Anna Clark (1) (1978–)
Autor de History's Children: History Wars in the Classroom
Para otros autores llamados Anna Clark, ver la página de desambiguación.
Sobre El Autor
Anna Clark is an Australian Postdoctoral Fellow in history education at Monash University.
Obras de Anna Clark
Obras relacionadas
Etiquetado
Conocimiento común
Miembros
Reseñas
Premios
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 9
- También por
- 1
- Miembros
- 45
- Popularidad
- #340,917
- Valoración
- 3.6
- Reseñas
- 1
- ISBNs
- 70
- Idiomas
- 1
Don’t take my word for it. First, I gave the book to The Spouse for his inspection. The Spouse developed the Victorian Fisheries Act 1995, and what he doesn’t know about fishing issues isn’t worth bothering about. He thought it was a really beaut book, and also had this to say:
One of the ground-breaking aspects of the Victorian Fisheries Act 1995 was that it considered Indigenous fishing rights, so it is pleasing to see that Clark begins her story with the story of Indigenous fishing practice. And this is where the NLA’s image collection comes into its own, because there are reproductions of sketches and paintings which show how things were done during early settlement. (There are also many images from other collections such as Melbourne’s own State Library of Victoria). However Clark is careful to say that of course the practices recorded by the colonial artists give us a glimpse into fishing before European colonisation.
While early colonial sketches and paintings give wonderful snapshots of Indigenous fishers, they do so from a distinctly European perspective. Written accounts are similarly revealing – and we should be grateful for the faithful record of fishing practices and winning catches they’ve produced – but we can’t forget that these early settlers viewed Indigenous society through a distinctly colonial lens.
Sometimes, Indigenous perspectives creep in. Along the banks and floodplains of the Murray River, scars on the mighty trunks of river red gums, from which canoes have been cut, reveal an Indigenous presence long before any record of European material culture in Australia. Enormous engravings of whales, fish and sharks etched into sandstone platforms around Sydney and into the rugged iron ore of the Burrup Peninsula in Western Australia have a provenance thousands of years older than any colonial etching or journal entry. Paintings in smoke-stained caves across northern Australia show equally distinctive Indigenous readings of fish feats and feasts. And the remnants of millions of Indigenous seafood meals can be seen in middens around the country that cascade through dirt, sand and mud at the water’s edge. (p.17)
But, fascinating as the Indigenous story is, there is much more to this history than this.
To read the rest of my review please visit https://anzlitlovers.com/2017/09/24/the-catch-the-story-of-fishing-in-australia-...… (más)