Sarah Gainham (1915–1999)
Autor de Night Falls on the City
Sobre El Autor
Series
Obras de Sarah Gainham
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Etiquetado
Conocimiento común
- Nombre legal
- Ames, Sarah Rachel Stainer
- Fecha de nacimiento
- 1915-10-01
- Fecha de fallecimiento
- 1999-11-24
- Género
- female
- Nacionalidad
- UK
- Lugar de nacimiento
- Islington, London, England, UK
- Lugar de fallecimiento
- Petronell, Austria
- Lugares de residencia
- Islington, London, England, UK (birth)
Newbury, Berkshire, England, UK
Berlin, Germany
Bonn, Germany
Trieste, Italy
Vienna, Austria (mostrar todos 7)
Petronell, Austria - Ocupaciones
- journalist
novelist - Organizaciones
- The Spectator
- Premios y honores
- Fellow of the Royal Society of Literature
- Biografía breve
- Rachel Stainer was born in Islington, north London, and attended secondary school at Newbury. She moved to Vienna, originally to work for the Four Power Commission and later as the Central Europe correspondent for the Spectator. In 1947, she married Antony Terry, a journalist; this ended in divorce. In 1964, she married Kenneth Ames, also a journalist. Her fiction works were published under the pen name of Sarah Gainham, which she took in honor of her maternal great-grandmother. Sarah Gainham set nearly all her novels in Central Europe, a region she knew intimately from her work and travels, and achieved a reputation as a perceptive chronicler of the immediate post-World War II years. Her reports of the early days in Berlin before the death of Stalin and before the Berlin Wall was built, when the espionage and propaganda battles of the Cold War were in full force, were especially appreciated by other journalists.
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This was a powerful book. I found it to be engaging and well-written. Most of all, though, the author conveyed some remarkable insights into the mentality of people under great stress. The author's fond portrayal of prewar Vienna, seen through the eyes of the main protagonist, has given me the urge to visit that city again. This is a re-published gem that is well worth a read.
Book two of Sarah Gainham’s trilogy begins in 1946 and continues the story of many of the characters from "Night Falls on the City"... those that did manage to survive the war. Julie Homburg a famous Austrian Actress who hid her Jewish husband in their home throughout the war, Georg Kerenyi - a war correspondent and the Homburg’s best friend, and Lali von Kasda - a 20 year old waif stuck in the Russian Zone of Austria with her year old child.
"A Place in the Country" is narrated by Robert Inglis, a British officer who spent most of the war in Alexandria, Egypt in the non-combat position of interpreter/interrogator, and is now stationed in the British Zone of Austria assigned to work with displaced refugees and returning prisoners of war. As the plot unfolds he befriends Georg and gains entrance into the exclusive social life of Julie.
"A Place in the Country" is a combination of love story, political intrigue, and historical drama. Amidst war torn cities, food shortages, and the newly established borders which divvied up the land between Great Britain, the Untied States, France, and the Soviet Union - the Austrian citizens are left starving and demoralized - without a country to call their own. As they try to resume some semblance of a normal life, they are forced to deal with issues of personal responsibility and guilt. There was no clear answer however, as to whether they were merely victims or willing participants in the Holocaust simply because they didn’t take a stand against the Third Reich dictatorship. In general, they view the occupying allies as presumptuous, judgmental, self-righteous, and naive. No human knows the limit of their courage until it is tested... and the Austrian’s certainly had the ultimate test.
A side plot involves Robert’s professional life; the military protocol of day-to-day dealing with prisoners of war, traitors, and his realization that highly classified information is being leaked to the new merging enemy - communist Russia.
The disappointing thing about "A Place in the Country" is the extremely narrow focus of the descriptions. The Holocaust is only mentioned in reference to the characters personal loss - the grief as their own grief. And like a raw open wound, even their own grief was too painful to put into words - buried deep within them. Maybe in the immediate after-effects of the war the Austrians were not mentally prepared to openly acknowledge the atrocities to the Jewish people. They were too busy trying to find jobs, food, lost relatives, and reclaim their war ravaged property. They were alive and free. They just wanted the nightmare to be over. I suppose this story is realistic - the graphic Holocaust survivor stories would come later. Perhaps that is the subject of the third book of the trilogy, "Private Worlds."
As mentioned in my review of "Night Falls on the City" Sarah Gainham’s writing skills seem mediocre. It may be because the book was written in German and the translation is not the best.… (más)
"A Place in the Country" is narrated by Robert Inglis, a British officer who spent most of the war in Alexandria, Egypt in the non-combat position of interpreter/interrogator, and is now stationed in the British Zone of Austria assigned to work with displaced refugees and returning prisoners of war. As the plot unfolds he befriends Georg and gains entrance into the exclusive social life of Julie.
"A Place in the Country" is a combination of love story, political intrigue, and historical drama. Amidst war torn cities, food shortages, and the newly established borders which divvied up the land between Great Britain, the Untied States, France, and the Soviet Union - the Austrian citizens are left starving and demoralized - without a country to call their own. As they try to resume some semblance of a normal life, they are forced to deal with issues of personal responsibility and guilt. There was no clear answer however, as to whether they were merely victims or willing participants in the Holocaust simply because they didn’t take a stand against the Third Reich dictatorship. In general, they view the occupying allies as presumptuous, judgmental, self-righteous, and naive. No human knows the limit of their courage until it is tested... and the Austrian’s certainly had the ultimate test.
A side plot involves Robert’s professional life; the military protocol of day-to-day dealing with prisoners of war, traitors, and his realization that highly classified information is being leaked to the new merging enemy - communist Russia.
The disappointing thing about "A Place in the Country" is the extremely narrow focus of the descriptions. The Holocaust is only mentioned in reference to the characters personal loss - the grief as their own grief. And like a raw open wound, even their own grief was too painful to put into words - buried deep within them. Maybe in the immediate after-effects of the war the Austrians were not mentally prepared to openly acknowledge the atrocities to the Jewish people. They were too busy trying to find jobs, food, lost relatives, and reclaim their war ravaged property. They were alive and free. They just wanted the nightmare to be over. I suppose this story is realistic - the graphic Holocaust survivor stories would come later. Perhaps that is the subject of the third book of the trilogy, "Private Worlds."
As mentioned in my review of "Night Falls on the City" Sarah Gainham’s writing skills seem mediocre. It may be because the book was written in German and the translation is not the best.… (más)
"Night Falls on the City" is the first book of a trilogy that takes place in Austria during the years 1938 through 1945. In novels taking place in Europe during World War II, it is common to encounter stories of military conquest and defeat, underground espionage, and the Holocaust of concentration camp atrocities. Very few stories center around the trials and tribulations of other European civilians.
Sarah Gainham (alias Sarah Rachel Stainer Ames) was twenty eight years old when the war started and lived in Great Britain until 1947 when she moved to Austria and married a German correspondent for the “Sunday Times”. She later became a journalist herself and wrote several books. Although she did not experience the war from a Nazi occupied country, she did get to see the immediate after-affects.
"Night Falls on the City" is a realistic tale of the pain, sorrow, and loss suffered by a beautiful and famous Austrian theater actress. She lives through the entire war with her Jewish husband (who is presumed to have escaped the country) secretly hidden in a secluded storage room of her apartment in Vienna. Not exactly an “ordinary” citizen, Julie Homburg uses her celebrity status to survive. She continues to work for the theater throughout the war. To avoid suspicion, she socializes with Nazis and dates an Austrian civil servant. Nevertheless, she endures Nazi interrogations, food shortages, disease, filth, and never ending fear. Of course you know she survives because, after all, this is a trilogy, but the book does not lack suspense.
I had always imagined throughout the war years in every country invaded by the Nazi’s that if you were a law-abiding (non-Jewish) citizen you were relatively safe from persecution. This book presents a whole new perspective. In addition to those of Jewish descent, anyone who was a registered communist or socialist or openly supported an opposing political party and gypsies were immediately rounded up and deported to camps. Anyone who disobeyed a law as minor as avoiding a curfew or appeared in public without proper ID could get shot on sight. Anyone who showed open disrespect for a Nazi in uniform, got caught “looking suspicious”, was on a “wrong” mailing list, or was simply rumored to have done something unpatriotic were exposed to hours of interrogation and often disposed of without much opposition from the general public. The hospitalized old, frail, and mentally ill were almost always sent to camps. Most citizens tried to keep a low profile, avoid suspicion, mind their own business. In fact, the deportations were vastly ignored. If it didn’t directly effect someone personally... it was best to pretend it never even happened. As a result, the average Austrian civilians turned their back on their Jewish neighbors and friends or savagely aided in their persecution. It was every man for himself.
Sarah Gainham’s writing style is mediocre. Sentences sometimes lack logical structure. But after a few chapters, it is easy to become so absorbed in the story that the unpolished sentence form becomes a minor detail. "Night Falls on the City" is a captivating tale of love and hate, good and evil, human strength and weakness, and the hell-on-earth nightmare brutality of war under Nazi domination, and later the Russian occupation. Anyone with an inexhaustible interest in World War II tales would appreciate this book’s descriptive references to obscure wartime scenes such as Julie Homburg’s impression as a famed actress on tour in Poland... the eerie pretense of normalcy and the subtle display of contempt for the German man in uniform. However, from a Jewish standpoint, "Night Falls on the City" barely skims the surface of the evil insanity of the Third Reich. Books two and three of the trilogy are "A Place in the Country", and "Private Worlds."… (más)
Sarah Gainham (alias Sarah Rachel Stainer Ames) was twenty eight years old when the war started and lived in Great Britain until 1947 when she moved to Austria and married a German correspondent for the “Sunday Times”. She later became a journalist herself and wrote several books. Although she did not experience the war from a Nazi occupied country, she did get to see the immediate after-affects.
"Night Falls on the City" is a realistic tale of the pain, sorrow, and loss suffered by a beautiful and famous Austrian theater actress. She lives through the entire war with her Jewish husband (who is presumed to have escaped the country) secretly hidden in a secluded storage room of her apartment in Vienna. Not exactly an “ordinary” citizen, Julie Homburg uses her celebrity status to survive. She continues to work for the theater throughout the war. To avoid suspicion, she socializes with Nazis and dates an Austrian civil servant. Nevertheless, she endures Nazi interrogations, food shortages, disease, filth, and never ending fear. Of course you know she survives because, after all, this is a trilogy, but the book does not lack suspense.
I had always imagined throughout the war years in every country invaded by the Nazi’s that if you were a law-abiding (non-Jewish) citizen you were relatively safe from persecution. This book presents a whole new perspective. In addition to those of Jewish descent, anyone who was a registered communist or socialist or openly supported an opposing political party and gypsies were immediately rounded up and deported to camps. Anyone who disobeyed a law as minor as avoiding a curfew or appeared in public without proper ID could get shot on sight. Anyone who showed open disrespect for a Nazi in uniform, got caught “looking suspicious”, was on a “wrong” mailing list, or was simply rumored to have done something unpatriotic were exposed to hours of interrogation and often disposed of without much opposition from the general public. The hospitalized old, frail, and mentally ill were almost always sent to camps. Most citizens tried to keep a low profile, avoid suspicion, mind their own business. In fact, the deportations were vastly ignored. If it didn’t directly effect someone personally... it was best to pretend it never even happened. As a result, the average Austrian civilians turned their back on their Jewish neighbors and friends or savagely aided in their persecution. It was every man for himself.
Sarah Gainham’s writing style is mediocre. Sentences sometimes lack logical structure. But after a few chapters, it is easy to become so absorbed in the story that the unpolished sentence form becomes a minor detail. "Night Falls on the City" is a captivating tale of love and hate, good and evil, human strength and weakness, and the hell-on-earth nightmare brutality of war under Nazi domination, and later the Russian occupation. Anyone with an inexhaustible interest in World War II tales would appreciate this book’s descriptive references to obscure wartime scenes such as Julie Homburg’s impression as a famed actress on tour in Poland... the eerie pretense of normalcy and the subtle display of contempt for the German man in uniform. However, from a Jewish standpoint, "Night Falls on the City" barely skims the surface of the evil insanity of the Third Reich. Books two and three of the trilogy are "A Place in the Country", and "Private Worlds."… (más)
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También Puede Gustarte
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Estadísticas
- Obras
- 16
- También por
- 1
- Miembros
- 229
- Popularidad
- #98,340
- Valoración
- 3.6
- Reseñas
- 6
- ISBNs
- 35
- Idiomas
- 1
Plot in a Nutshell
Night Falls in the City opens in Vienna in 1938 on the Eve of the Anschluss. Julia Homburg is an actress and her husband Franz, a left wing politician who is also Jewish. Both are initially reluctant to recognise the changes coming and then drawn into intrigue needed to protect Franz and his family . The novel spans the course of the war and follows Julia and her friends as they adjust to life under the Nazis as their enlightened world changes beyond recognition.
Thoughts
Night Falls in the City is not a novel to rush with. I initially struggled to embrace the story through the first 5-100 pages. It was written in the late 60’s and at times this shows in the language. Sentences are very long and often complex and I found myself having to re-read paragraphs from time to time. There is also a large cast of characters introduced early on in the novel. They predominantly represent the liberal intelligentsia and interconnect. There is also an assumption that the reader understands some of the more recent history of Austria which characters refer to regularly without a great deal of explanation. It is however very much worth sticking with.
The novel worked on two levels for me. I was fascinated by the characters who felt incredibly real. The Austrian cast were privileged and painted with all their flaws – be it Julia’s arrogance and coldness or Hella’s parsimony and need to be seen to be successful. Gainham also avoids caricature when describing the small number of German soldiers, policeman and bureaucrats who become part of Julia’s world. I was quickly invested in seeing how they coped with and survived the increasingly difficult environment.
Beyond the characters and their experiences Gainham also tells a mirroring story of Vienna (and to a lesser extent Austria). The story opens on a beautiful, enlightened City but the Anschluss quickly highlights the darker parts of life that were not far from the surface. As we follow Julia we also follow Vienna as compromises are made until by the end of the novel the city is dirty and heavily damaged.
Gainham writes with a huge amount of detail. We see the inner thought processes of a number of the characters and the City is also presented in tiny details. There is moral ambiguity throughout; we see the unconscious and accepted bias that many had for not just the Jewish people, but also gypsies and the Slavic nations. Early in the novel there is a scene of horrific violence against an elderly Jewish man; most turn away and do nothing.
In a Europe where the far right is again on the rise the novel offers a timely and sometimes difficult insight into where appeasement and compromise can lead.
A final note whilst this works as a stand alone novel it is in fact the first in a trilogy. I will be seeking the final two books out… (más)