Imagen del autor

Willem Frederik Hermans (1921–1995)

Autor de El Cuarto oscuro de Damocles

158+ Obras 8,232 Miembros 151 Reseñas 61 Preferidas

Sobre El Autor

Créditos de la imagen: Roland Gerrits / Anefo

Series

Obras de Willem Frederik Hermans

El Cuarto oscuro de Damocles (1958) 1,135 copias
Beyond Sleep (1966) 1,115 copias
Onder professoren (1975) — Autor; Epílogo — 575 copias
Au pair (1989) 493 copias
An Untouched House (1951) 360 copias
A Guardian Angel Recalls (1971) 322 copias
De tranen der acacia's (1949) 216 copias
Ik heb altijd gelijk (1951) 167 copias
De laatste roker (1991) 162 copias
Paranoia (1953) 113 copias
Ruisend gruis : roman (1995) 112 copias
Het sadistische universum 1 (1964) 100 copias
Boze brieven van Bijkaart (1977) 93 copias
Filip's sonatine (1980) 67 copias
De zegelring (1984) 64 copias
Homme's hoest (1980) 58 copias
Wittgenstein (1990) 50 copias
Mandarijnen op zwavelzuur (1963) 48 copias
Drie melodrama's (1957) 44 copias
Klaas kwam niet (1983) 41 copias
Het evangelie van O. Dapper Dapper (1973) — pseudonym — 38 copias
Dinky Toys (1988) 35 copias
De raadselachtige Multatuli (1976) 34 copias
Geyerstein's dynamiek (1982) 32 copias
Conserve (1947) 31 copias
Waarom schrijven? (1984) 27 copias
Drie drama's (1967) 23 copias
Volledige werken / 13 (2009) 22 copias
Volledige werken 4 (2012) 20 copias
Volledige werken 5 (2005) 19 copias
Naar Magnitogorsk (1990) 17 copias
Vincent literator (1990) 16 copias
Fotobiografie (2003) 15 copias
Volledige werken 15 (2005) 15 copias
Volledige werken 6 (2005) 14 copias
Volledige werken 16 (2005) 14 copias
Volledige werken 18 (2005) 13 copias
Volledige werken 8 (2005) 13 copias
Vier novellen (1993) 13 copias
Ongebundeld werk 1934-1952 (2020) 11 copias
Overgebleven gedichten (1982) 11 copias
Periander (1974) 11 copias
Volledige werken deel 10 (2005) 10 copias
Volledige werken 19 (2019) 10 copias
Koningin Eenoog (1986) 9 copias
Volledige werken 17 (2005) 8 copias
Hollywood 7 copias
Annum veritatis 6 copias
Een foto uit eigen doos (1994) 5 copias
Hypnodrome 5 copias
Reizigers (1994) 5 copias
La maison préservée (2023) 4 copias
De aardappel van de dood (1993) 4 copias
Erosie 3 copias
Tirade 2 copias
Een anekdote 2 copias
Nema više sna (2022) 1 copia
Wat eraan voorafging (2023) 1 copia
Mayerling 1 copia
Pang 1 copia
Dutch comfort 1 copia
Een toerist 1 copia

Obras relacionadas

Tractatus logico-philosophicus (1921) — Traductor, algunas ediciones4,158 copias
Voor wie dit leest : proza en poëzie van 1920 tot heden (1959) — Contribuidor — 25 copias
El martirio del obeso (1922) — Traductor, algunas ediciones25 copias
Voor wie dit leest : proza en poëzie van 1950 tot heden (1959) — Contribuidor — 20 copias
Griezelverhalen (1982) — Prólogo — 18 copias
De fruitkar (1984) — Introducción, algunas ediciones18 copias
De beste korte verhalen van De Bezige Bij (1977) — Contribuidor — 13 copias
De schilderkunst in een kritiek stadium (1950) — Contribuidor, algunas ediciones6 copias
De zeven hoofdzonden — Autor, algunas ediciones5 copias
Engelen stuifmeel uit de hemel (2002) — Contribuidor — 4 copias
15 verhalen uit noordelijke oorden (1987) — Contribuidor — 3 copias
Over Multatuli — Contribuidor — 3 copias
Focquenbroch — Introducción, algunas ediciones3 copias
Lezen & Schrijvers: foto's van lezende schrijvers (1992) — Prólogo — 2 copias
Literaire rechtspraak — Contribuidor, algunas ediciones1 copia

Etiquetado

Conocimiento común

Nombre legal
Hermans, Willem Frederik
Hermans, W.F.
Otros nombres
Prudhomme s.j., Pater Anastase
Schrijver Dezes
Bijkaart, Age
Klondyke, Fjodor
Wissel, Sita van de
Cimatarra, Luis (mostrar todos 8)
Zomerplaag, B.J.O.
Boefjes O.F.M., Pater Frater B.I.M.
Fecha de nacimiento
1921-09-01
Fecha de fallecimiento
1995-04-27
Lugar de sepultura
Gecremeerd
Género
male
Nacionalidad
Nederland
País (para mapa)
Nederland
Lugar de nacimiento
Amsterdam, Noord-Holland, Nederland
Lugar de fallecimiento
Utrecht, Utrecht, Nederland
Lugares de residencia
Groningen, Groningen, Nederland
Parijs, Île-de-France, France
Brussel, Brussels Hoofdstedelijk Gewest, België
Educación
Universiteit van Amsterdam (fysische geografie)
Ocupaciones
auteur
geoloog
lector in de fysische geografie
vertaler Duits-Nederlands
Premios y honores
P.C. Hooft-prijs (1971)
Prijs der Nederlandse Letteren (1977)
Biografía breve
Willem Frederik Hermans was a Dutch author of poetry, novels, short stories, plays, as well as booklength studies, essays, and literary criticism. His most famous works are The House of Refuge (novella, 1952), The Darkroom of Damocles (novel, 1958), and Beyond Sleep (novel, 1966).

After World War II, Hermans tried to live off his writing exclusively, but as his country was just recovering from the Occupation, he had no opportunity to sustain himself. He published three important collections of short stories from 1948 to 1957, chief among them the novella The House of Refuge (1952), and in 1958 became lecturer in physical geography at Groningen University, a position he retained until his move to Paris, France, in 1973. The same year 1958 he broke to a wide audience with The Darkroom of Damocles. In the seventies Hermans played an important role in the unmasking of Friedrich Weinreb as a cheater of Jews in the war. Hermans refused to accept the P.C. Hooftprijs for 1971. In 1977 he received the Prijs der Nederlandse Letteren, the most prestigious literary award available for writers in the language, handed out every three years alternately by the reigning Dutch and Belgian monarchs to a writer of the other country, the Belgian king Baudouin handing the prize to Hermans. Hermans is considered one of the three most important authors in the Netherlands in the postwar period, along with Harry Mulisch and Gerard Reve.
[Wikipedia]

Miembros

Reseñas

 
Denunciada
jopla | 3 reseñas más. | Apr 21, 2024 |
 
Denunciada
TychoKlop | 31 reseñas más. | Mar 23, 2024 |
Rating: 4* of five

The Publisher Says: In this dark, unnerving work of wartime fiction, W. F. Hermans exposes humanity’s essential savagery, barely concealed by its mores and morals. The year is 1944, and a Dutch partisan chances on an abandoned estate, where he decides to take refuge during a lull in the hostilities. The house seems untouched by the war, a kind of haven, its ornament and grandeur intact (not to mention its walls), clothes and sheets to spare, a kitchen stocked with food and drink. He settles in, and begins to consider himself the owner. When the Nazis recapture the village and come knocking, they similarly assume the house to be his; they assume, also, its spare rooms, which they outfit as barracks.

It is all and well until the true owner and his wife return to their estate. Horrified at the thought of being caught in his subterfuge, our protagonist finds himself drawn into further deceit—and swept up in the violence that ensues.

Civilization comes face-to-face with brutality, truth meets the duplicity that has upended and challenged its certainty—Hermans’ prose searches for an order to the chaos and nihilism of war and life. What he cannot find is as telling as what he uncovers.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: Novellas are, by definition, brief and gestural as opposed to the novel in its deeper dives, its wider emotional landscape. These general observations are, of course, not true of every novel or novella. They serve to define nothing but an expectation of the reasonably experienced reader when picking up one or the other.

I went into this read, then, expecting to get a glancing blow to my interest in the topic of what the Second World War was like for those who lived it, who were involved in the conflict and not observing events from afar. That was an expectation met...but exceeded, at least as the read settled into my brain. The prose, as translated, was not showy or terribly Writerly; the story itself was simple enough, really more suited to a short story than a novella; but as I sat stunned after finishing the read, I realized why the author chose this length of telling for a story this uncomplicated.

Without the novella’s-worth of buildup, the ending would feel artificial and out of proportion to the story itself. As it is, the ending is a shocker. It arrives without fanfare and smacks the complacent, even slightly bored, reader in their readerly chops. At the end of a trip through one devious survivor’s opportunistic manipulations of everyone around him, all in service of maximizing his immediate personal comfort, the situation he has created from his selfish, self-serving and utterly believable actions comes to a loud, permanent conclusion.

The issue I had been nursing against this overgrown short story exploded in the events of the ending. There is a reason for the length the author chose to tell his simple tale. I was not ready for the impact of the ending, which to be clear would always have been powerful. The novella before it, however, was exactly right to create its seismic shifting of my emotional response. An entire novel with this ending would, honestly, have vitiated its power to stun; a short story, even a long one, would make the ending feel artificial and tacked on.

This read is an excellent example of what a novella can do best, when used to best advantage: satisfy the reader’s hunger for a powerful emotional experience in a one-sitting package. So why only four stars? In the end, the manner of telling the story, the simple unfussy writing, works against the needed investment in the story being told. It gets to the stage of thinking, "Really? is this IT?" before the truly impactful payoff occurs. That I soldiered on, finishing the read, was not assured by the manner of storytelling the author used. At times I was ready to jump ship just to be done with this really dislikable man, this solipsistic selfish creep. I am glad that I persevered, but also a little surprised that I did with the truly staggering number of reads I already have lined up.

So, to all who start this read, I say: Do stick it out for the whole distance. It *is* worth your time. But because I feel the need to say that, I can only in honesty rate it four of five stars.
… (más)
 
Denunciada
richardderus | 7 reseñas más. | Feb 24, 2024 |

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Estadísticas

Obras
158
También por
22
Miembros
8,232
Popularidad
#2,936
Valoración
½ 3.7
Reseñas
151
ISBNs
329
Idiomas
13
Favorito
61

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