Estelle M. Hurll (1863–1924)

Free download available at Project Gutenberg

INTRODUCTION

I. ON RAPHAEL'S CHARACTER AS AN ARTIST.

No one of the old Italian masters has taken such a firm hold upon the popular imagination as Raphael. Other artists wax and wane in public favor as they are praised by one generation of critics or disparaged by the next; but Raphael's name continues to stand in public estimation as that of the favorite painter in Christendom. The passing centuries do not dim his fame, though he is subjected to severe criticism; and he continues, as he began, the first love of the people.

The subjects of his pictures are nearly all of a cheerful nature. He exercised his skill for the most part on scenes which were agreeable to contemplate. Pain and ugliness were strangers to his art; he was preëminently the artist of joy. This is to be referred not only to his pleasure-loving nature, but to the great influence upon him of the rediscovery of Greek art in his day, an art which dealt distinctively with objects of delight.

… (más)

Free download available at Gutenberg Project

PREFACE

In making a collection of prints from the works of Michelangelo, it is impossible to secure any wide variety, either in subject or method of treatment. We are dealing here with a master whose import is always serious, and whose artistic individuality is strongly impressed on all his works, either in sculpture or painting. Our selections represent his best work in both arts. These are arranged, not in chronological order, but in a way which will lead the student from the subjects most familiar and easily understood to those which are more abstract and difficult.

… (más)

Free download available at Project Gutenberg

INTRODUCTION

I. ON RAPHAEL'S CHARACTER AS AN ARTIST.

No one of the old Italian masters has taken such a firm hold upon the popular imagination as Raphael. Other artists wax and wane in public favor as they are praised by one generation of critics or disparaged by the next; but Raphael's name continues to stand in public estimation as that of the favorite painter in Christendom. The passing centuries do not dim his fame, though he is subjected to severe criticism; and he continues, as he began, the first love of the people.

The subjects of his pictures are nearly all of a cheerful nature. He exercised his skill for the most part on scenes which were agreeable to contemplate. Pain and ugliness were strangers to his art; he was preëminently the artist of joy. This is to be referred not only to his pleasure-loving nature, but to the great influence upon him of the rediscovery of Greek art in his day, an art which dealt distinctively with objects of delight.

… (más)

Free download available at Gutenberg Project

PREFACE

In making a collection of prints from the works of Michelangelo, it is impossible to secure any wide variety, either in subject or method of treatment. We are dealing here with a master whose import is always serious, and whose artistic individuality is strongly impressed on all his works, either in sculpture or painting. Our selections represent his best work in both arts. These are arranged, not in chronological order, but in a way which will lead the student from the subjects most familiar and easily understood to those which are more abstract and difficult.

… (más)