Fotografía de autor

H. A. DeRosso (1917–1960)

Autor de .44

14+ Obras 73 Miembros 1 Reseña 1 Preferidas

Sobre El Autor

Obras de H. A. DeRosso

.44 (1956) 17 copias
The Dark Brand (1998) 11 copias
Under the Burning Sun (1997) 9 copias
The Gun Trail (1999) 8 copias
End of the gun (1999) 7 copias
The Man from Texas (1957) 4 copias
The Rebel (1961) 4 copias
Tracks in the Sand (1951) 3 copias
The Old Pro 1 copia
Hide-Away 1 copia
The Rebel (1961) 1 copia

Obras relacionadas

Hard-Boiled: An Anthology of American Crime Stories (1995) — Contribuidor — 183 copias
Get Me to the Wake on Time (1970) — Contribuidor — 59 copias
Death Can Be Beautiful (1972) — Contribuidor — 50 copias
The Best of Fiends (1972) — Contribuidor — 43 copias
Rolling Gravestones (1971) — Contribuidor — 35 copias
Bleeding Hearts (1974) — Contribuidor — 28 copias
101 Mystery Stories (1986) — Contribuidor — 26 copias
Dødens dagbog (1974) — Autor, algunas ediciones1 copia
En rædselsfuld tid : 14 supergys (1989) — Autor, algunas ediciones1 copia

Etiquetado

Conocimiento común

Fecha de nacimiento
1917
Fecha de fallecimiento
1960
Género
male
Nacionalidad
USA

Miembros

Reseñas

If you grow up in the West and and do not like westerns, it is the same as if you grew up in Belgium and do not like beer. At the very least, you have proven yourself to be someone who cannot be trusted.

The status that westerns have in American culture is much diminished these days. Great westerns are still being written – see Cormac McCarthy, Larry McMurtry, and Elmer Kelton. But the greatest practioners of the classic western are long gone.

H.A. DeRosso wrote hard-boiled stories for the pulps in the 1940s and 1950s. He wrote a number of great western short-stories and a few novels. His westerns have been described by Bill Pronzini as western noir. Pronzini has edited a number of collections of his short stories. Each collection is great.

Of DeRosso’s novels, .44 is my favorite. It epitomizes DeRosso’s style: austere, hard-boiled, grim, lonely and yet,… poetic at times. The characters have an archetypal quality that transcends the merely conventional. The desert landscape they inhabit is mythological– ethereal and bleak.

There are, admittedly, more realistic western writers and much more historically accurate ones. And yet besides Cormac McCarthy there are no western writers that are as satisfying as DeRosso in the end.

DeRosso is satisfying because his work is so mythic. Westerns, after all, are suppose to be mythic. To quote Maxwell Scott in The Man Who Shot Liberty Valance, “This is the West, sir. When the legend becomes fact, print the legend.”

.44 begins with one of those great first paragraphs that hook you and then lives up to all that first paragraph promises. Everything that is classic DeRosso, that is western noir is here: menace, fate, and myth.

The two riders working up the mountain towards the pass travelled about a mile apart. There was not hurry in their progress. The first rider made no effort to quicken his horse’s pace and thus draw farther ahead. The second rider, too, seemed content with the rate he was travelling. He kept his distance, not trying at all to overtake the other, even though he had been hired to kill this first rider and intended to do so before nightfall.

(This review has also been published at www.montanawriter.com)
… (más)
 
Denunciada
Broadwater43 | Sep 1, 2010 |

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Estadísticas

Obras
14
También por
9
Miembros
73
Popularidad
#240,526
Valoración
3.9
Reseñas
1
ISBNs
54
Favorito
1

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