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Christine Longford (1900–1980)

Autor de Making Conversation

6+ Obras 127 Miembros 4 Reseñas

Sobre El Autor

Obras de Christine Longford

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Etiquetado

Conocimiento común

Nombre legal
Longford, Christine, Countess of
Otros nombres
Trew, Christine Patti (birth name)
Fecha de nacimiento
1900
Fecha de fallecimiento
1980-05-14
Lugar de sepultura
Mount Jerome Cemetery, Dublin, Ireland
Género
female
Nacionalidad
UK
Lugar de nacimiento
Somerset, England, UK
Lugar de fallecimiento
Dublin, Ireland
Lugares de residencia
Tullynally Castle, County Westmeath, Ireland
Pakenham Hall, County Westmeath, Ireland
Educación
Oxford Wells High School
Oxford University (Somerville College ∙ Classics)
Ocupaciones
playwright
novelist
costume designer
theater manager
Relaciones
Pakenham, Edward (husband)
Pakenham, Frank, 7th Earl of Longford (brother-in-law)
Powell, Lady Violet (sister-in-law)
Clive, Mary (sister-in-law)
Lamb, Lady Pansy (sister-in-law)
Longford, Elizabeth (sister-in-law) (mostrar todos 8)
Fraser, Antonia (niece)
Billington, Rachel (niece)
Biografía breve
Christine Patti Trew was born in Somerset, England. Her parents separated when she was a child, and her mother took in boarders while Christine attended Oxford High School. She won a scholarship to study classics at Oxford University. There she met and in 1925 married Edward Pakenham, later 6th Earl of Longford. The couple moved to Ireland and divided their time between Dublin and Pakenham Hall, now Tullynally Castle, in County Westmeath. In 1930, Christine Longford and her husband, also a playwright, invested in The Dublin Gate Theatre Company, a showcase for modern plays and design, and worked with Hilton Edwards and Micheál Mac Liammoir from 1931 to 1936. Following a disagreement, the Christine and her husband founded Longford Productions, which produced more than 150 plays at The Gate Theatre over 24 years. In addition to designing costumes and managing productions at the theater, Christine Longford wrote many plays, including Lord Edward (1940) and Patrick Sarsfield (1943). She also adapted novels such as Pride and Prejudice for the stage. Her books include A Biography of Dublin, published as part of the Biographies of Cities series, and a comic semi-autobiographical novel, Making Conversation (1931). Christine and her husband were childless, and on his death the earldom passed to her brother-in-law Frank.

Miembros

Reseñas

(25 December 2011 – from Gill)

This is one of those delicious books that doesn’t have a plot as such – OK, our heroine progresses through her youth, but it’s more a collection of exquisitely observed scenes and – yes – conversations than a plot-based narrative. Martha, our heroine, never quite fits in or understands the sub-texts (or, often, texts) she encounters. There is a glorious acceptance of all the different people who one might just about encounter in life – from spinsters and vicars to revolutionaries, Japanese gentlemen and slightly odd boys … all almost equally bewildering. A clear eye and a deadpan voice reminiscent of Elizabeth Taylor or Barbara Pym make this a delight to read.… (más)
 
Denunciada
LyzzyBee | 3 reseñas más. | May 31, 2012 |
I’ve wanted to read this ever since Persephone decided to reprint this forgotten classic. Our main character is Martha Freke, a socially awkward girl who talks either far to much or not enough. She actually sounds a lot like me, so I thought I’d really enjoy reading this book. I didn’t enjoy it quite as much as I thought it would, but I did like it.

Martha is a little less socially awkward as I thought she would be; she’s not the type of person who says things at inopportune moments. She’s actually quite eloquent when she does talk. She is supposed to be socially awkward, but I found myself liking her for her strength of character. She is intelligent and at times very funny in her naiveté.

The novel chronicles Martha’s growth from childhood up through her time at Oxford and into adulthood. Martha’s coming of age coincides with WWI and the 1920s, but the time period takes a back seat to Martha’s story. The tone of the book tends to be very dry at times, which is why the narrative is sometimes hard to follow. I loved especially Martha’s mother, who runs a boarding house with various lodgers who add a spot of color to the story. Sill, I enjoyed watching Martha’s progression through school, university, and adulthood. This is not my favorite Persephone reprint, but it’s a novel that’s a good addition to the canon.
… (más)
2 vota
Denunciada
Kasthu | 3 reseñas más. | Dec 5, 2010 |
Making Conversation is an immensly readable novel about a young girl Matha Freke, growing up, during and just after the first world war. To start with she lives with her mother and thier often slightly eccentric collection of paying guests. Later Martha goes to Oxford to study classics, where she meets a host of different people both male and female. Throughout the novel, Martha struggles with the art of conversation, she is often unsure of herself, and feels that hollow awkwardness that we have all felt from time to time, especially during those early fledgling years when we so desperatly want to be taken seriously. Written with a deceptively light touch, Making Conversation has both humor and depth, and unsurprisingly in a novel about conversation, the dialogue is excellent.… (más)
2 vota
Denunciada
Heaven-Ali | 3 reseñas más. | Jun 19, 2010 |
Martha is an intelligent young girl who does well (she receives a scholarship to Oxford without having attended the best school). Her main problem is social: she can’t seem to make conversation as is expected of young women as part of pleasantries and general manners...
http://leaningtowardthesun.wordpress.com/2009/08/14/reads-making-conversation-ch...
 
Denunciada
noodlejet22 | 3 reseñas más. | Aug 20, 2009 |

Listas

Estadísticas

Obras
6
También por
1
Miembros
127
Popularidad
#158,248
Valoración
3.8
Reseñas
4
ISBNs
3

Tablas y Gráficos