Sobre El Autor
Michael Martone teaches writing at the University of Alabama.
Obras de Michael Martone
The Scribner Anthology of Contemporary Short Fiction: Fifty North American American Stories Since 1970 (1999) — Editor — 511 copias
Touchstone Anthology of Contemporary Creative Nonfiction: Work from 1970 to the Present (2007) — Editor — 184 copias
The Flatness and Other Landscapes (Associated Writing Programs Award for Creative Nonfiction) (2000) 31 copias
Brooding: Arias, Choruses, Lullabies, Follies, Dirges, and a Duet (Crux: The Georgia Series in Literary Nonfiction… (2018) 4 copias
The Scribner Anthology of Contemporary Short Fiction(Touchstone Books) Publisher: Touchstone; Original edition (2007) 3 copias
At a Loss (Poems) 1 copia
The Complete Writings of Art Smith, the Bird Boy of Fort Wayne, Edited by Michael Martone (American Reader Series, 35) (2020) 1 copia
Proscriptions 1 copia
Obras relacionadas
My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales (2010) — Contribuidor — 981 copias
Boob Jubilee: The Mad Cultural Politics of the New Economy: Salvos from the Baffler (2003) — Contribuidor — 82 copias
Fakes: An Anthology of Pseudo-Interviews, Faux-Lectures, Quasi-Letters, "Found" Texts, and Other Fraudulent Artifacts (2012) — Contribuidor — 67 copias
You Must Be This Tall to Ride: Contemporary Writers Take You Inside The Story (2009) — Contribuidor — 20 copias
Etiquetado
Conocimiento común
- Género
- male
- Nacionalidad
- USA
- Lugar de nacimiento
- Fort Wayne, Indiana, USA
- Lugares de residencia
- Fort Wayne, Indiana, USA (birth)
Tuscaloosa, Alabama, USA - Educación
- Butler University
Indiana University (BA | English) - Ocupaciones
- professor (English)
editor (Story County Books) - Organizaciones
- University of Alabama
- Premios y honores
- AWP Prize for Creative Nonfiction (1998)
Miembros
Reseñas
Listas
Premios
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 32
- También por
- 14
- Miembros
- 1,158
- Popularidad
- #22,187
- Valoración
- 3.7
- Reseñas
- 15
- ISBNs
- 54
- I'd read this before. I remember flipping through a girlfriend's Scribner short story collection and reading this story about a beautiful man fucking and fucking over the ugliest woman alive and being strangely moved. He threads every very delicate needle carefully, and you're often unsure whether he falls too much on the side of self-incrimination or self-aggrandizement and gendered projection or full-fleshed humanity and that ambiguity is exactly what works here, esp. as it's coupled with the narrator's own wonder at his actions, at his motivations, and ultimately his own burning desire to want to know whether he's good or bad, whether this thing, this affair, was "good" or "bad."
"The School," by Donald Barthelme (1974): 8.25
- I've read Barthelme and I've not liked Barthelme. Two-thirds through this short short-story I was prepared to amend all of that, throw off those immature thoughts that, while the absurd had its place, the imperative had passed by the time his work made its way to my hands (oh, and that the humor was too little or too droll). Indeed, two-thirds through this simple story of a school where an escalating series of deaths happens (from plants to snakes to puppies to Korean boys and classmates), I felt overturned--the humor was there, and not simply in the dry language, but embedded in the trajectory of the story itself (i.e. once you realize that things are going to keep dying and that these things will be increasingly 'meaningful', thus the puppy and boy turns are a bit humorous), and the surreality was working. All of that held, that is until the final page, when he leans EVEN further into the same and makes the school a complete Anarchosurrealworld. The thread was lost, despite the image of the gerbil walking into the class on its own, and I'm back to where I started.
"The Hermit's Story," by Rick Bass (2002): 7.75
- The piece: recounting of a near-death exp. under a frozen lake during a blizzard, in which we Learn Something and humans, animals, and what connects us. Of the breed of plodding, contemplative litfic that corkscrews a Big Theme overtop of an otherwise mundane story — and the thing about these is that they often work. Here we're about halfway there.
"The Fireman's Wife," by Richard Bausch (1989): 9
- A churning little present-tense portrait of ineffable domestic disaffection. Bausch's hand is never heavy on the story, and there's little overt authorial intercession in the narrative, save the implicit centering/privileging of the wife's emotional state on account of being tied to her perspective.… (más)