Sara Lidman (1923–2004)
Autor de Hjortronlandet
Sobre El Autor
Créditos de la imagen: Sara Lidman 1965 Foto: Lufti Ozkök
Series
Obras de Sara Lidman
Rapport fra Hanoi 2 copias
Vänner och u-vänner 2 copias
Marta, Marta og andre tekster 2 copias
Linda 2 copias
Fem diamanter 1 copia
Marta, Marta pjäs i två akter 1 copia
Jernbanan. [1 och 2] 1 copia
Etiquetado
Conocimiento común
- Nombre canónico
- Lidman, Sara
- Fecha de nacimiento
- 1923-12-30
- Fecha de fallecimiento
- 2004-06-17
- Género
- female
- Nacionalidad
- Sweden
- Lugar de nacimiento
- Missenträsk, Sweden
- Lugar de fallecimiento
- Umeå, Sweden
- Educación
- University of Uppsala
- Ocupaciones
- novelist
- Organizaciones
- Samfundet De Nio
Miembros
Reseñas
Premios
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 36
- Miembros
- 700
- Popularidad
- #36,173
- Valoración
- 4.1
- Reseñas
- 14
- ISBNs
- 89
- Idiomas
- 6
- Favorito
- 8
But this isn't just a political novel - most of the story is to do with Didrik's relationship with his wife Anna-Stava, with his elderly parents, with the mysterious wet-nurse who turns up when Anna-Stava isn't able to feed their son, and with Didrik's absent foster-brother Naboth. All of which feed into our understanding of how the community works, what its values are, and how it makes rough-and-ready arrangements for looking after people who can't support themselves (widows and orphans are taken into the farmers' extended families, but treated as unpaid servants).
Lidman's text, which is full of broken sentences, dialect, and bits of biblical/liturgical language, was obviously a nightmare for the translator. Tate makes a pretty good job of it on the whole, but there are some odd choices here and there. The generic dialect she uses seems to be a mixture of Scots, Northern English and rural Shropshire - there's probably no good answer when translating dialect, and I'm sure it would have been a mistake to pin it down to somewhere specific, but the mixture does sound a bit artificial sometimes, and lacks internal consistency. In the religious language, she has a tendency to re-translate the Swedish rather than use corresponding passages from the AV, which must have saved valuable time, but undermines the effect of the familiarity of the language that Lidman was presumably trying to get.
I found this a very interesting book - a sort of communist Swedish Middlemarch, perhaps...… (más)