Alison Kinney

Hood by Alison Kinney is a look at a common feature of clothing throughout history and legend. Kinney is a writer based in New York. Her work has appeared in The Hairpin, The Literary Review, and Gastronomica.

Since moving to Texas, I look forward to fall. It's the short time of year where I can wear a hoodie. As a kid in Cleveland through the 1970s a hoodie was part of everyday clothing. Worn alone in the fall or under a denim jacket and down vest. It was that universal comfort clothing. Today it carries the stigma of a street punk, probable cause, or "hood."

In current culture, we see the Grim Reaper wearing a hood. Hood wearing characters also include Father Time and the executioner. Kinney examines these characters using historical sources for Death and the executioner. The result is not what the average reader would expect. The hood becomes more interesting when it comes to the executioner and capital punishment.

A short history of the hooded Klan is given and the evolution of the well-known white costume and hood. The hood still carries its stigma of racism with businesses in communities banning hoodies in their establishments. Business cannot ban minorities, but they can ban the clothing worn many minorities.

Hood is a short book with a sizeable portion devoted to cited works. It still presents more history than expected on a simple piece of clothing. Hood also manages to explain away some of the urban legends of its long history going back to the ancient Greeks. A very educational and well-written study.
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When Trayvon Martin was shot, there was a movement to blame what he was wearing (a hooded sweatshirt) for his death. A young black man should apparently know better than to wear a hoodie out and about in public. Never mind that Trayvon was a 17 year-old kid who was threatening only to the Skittles he was carrying with him, never mind that Trayvon was a human being who should have been able to wear whatever the damn hell he pleased while going about his own business. A hooded sweatshirt, obscuring his face, made him scary. Made him responsible, somehow, for his own cold-blooded murder.

Obviously that's ridiculous. But the hood has been a potent symbol for centuries, and this book examines the cultural history of hoods. Who wears them, and why? What do they mean? Author Alison Kinney traverses a wide history and a variety of contexts to explain the role of the hood; from state-sanctioned execution and terrorism like the Inquisition, the Klan, and Abu Ghraib, to protesters, fairy tales, and all the way down to college students to show how the hood is used by both the powerful and on the powerless to signify the roles they play. The first two sections, which focus on the death penalty and terrorism, are the strongest ones to me, the most cohesive. The rest of the book is more loosely organized and lacks the kind of narrative focus and drive that makes the first two sections compelling.

It's interesting to focus in on one object this way, to think about how its meanings have changed through time. And this book is one of series (other entries include the remote control, drones, etc), but honestly this is the only one that sparked my curiosity enough to pick up. Kinney has clearly done her research...she illustrates how not only has the use of the hood changed over the course of history, but how there have been latter-day distortions of past use of the hood (which she refers to as "shaggy medievalism") to serve the purposes of those who use it in their own time. It's a quick and engaging read, especially if you're inclined to enjoy thinking about privilege and abuse of power.… (más)