (1970) — Contribuidor — 8 copias
The Lost Birds: An Extinction Elegy (2022) — Compositor — 3 copias
Murder Mixture: An Anthology of Crime Stories (1963) — Contribuidor — 1 copia
早稲田文学増刊 女性号 (2017) — Contribuidor — 1 copia

Etiquetado

Conocimiento común

Nombre legal
Millay, Edna St. Vincent
Otros nombres
Boyd, Nancy
Fecha de nacimiento
1892-02-22
Fecha de fallecimiento
1950-10-19
Lugar de sepultura
Steepletop Cemetery, Austerlitz, Columbia County, New York, USA
Género
female
Nacionalidad
USA
Lugar de nacimiento
Rockland, Maine, USA
Lugar de fallecimiento
Austerlitz, New York, USA
Lugares de residencia
Rockland, Maine, USA
Poughkeepsie, New York, USA
New York, New York, USA
Parijs, Frankrijk
Camden, Maine, USA
Educación
Vassar College (BA|1917)
Camden High School
Ocupaciones
dichter
auteur van korte verhalen
toneelspeelster
toneelauteur
librettist
Relaciones
Van Stockum, Hilda (nicht)
Millay, Norma (zus)
Organizaciones
American Academy of Arts and Letters (Literature, 1929)
Premios y honores
Frost Medal (1943)
Pulitzer Prize for Poetry (1923)
Biografía breve
Edna St. Vincent Millay pulled herself out of a poverty-stricken childhood and became queen of the Bohemians during her years in New York's Greenwich Village. She expressed the recklessness of the Lost Generation of writers and artists following World War I with her famous poem "First Fig" ("my candle burns at both ends. . ."). She was the first woman to receive the Pulitzer Prize for Poetry.

Miembros

Reseñas

Good for melancholy and nature and being melancholy in nature. I bookmarked:
Renascence
Inland
Burial
Lament
Exiled
Ode to Silence
Sonnets ("We talk of taxes...")

"Yours is a face of which I can forget
The colour and the features, every one,
The words not ever, and the smiles not yet;
But in your day this moment is the sun
Upon a hill, after the sun has set."
 
Denunciada
mmparker | 2 reseñas más. | Oct 24, 2023 |
Good beyond all hope.
 
Denunciada
setnahkt | 7 reseñas más. | Aug 20, 2023 |
I’m a fan of Edna St. Vincent Millay’s poetry, so when I ran across a quotation of a few lines from this book, I decided to check it out. It’s an eighty-five-year-old stage play in verse, recounting the after-dinner talk of Ricardo, a wealthy sophisticate with a townhouse in Greenwich Village, and his six dinner guests. Since the far-ranging snippets touch on many political and social issues of the time, eight years into the Great Depression and on the eve of World War Two (with war already underway in China, Ethiopia, and Spain), I was prepared for much of the dialogue to be dated. This was less the case than I expected (sad to say).
Instead, the weakness lies in the characters. They are types, not persons: A stockbroker, a poor poet blindly defending Stalin, a frustrated fine artist who gets by on portrait commissions, a writer of short stories, a priest, and a young advertising copywriter. The exchanges, particularly heated between the broker and the poet, yield few surprises, and I didn’t notice any character development.
I was fascinated that Millay assembled an all-male group. This struck me even before the extended disquisition on the foibles of women that opened Part Two.
As for the writing: some of it, particularly the soliloquies written as sonnets, was fine. Millay displays a gift for aphorism. In addition to the lament that Babel is here and now that led me to read this, there is this on the economy: “I’m beginning to wonder what the hell / We buy that’s half so precious as what we sell.” Or this: “Hypocrisy is not to be despised, it is the pimp of Empire, but it presupposes / The existence in the community of a spiritual force for good, that must be courted and betrayed / Into connivance with evil before the planned step can be made.” As contemporary as the run-up to the Iraq War.
… (más)
 
Denunciada
HenrySt123 | otra reseña | Aug 5, 2023 |
RENASCENCE by Edna St. Vincent Millay, was, I know, considered a groundbreaking classic in its time, and a treasured book of my mom's, but sorry, Mom. I read the whole book in about forty minutes. I just couldn't relate to all the gloom and doom, and the stilted, archaic rhyming that, to me, was reminiscent of Poe. For me it was just barely an 'okay.' I have my mother's 1917 hardback (first?) edition of the book, published by Harper & Brothers. Content-wise I couldn't recommend it. But I wonder if it's valuable.

- Tim Bazzett, author of the memoir, BOOKLOVER
… (más)
 
Denunciada
TimBazzett | 10 reseñas más. | Jun 29, 2023 |

Listas

Premios

También Puede Gustarte

Autores relacionados

Mike Bryce Illustrator
Roosevelt Eleanor Contributor
Norma Millay Introduction, Editor
Olivia Gatwood Introduction
Beth Peck Illustrator

Estadísticas

Obras
115
También por
75
Miembros
5,925
Popularidad
#4,163
Valoración
4.1
Reseñas
76
ISBNs
184
Idiomas
5
Favorito
83

Tablas y Gráficos