Fotografía de autor

Kim Curran

Autor de Shift

10 Obras 205 Miembros 25 Reseñas

Series

Obras de Kim Curran

Shift (2012) 96 copias
Irregularity (2014) — Contribuidor — 30 copias
Control (2013) 25 copias
SLAY (2018) 24 copias
Glaze (2014) 10 copias
SLAY on Tour (2019) 9 copias
Delete (2015) 6 copias
The Kiss (2014) 2 copias
GLAZE (2014) 1 copia

Etiquetado

Conocimiento común

Género
female

Miembros

Reseñas

Shift is the story of Scott Tyler, a British teenager who accidentally discovers that he has the power to “shift” between possible realities by changing his past decisions. Along with this discovery comes his entry into a secret world of shifters and a dawning understanding of the terrible powers at play in a world where reality can be changed at will.

One on side there is a clandestine government organization called ARES that focuses on training young shifters to use their powers for good, and on the other there is a rebel faction of shifters called the SLF, who believe that shifters should be allowed to use their powers without regulation. Scott’s first contact with the world of shifters, Aubrey Jones, is also, conveniently enough, the girl of his dreams. Aubrey is a pixieish blonde with a chip on her shoulder and conflicted loyalties between ARES, who took her away from her family, and SLF, who seem bent on anarchy and destruction for the sake of it. At first it seems like the book might be about a clash between ARES and SLF, but then we meet the true villain, a morbidly fat man wants to eat Scott’s brains.

The villain, Benjo, is easily most original thing Shift has going for it. However, he is so vile and over-the-top that he seems slightly out of place in the story. I actually would have liked the author to delve more deeply into the darkness that might result from people with the power to reset their decisions controlling the world. As it was, the book felt like it flipped back and forth between a fairly by-the-numbers secret world adventure and a squick-inducing serial killer tale.

I did also appreciate that the book retained its inherent Britishness, using uniquely British phrasings and colloquialisms that seemed slightly exotic to this American reader. I suppose it’s possible that when the book is eventually published in America, that regional flavor will be stripped out, but I certainly hope not.

However, my main problem with Shift is that the underground world of the shifters never seems particularly exciting. The scenes in the school for shifters feel fairly dull and a bit cliché when compared to other similar entries in the genre. In fact, the author ends up quickly summarizing Scott’s time at school after a few scenes, and promotes him to junior agent status as if impatient to get past all that training. The end results is that we never really understand why Scott feels an allegiance to ARES, and it seems like he only really dislikes SLF because they’re the snotty popular rebels.

Also, after one of Scott’s early shifts goes terribly wrong, he never really experiences any further consequences from his new-found shifting ability. Although he uses his ability to save himself from death at one point, it never feels like we get to see him exploring his shifting powers. Additionally, the author establishes early on that shifters can only control conscious decisions, so whenever there is a passage where Scott agonizes over a decision, it openly telegraphs that he will need to shift a few pages later, which immediately lowers the stakes. The only real stakes that come into play are when the villain, Benjo, lumbers onto the scene, simply because he is so outrageous that it feels like anything could happen when he is around.

Overall, Shift is a bit of mixed bag. The storyline follows familiar contours, as a “normal” kid discovers that he is actually very special and then proceeds to save the day. The cast of supporting characters are all fairly two-dimensional, and several characters established early on barely get more than a few lines before being shuffled off-stage for the rest of the book.

Although the villain is a uniquely twisted touch in an otherwise familiar-feeling story, he never completely meshes with the rest of book around him, and the end result is a story that only hints at something darker and more compelling.
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Denunciada
unsquare | 16 reseñas más. | Feb 16, 2021 |
Tiptree shortlist 2014.The Tiptree Shortlist story "A Woman Out of Time" by Kim Curran was OK but most of the rest were do dull I didn't finish.
 
Denunciada
SChant | Apr 21, 2015 |
Delete by Kim Curran is the final volume in her Shifter trilogy. I have previously reviewed the first two books, Shift and Control, and have also interviewed the author in the past. Delete was one of the books orphaned when Strange Chemistry went under and I am very glad to see it and the series being given new life now. Before I get into this review, I need to warn you, this entire review from the blurb onwards contains spoilers for the end of Control. Really big spoilers.

The country is at war. Beset by enemies within and without. And all because of the decisions changed by one boy, Scott Tyler. In this ravaged alternative reality, Scott hardly recognises himself. He's a war hero, a leader of a unit of Shifters and maybe the only one who can prevent the country's frail defences from crumbling.

But all Scott wants to do is find a way back to the world he knew, without losing the girl he loves. With every Shift he makes, Scott edges closer towards oblivion. With no one to trust – not even himself – how much is he willing to risk to get home?


At the end of Control, Scott made a massive shift to undo the events caused by Frankie, the main "bad guy" of that book. Well, actually, Scott forces her to undo her choices, so that he can save his girlfriend. Delete opens just as that shift has been made and Scott finds himself in a worse reality, one where world war three (although they don't call it that) is ravaging the UK. All shifter children are recruited to the army to fight, Scott is in charge of the whole fighting shifter department, and Project Ganymede, the programme cutting up kids' brains which Scott stopped in the previous reality, is in full swing on a greater scale. Turns out Frankie's manipulations of world political events, while self-serving, were at least holding war at bay.

It's immediately clear to Scott that the reality he finds himself in now is pretty crappy, but he resists shifting back immediately because he doesn't want Aubrey to be dead. Instead, with slight confusion since he doesn't have any memories of the war world, Scott tries to slip into the role he finds himself in until he can work out what's going on. It was established in the earlier books that Scott is special for being able to remember other realities for more than a few minutes. In the past, he eventually slots the new reality memories into his mind but this time the shift is so big (or something) that he spends the entire book not fully remembering everything. And also not undoing it until the very end.

However, new reality Scott does leak through, providing us with some character contrast. Old Scott didn't grow up on rations or during a war, while new Scott did. Old Scott never had to learn to make human sacrifices for the greater good while army-trained new Scott did. Actually that last one is something our Scott picks up worryingly quickly and I can't say I was happy to watch him let people die that he probably could have saved.

Delete is a fast-paced action story and if there wasn't so much going on in it, I'm sure some of the people around Scott would have had more time to worry about his psychological well being — or at least to stop him being so involved in everything. As it is, they weren't even overly concerned about him running around on a gun-shot leg, so I suppose they're all used to putting the war first. I don't want to go into spoilers, but I found the end a little bit frustrating. I don't think it was a bad ending — it resolved everything and lived up to what we've come to expect from the series — but emotionally it was a bit distressing, possibly because of, well, reality whiplash. (Haha.)

Each book in this series has upped the stakes and Delete certainly continues that trend, this time putting the whole world on the line. I'd say that if you liked the first book but didn't think the stakes were high enough, keep reading!

If you enjoy fast-paced action books then I definitely recommend this series. And if you read Shift and Control, then forgot about Delete because of the delayed publication, then definitely pick up a copy of Delete. The re-released covers have been updated but still use the same art as the original set, so they won't even clash much if you bought the first two books from Strange Chemistry. Win! If you haven't read the earlier books but still read this review, I strongly recommend starting at the start of the series. I don't think it would make much sense otherwise.

4 / 5 stars

Read more reviews on my blog.
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Denunciada
Tsana | Mar 20, 2015 |
If you take a look at her blog, Kim explains that she had the idea for Glaze some time ago, but with her other book deal, it had to wait. This means that the ideas were there before we were finding out about google glass. Kim takes this kind of idea, and pushes it to it's darkest extremes - paths we could well find ourselves walking if we're not careful.

For me, it was the concept behind the technology which fascinated me, alongside Kim's insights into just how much the internet is shaping us and our lives.

In this future, everyone is fitted with a chip at 16, with allows them to access Glaze.. a filtered internet which appears in front of your eyes. Communication is obviously reduced, as messages, photos etc are simply sent from one chip to another. As Petri is the youngest in the class, and still 15, you can imagine how shut out she feels, and how desperate to be connected. It's only a small step away from how I see many youngsters when their friends are allowed on facebook, but they aren't yet!

When Petri is banned from Glaze for 5 years, she turns to more desperate measures to get an illegal chip.. but this one comes without the filter. The actual filter isn't mentioned earlier, but when Petri is bombarded with everything, you begin to realise that others must have restricted access - and if so, just who is controlling it, and what are their reasons for doing so?

Glaze develops into a well paced thriller, with some good ideas. I have to admit the concepts and ideas caught my interest a little more than the thriller aspect, but that means there is something to appeal to many. It should definitely appeal to it's intended YA audience, but also anyone interested in technology, social networks, and where we could possibly end up!
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Denunciada
michelle_bcf | 2 reseñas más. | Jul 20, 2014 |

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Estadísticas

Obras
10
Miembros
205
Popularidad
#107,802
Valoración
½ 3.6
Reseñas
25
ISBNs
26

Tablas y Gráficos