Joseph Jacobs (1) (1854–1916)

I really liked these fairy tales! Although there were some strange terms (and also I believe some strange translations; Jogi I assume is Yogi for example), at the heart many of these stories are very similar to European fairy tales. Evil queens using magic or trickery to get rid of innocent children (unsuccessfully), talking animals who return good deeds, princes going on quests; what I think of as the standard fairy tale but in an Indian setting so jungles and tigers instead of forests and bears.

I skipped the Notes at the end but if one is interested in the origins or history of these tales, it would be of interest.… (más)

These two fascinating collections of folk tales collected and rewritten by Jacobs for children are supplemented by his notes and comments on the sources. They were first published in London in the early 1890s. This 2002 edition includes the original illustrations and an introductory essay by Haas about Jacobs, both his methods and the reasons for his editorial choices, and his life and scholarship.

Included are the Three Little Pigs, Jack and the Beanstalk, Henny-Penny, The Wee Bannock, The King o’ the Cats, and Tamlane among many others. It would be more accurate to label these collections folktales in the English language and its dialects, since the collection includes tales from many parts of the United Kingdom, and entries from Australia and the United States.

There is entertainment and wonder herein for both five-year-olds and scholars.… (más)

Noted 19th-century folklorist and literary critic Joseph Jacobs, the editor of many collections of tales, turned in this 1895 volume to the medieval story of Reynard the Fox. Determined to "provide a text which children could read with ease and pleasure," he turned to the work of Felix Summerly (AKA Sir Henry Cole), and based his own telling on that author's 1846 The Most Delectable History of Reynard the Fox. Jacobs' text is slightly altered, but in all of the major respects it follows the Summerly closely, chronicling all of the important incidents of the story, in which the wily fox triumphs against his many enemies, most especially, against Isegrim the wolf...

Because it follows the Summerly so closely, there was little that I found new or noteworthy in Jacobs' The Most Delectable History of Reynard the Fox, when examined from a storytelling perspective. The chief interest for me, when I was conducting research for my masters dissertation, written on three centuries of Reynard retellings for children in the Anglophone world, was the scholarly introduction that Jacobs penned for the book. The melding of folkloric and literary styles in Reynard - the former providing much of the humor, the latter the satire - the influence of Aesopic fables on the story, these and other ideas are explored. I particularly liked what Jacobs had to say about the appeal of the Reynard story, and his statement that "Man may be the most interesting things to Man, but animals are more interesting to men of childlike mind." Perhaps this explains the popularity of the tale as a children's story, over the centuries, despite its many elements that might otherwise exclude it from such a use. Jacobs also has some astute things to say about the appeal of Reynard in general, and the way in which his story speaks to our instinctive sympathy for rebels and underdogs: "It is the adventurous, shifty, eponymous Hero who captures our interest. We have all a sneaking regard for the crafty villain who can control Circumstance... When brute force unblushingly ruled the world cunning was your only remedy against the tyrant." All in all, a Reynard retelling worth seeking out, if one is interested in the story. I suspect I would have enjoyed it more, had I not already read the Summerly (and the Roscoe upon which the Summerly is based).… (más)