Xanna Eve Chown

The book was published in 2018, for Benny's twentieth anniversary at Big Finish, and it celebrates the complete run of the character, with stories set across the span of her life, from her young days at Space Academy to her time in the "Unbound Universe," and possibly even beyond that.

As a longtime fan of the character, I definitely appreciate the excuse for some nostalgia. Along those lines, my favorite story was certainly Simon Guerrier's "Benny and the Grieving Man," set during my favorite "era" of Benny, when she's based at the Braxiatel Collection, and indeed, set during one of my favorite Benny books, A Life Worth Living. The story is a human one, about Benny trying to help a man whose daughter died on the Collection... but is he all he seems? Like some of the best Benny stories, it engages in what it's like to live in a place that has undergone great tragedy and deal with the consequences, with the weight of histories, both public and personal.

Some of the stories are explicitly about Benny's history, instead of just set during it; this is particularly true of the two set in the Unbound Universe, traveling with David Warner's alternative Doctor (though of course he can't actually appear in this not-BBC-licensed anthology). "Legacy Presence" by Victoria CW Simpson has Benny meeting the ghost of someone from her time at Space Academy—in a universe where that person can't possibly have existed—and "The Death of Hope" by James Goss has Benny and the Mother Superior from the Unbound audios trying to see if there's any possibility of hope in a doomed universe. The former is so-so, much like the stories collected in True Stories (it could almost be a cut story from that book), but the latter is a strong piece of character writing, which gives us both nostalgia and its dangers.

Three stories I wanted to like more, but were just okay. Mark Clapham's "The Seventh Fanfic" (set during the Dellah years, shortly before Beige Planet Mars) has some neat ideas, but Benny feels mostly like an observer to them. I wish there'd been more recurring characters and such from the era; c'mon, where's Emile and Tameka? "The Bunny's Curse" by Doris V Sutherland (set during the Space Academy years) seems to give us the beginning of Benny's interest in archaeology, but that moment could have clicked more. "Old Ruins" by Peter Anghelides gives us an older Benny... but it's a dull story that goes on too long to too little effect, alas.

Two more were not very good at all. "Wurm Noir" by Antonio Rastelli fails to make much of anything interesting of Benny's time on Legion... but that's fair, neither could the writers of that actual era. Worst of all is Dave Stone's "Oh No, Not Again," which like much of his work (though not all!), is an unfunny joke stretched out far too much.

On the whole, it's not terrible, but it is one of the weaker Benny anthologies from Big Finish. This will remind you why you love the character (if like me, you do), but it won't make you love her. I'd have liked to have seen more stories like "The Grieving Man" and "The Death of Hope" that worked with the themes that really make Benny work, instead of adventures that just happen to be set during her past.… (más)

This Bernice Summerfield anthology is set during the run of the Doctor Who: The New Adventures of Bernice Summerfield audio box sets from Big Finish, specifically between volumes three and four, when Benny is stranded in the "unbound" universe introduced in 2003's Sympathy for the Devil, where David Warner is the Doctor, the Time Lords all perished in a devastating war, and the end of the universe is imminent. Though of course the Doctor and the Time Lords can't be mentioned directly, because this anthology lacks the "Doctor Who" branding.

It's basically fine. It feels to me like this set-up ought to have been a rich one for Benny stories—what is the point of an archaeologist when history itself is coming to an end?—but what we get here is a pretty generic set of Benny stories, the fairly typical mad escapades. The set-up here is only loosely depicted, and there's not much done with Benny as a person, even by the usually dependable Kate Orman ("Hue and Cry," cowritten with Q(!)) and Jonathan Blum ("Never the Way," cowritten with Rupert Booth). Both of these stories felt like they could have used another draft to make them pop more, though I did like Benny's sense of resigned responsibility upon realizing that she's trapped in predestination paradox for the umpteenth time. But how does she feel about the situation in this universe? Why is she going on random adventures when reality is coming to an end? I feel like something more akin to the thematically linked anthologies of the Collection era (e.g., A Life Worth Living, Collected Works) could have worked a charm here, but alas, this is all pretty frothy stuff instead. I think Victoria C.W. Simpson's "Futureproof" is the one story trying to engage with the series premise meaningfully, but it didn't really go anywhere, unfortunately.

That said, my favorite of the mere six stories was one of the frothiest ones: Tim Gambrell's "Stockholm from Home," where Benny is inadvertently enrolled into an old-person's home... from which there is no escape! And at the same time, the aliens are invading and Benny is getting spam e-mail from a would-be insectoid lover. Bonkers but fairly entertaining.… (más)

https://nwhyte.livejournal.com/3264227.html

This is at present the last book of Bernice Summerfield stories, looking at her life from school to old age; just seven of them, of which the three standouts for me were "The Bunny’s Curse" by Doris V Sutherland (who I previously knew only for her fannish writing), Simon Guerrier’s "Benny and the Grieving Man" and James Goss's "The Death of Hope". Of little use for those who are not already into the continuity, but great fun for those who are.… (más)

https://nwhyte.livejournal.com/3250875.html

Six short stories set in a slightly different universe to Benny's original environment. I liked the first two most, "Hue and Cry" by Kate Orman and Q and "Never the Way" by Jonathan Blum and Rupert Booth. I might have liked others more if I were more au fait with the continuity.… (más)