Sven Elvestad (1885–1934)
Autor de The Iron Chariot
Sobre El Autor
Obras de Sven Elvestad
Fem gånger död 2 copias
The Case of Robert Robertson 1 copia
Guldhertigen 1 copia
Trettonde hemligheten 1 copia
Rosa Montanas dotter 1 copia
De röda dropparna 1 copia
Den rödhårige förföljaren 1 copia
Den røde enke 1 copia
Stålskrinet 1 copia
Fel spår 1 copia
Den mystiske fienden 1 copia
Thomas Busch åter i farten 1 copia
Hänen ylhäisyytensä seikkailu 1 copia
Mysteriet Tripolis-Göteborg. 1 copia
Trådarna löpa samman 1 copia
Morderen uten ansikt 1 copia
Det spökar på Orreröd 1 copia
Gengångaren 1 copia
Lizzie 1 copia
En stålblå damhandske. 1 copia
Spökclownen : Detektivroman 1 copia
Hin onde har tråkigt 1 copia
Kungens nål 1 copia
Hämnaren : Detektivroman 1 copia
Mörkrets röster : Detektivroman 1 copia
Greven av Oslo. 1 copia
Ångesten 1 copia
Himmel og hav 1 copia
Dödens finger : Detektivroman 1 copia
De tre som kom 1 copia
Die Last 1 copia
Rovspindeln. 1 copia
Dödsklockan : Detektivroman 1 copia
Telegrammet 5.30 : Detektivroman 1 copia
Den vackra spionen 1 copia
Telefonmysteriet : Detektivroman 1 copia
Utpressarkungen 1 copia
Manden som forsvandt 1 copia
Obras relacionadas
Etiquetado
Conocimiento común
- Nombre canónico
- Elvestad, Sven
- Nombre legal
- Elvestad, Kristoffer (birthname)
- Otros nombres
- Riverton, Stein
Biller, Kristian F. - Fecha de nacimiento
- 1885-09-06
- Fecha de fallecimiento
- 1934-12-19
- Género
- male
- Nacionalidad
- Norway
- Lugar de nacimiento
- Halden, Norwegen
- Lugar de fallecimiento
- Skien, Norwegen
- Ocupaciones
- Journalist
Autor
Miembros
Reseñas
Listas
Premios
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 82
- También por
- 6
- Miembros
- 251
- Popularidad
- #91,086
- Valoración
- 3.6
- Reseñas
- 16
- ISBNs
- 51
- Idiomas
- 8
Through Three Rooms is a quick and easy read, yet I feel a bit conflicted about how to assess it. The introduction, while lengthy (especially in comparison to the book itself), provides solid historical context for the book. It only becomes clear later why that’s important. Protagonist detective Asbørn Krag and the structure of his mystery story bear uncanny similarities to those of Miss Marple and Sherlock Holmes—but Krag came first by decades, so it’s not at all derivative. This in itself I found intriguing.
The setup of the story was equally intriguing—a troubled old man in a living situation that seems downright chilling. Then a crime occurs that must be solved, new characters emerge, and our hero detective knows immediately what happened and why.
This is where the story lost me, and I don’t know if something was lost in translation or if it was written vaguely on purpose. Krag solves the crime based on such a random assumption of a back story that I found myself going back in the book to see if I had missed something when I had been struggling to stay awake during parts of it. But no, it came out of nowhere. And the reason for the strange setup of the aforementioned old man’s living quarters is a massive letdown. (I’m being vague so as to avoid spoilers.)
The book feels like an unfulfilled promise. It’s not poorly written but the story builds up just to flop at the end. Kind of frustrating.… (más)