Wayne C. Booth (1921–2005)

The act of research – whether in the natural sciences, social sciences, or humanities – undergirds so much of modern society. The skills help us think and then test those thoughts in light of outside information (data). Without a rigorous set of methods, this act can become mere people pleasing, but with a firm framework, it continues to transform the way the world lives. This book, an educational standard for almost three decades with five authors, clearly communicates research’s foundations to those learning the craft. It’s appropriate for the classroom and individuals starting careers.

All authors were or are professors of English, so this book has a natural leaning towards the humanities. Nonetheless, it attempts to address all facets of the academic enterprise. Because the authors are involved with language, it communicates cognitive nuances that might be missed by experts in a field. Its wording is eloquent, and organization, tight.

Like most academic works, this book heavily relies on concepts and classical works, yet it also uses relatable, conversational English to convey its message. It walks readers through steps including why to identify as a researcher, how to pursue the process, how to think carefully, and how to communicate findings. As easily imaginable, the authors do a superb job of enhancing readers’ personal writing style in the last chapter.

We live in an information age where thinking about the world has become the most important skill. Ironically, some question the value of an education even in an information-rich environment. If information is freely available, they ask, what do universities have to offer? This book offers a forthright answer. A college education and research training offer students the ability to think and process the world constructively. Especially suited for later later undergraduates and early graduate students, this book shines a clear path forward for individual careers and ultimately society’s advance.… (más)

It helps to have read Emma, Tristram Shandy, Samuel Beckett's Company, some Dafoe, some Swift, and whole lot of Henry James, to really piece this work together. Booth is primarily concerned with the relationship between the narrator, the implied author, and the reader. I think he is one of the first to use the term "unreliable narrator" to describe the critical distance required when reading a first person narrative.

I enjoyed his analysis of Austen's Emma the most, as I recently reread it and appreciated his commentary on Austen's use of narrative voice to gain the both the reader's sympathy and approbation for her heroine.

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