Sobre El Autor
Daria Halprin trained since early childhood as a dancer and performance artist and toured internationally in the Dancers' Workshop Company. She has appeared in several films, most noteably in Antonioni's Zabriskie Point. She studied with Fritz Perl, the originator of Gestalt Therapy, which led to mostrar más her interest in psychology. In 1978 she co-founded the Tamalpa Institute, She holds a Masters degree in psychology, is a gestalt therapist and a registered expressive arts therapist. She conducts trainings at the Tamalpa Institute, teaches internationally and has a private practice in Marin County, California. mostrar menos
Obras de Daria Halprin
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Conocimiento común
- Biografía breve
- Daria Halprin, danseuse, poète, enseignante, thérapeute, a développé un travail unique, nourri par son intérêt pour les relations qui existent entre le processus créatif, l’expression artistique et la psychologie. Elle a travaillé de manière expérimentale la danse et le théâtre avec des artistes et des psychologues du monde entier. Elle fut l’un des membres de la Dancers ’Workshop Company dirigée par sa mère Anna Halprin, avec laquelle elle s’est produite aux États-Unis et dans le monde pendant 15 ans. Elle est co-fondatrice de l’institut Tamalpa, auteure de La force expressive du corps. Guérir par l’art et le mouvement (Le Souffle d’Or, 2014) ; et a contribué à l’écriture de l’ouvrage Foundations of Expressive Arts Therapy, ainsi qu’à l’ouvrage collectif Dance, Somatics and Spirilualities : Contemporary Sacred Narratives (A. Williamson, G. Batson & S. Whatley Editors, 2015). Thérapeute en art expressif, thérapeute par le mouvement, elle dirige l’institut Tamalpa de Californie. Elle enseigne régulièrement dans différentes universités et centres et donne des conférences à travers le monde entier.
Voir les sites internet :
www.dariahalprin.org/
www.tamalpa.org/
www.tamalpafrance.org/
Miembros
Reseñas
lol u can tell that this book is right up my alley just by how many of my shelves its in
this work is characteristic of 70s-80s elite white postmodernism (before postcolonialism, 4th wave feminism, new financial crises, (official) wars on drugs/terrorism, etc). it lacks some critical awareness, its attempts at syncreticism often tend towards orientalism, and its a little too optimistic/blase wrt how this therapy can work for "beginner artists"
but i think its also the best of what that sort of applied postmodernism has to offer. the way this book pulls together such a wide swathe of eclectic ideas into a coherent, consistent, and simple framework is stunning. it does assume some confidence and spirit on the part of the analysand/patient/client/whatever, but unlike many stereotypes of postmodernism this book nails down its process into specific, concrete, programmatic sections and steps. thus while its new-agey ramblings on expressiveness and the psyche might seem inaccessible or impractical, it builds off of a robust foundation of motivating interpretive techniques that can unambiguously b executed by anyone, regardless of artistic background
and more than being a therapy, this work aims to transform the way one lives every moment of life--moving, speaking, seeing, interacting, writing, creating
its biggest weakness (aside from the general failings of white postmodernism addressed above) is its hurried and overly-simple treatment of trauma and recovery. given the contemporaneous state of the arts in western psychiatry/psychotherapy and the "mystery" (at the time) of PTSD, i cant exactly fault it for that. but i do think it provides a rich framework for therapy generally, with which one could dive deeper into trauma. im interested to read more current theoretically-informed texts on art therapy to see how this is realized… (más)
this work is characteristic of 70s-80s elite white postmodernism (before postcolonialism, 4th wave feminism, new financial crises, (official) wars on drugs/terrorism, etc). it lacks some critical awareness, its attempts at syncreticism often tend towards orientalism, and its a little too optimistic/blase wrt how this therapy can work for "beginner artists"
but i think its also the best of what that sort of applied postmodernism has to offer. the way this book pulls together such a wide swathe of eclectic ideas into a coherent, consistent, and simple framework is stunning. it does assume some confidence and spirit on the part of the analysand/patient/client/whatever, but unlike many stereotypes of postmodernism this book nails down its process into specific, concrete, programmatic sections and steps. thus while its new-agey ramblings on expressiveness and the psyche might seem inaccessible or impractical, it builds off of a robust foundation of motivating interpretive techniques that can unambiguously b executed by anyone, regardless of artistic background
and more than being a therapy, this work aims to transform the way one lives every moment of life--moving, speaking, seeing, interacting, writing, creating
its biggest weakness (aside from the general failings of white postmodernism addressed above) is its hurried and overly-simple treatment of trauma and recovery. given the contemporaneous state of the arts in western psychiatry/psychotherapy and the "mystery" (at the time) of PTSD, i cant exactly fault it for that. but i do think it provides a rich framework for therapy generally, with which one could dive deeper into trauma. im interested to read more current theoretically-informed texts on art therapy to see how this is realized… (más)
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- Obras
- 5
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- 1
- Miembros
- 37
- Popularidad
- #390,572
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- 3.0
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- 2
- ISBNs
- 7
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- 2
Voir les sites internet :
www.dariahalprin.org/
www.tamalpa.org/
www.tamalpafrance.org/… (más)