Imagen del autor

Cameron McCabe (1915–1995)

Autor de The Face on the Cutting-Room Floor

36+ Obras 224 Miembros 2 Reseñas

Sobre El Autor

Nota de desambiguación:

(eng) Do not confuse with Bornemann, Ernst, 1912-

Obras de Cameron McCabe

The psychoanalysis of money (1976) 12 copias
Sex im Volksmund II (1974) 9 copias
Sex im Volksmund I (1974) 5 copias

Obras relacionadas

Etiquetado

Conocimiento común

Nombre legal
Bornemann, Ernst Wilhelm Julius
Otros nombres
Borneman, Ernest
Bornemann, Ernest
McCabe, Cameron
Fecha de nacimiento
1915-04-12
Fecha de fallecimiento
1995-06-04
Lugar de sepultura
Scharten, Oberösterreich, Österreich
Género
male
Nacionalidad
Germany
Lugar de nacimiento
Berlin, Deutschland
Causa de fallecimiento
suicide
Lugares de residencia
London, England, UK
Scharten, Austria
Ocupaciones
anthropologist
musicologist
jazz musician
Organizaciones
Communist Party of Germany
German Society for Social-Scientific Sexuality Research
Premios y honores
Magnus Hirschfeld Medal (1990)
Aviso de desambiguación
Do not confuse with Bornemann, Ernst, 1912-

Miembros

Reseñas

Great snappy dialogue, a nice little mystery, but the last 50 pages is what killed it for me. Took me 5 days to read those fifty pages. Really painful, overly pedantic critique of itself written by another character. The only reason why I'm giving it two stars instead of one is because the first 190 pages are pleasant enough to read.
 
Denunciada
xitomatl | otra reseña | Apr 6, 2013 |
In her first film, Estella Lamarre was one of two women in a love triangle. It was her big chance and she played her part well, so McCabe, the number two cutter, is shocked when he's told to cut Estella out of the picture. Later Estella ends up dead in the cutting room, and McCabe joins up with Smith, a Scotland Yard detective, to investigate her death.

This book was first published in 1937 and it's an oddity. McCabe is author, narrator, detective, and it's possible that he might be a murderer. At first the story just doesn't make sense, but that's because McCabe has left things out. Smith fills in some of the gaps, then other characters fill in some more. There are diversions into existentialism and politics; characters come and go for reasons that don't become clear until near the end.

The last quarter of the book is a big surprise, unlike anything that came before. Can't say more in case I ruin it.
… (más)
 
Denunciada
pamelad | otra reseña | Oct 9, 2010 |

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Estadísticas

Obras
36
También por
3
Miembros
224
Popularidad
#100,172
Valoración
2.9
Reseñas
2
ISBNs
40
Idiomas
5

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