Guy Davenport (1927–2005)
Autor de The Geography of the Imagination
Sobre El Autor
Author, artist, literary critic and translator Guy Davenport was born on November 23, 1927 in Anderson, South Carolina. He received his Bachelor of Arts degree from Duke University in 1948 and was selected as a Rhodes Scholar. He earned a Bachelor of Literature from Merton College, Oxford mostrar más University in 1950 and a Doctor of Philosophy from Harvard University in 1961. He taught English at several universities from 1951 until his retirement in 1990. He received numerous awards including the O. Henry Award for short stories, the 1981 Morton Douwen Zabel award for fiction from the American Academy and Institute of Arts and Letters, and translation awards from PEN and the Academy of American Poets. He died on January 4, 2005 in Lexington, Kentucky. (Bowker Author Biography) mostrar menos
Créditos de la imagen: Photograph of Guy Davenport by photographer Guy Mendez from the dust jacket for The Geography of the Imagination : Forty Essays / Guy Davenport (San Francisco : Northpoint Press, 1981.
Obras de Guy Davenport
The Medusa 6 copias
Paintings and Drawings 2 copias
August 1 copia
Lectures on Don Quixote 1 copia
The Art of Lafcadio Hearn 1 copia
The Bicycle Rider 1 copia
Obras relacionadas
For the Love of Books: 115 Celebrated Writers on the Books They Love Most (1999) — Contribuidor — 452 copias
Object Lessons: The Paris Review Presents the Art of the Short Story (2012) — Contribuidor — 221 copias
Flaubert, Joyce And Beckett: The Stoic Comedians (Lannan Selection) (1962) — Ilustrador, algunas ediciones — 106 copias
The Glorious American Essay: One Hundred Essays from Colonial Times to the Present (2020) — Contribuidor — 83 copias
Who's Writing This? Notations on the Authorial I, with Self-Portraits {not Antæus} (1995) — Contribuidor — 72 copias
Mimiambos · Fragmentos mímicos / Sufrimientos de amor (0003) — Traductor, algunas ediciones — 57 copias
Counterpoints: 25 Years of The New Criterion on Culture and the Arts (2007) — Contribuidor — 48 copias
Published and Perished: Memoria, Eulogies, and Remembrances of American Writers (2002) — Contribuidor — 37 copias
Against the Grain: The New Criterion on Art and Intellect at the End of the Twentieth Century (1995) — Contribuidor — 34 copias
The intelligence of Louis Agassiz; a specimen book of scientific writings (1963) — Editor — 15 copias
The Man in the Wall: Poems by James Laughlin (New Directions Paperbook) (1993) — Prólogo, algunas ediciones — 15 copias
Antaeus No. 64/65, Spring/Autumn 1990 - Twentieth Anniversary Issue (1990) — Contribuidor — 12 copias
Stan Brakhage: Correspondences (Chicago Review, 47:4 and 48:1) — Contribuidor — 8 copias
Epitaphs for Lorine — Contribuidor — 5 copias
Antaeus No. 73/74, Spring 1994 - Who’s Writing This: Notations on the Authorial I {magazine} (1994) — Contribuidor — 5 copias
Antaeus No. 29, Spring 1978 — Contribuidor — 2 copias
Truck 21, A 50th Birthday Celebration For Jonathan Williams — Contribuidor — 1 copia
Etiquetado
Conocimiento común
- Nombre canónico
- Davenport, Guy
- Nombre legal
- Davenport, Guy Mattison
- Fecha de nacimiento
- 1927-11-23
- Fecha de fallecimiento
- 2005-01-04
- Género
- male
- Nacionalidad
- USA
- Lugar de nacimiento
- Anderson, South Carolina, USA
- Lugar de fallecimiento
- Lexington, Kentucky, USA
- Lugares de residencia
- Lexington, Kentucky, USA
Anderson, South Carolina, USA (birth)
North Carolina, USA
Oxford, Oxfordshire, England, UK
St. Louis, St. Louis County, Missouri, USA - Educación
- Duke University (BA|Classics|English Literature|1948)
Harvard University (PhD|1961)
Oxford University (Rhodes Scholar, Merton, BA|Literature|1950) - Ocupaciones
- philosopher
professor (English)
illustrator
critic
translator
essayist (mostrar todos 9)
writer (short stories)
artist (visual)
author - Organizaciones
- United States Army
- Premios y honores
- American Academy of Arts and Letters Academy Award (Literature ∙ 2001)
Rhodes Scholar
Miembros
Reseñas
The Geography of the Imagination: Forty Essays por Guy Davenport
I continue to enjoy essay collections from the '50s, '60s, and '70s (this one a current re-issue). Most of the essays here are very dense. It sometimes felt like Davenport was simply 'erudition dumping' - so many references. But the central argument(s) and idea(s) of each piece always came through. In one of the latter essays, it became apparent that many of the writers he discusses were good friends or, at least, acquaintances. This made me wonder if they are the vital artists he makes them out to be. Still, an enlightening read. One minor complaint with this edition but I hate when the publication date (or year) of each piece isn't provided in any easily identifiable way. Perhaps it is OCD on my part. Recommend.… (más)
I first encountered Guy Davenport in the review section of The National Review magazine. These letters are endlessly interesting with the thoughts, interests, and sometimes quotidian details that might not be as appealing if they did not come from the minds of two of my favorite authors. It is undoubted because they are both fascinating and challenging, providing ideas and spurring reading of topics and ideas that are mentioned.
I do not pretend the ability to read Guy Davenport properly. I have neither the background or education in the classics and/or poetry to intelligently discuss his erudite, esoteric works, but I do continually try to "find a mode of perception other than one's own."
Mr. Davenport has pointed me in the direction of many, many perceptions/ world views. I am grateful. I look forward to following his leads, and reading more of his words.
Mr. Davenport has pointed me in the direction of many, many perceptions/ world views. I am grateful. I look forward to following his leads, and reading more of his words.
1 
mortalfool | 7 reseñas más. | Jul 10, 2021 |
mortalfool | 7 reseñas más. | Jul 10, 2021 | 
It didn't take long to figure out that sticking with The Death of Picasso...was going to be The Death of Me.
What am I missing? Do tell me if you get it.
What am I missing? Do tell me if you get it.
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