Michael Auping
Autor de Philip Guston: Retrospective
Obras de Michael Auping
Abstraction Geometry Painting: Selected Geometric Abstract Painting in America Since 1945 (1989) 44 copias
The Venice installation : United States Pavilion, the 44th Venice Biennale, May 27-September 30, 1990 (1990) 38 copias
John Chamberlain reliefs, 1960-1982 : the John and Mable Ringling Museum of Art, January 28-March 27, 1983 (1983) 12 copias
Common Ground: Five Artists in the Florida Landscape : Hamish Fulton, Helen and Newton Harrison, Michael Singer, Alan… (1982) 5 copias
Clemente, Francesco. 1 copia
House of sculpture 1 copia
Anselm Keifer: Heaven and Earth 1 copia
Hamish Fulton 1 copia
Etiquetado
Conocimiento común
- Fecha de nacimiento
- 1949-10-17
- Género
- male
- Nacionalidad
- USA
- Lugar de nacimiento
- Portland, Oregon, USA
- Educación
- Associate of Arts, Santa Ana College, 1969
Bachelor, California State University, Fullerton, 1971
Master of Arts, California State University, Long Beach, 1975. - Biografía breve
- Michael G. Auping has been listed as a noteworthy Curator by Marquis Who's Who. Michael Auping is the Chief Curator of the Modern Art Museum of Fort Worth, Texas.
Miembros
Reseñas
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 45
- Miembros
- 830
- Popularidad
- #30,757
- Valoración
- 3.9
- Reseñas
- 10
- ISBNs
- 63
- Idiomas
- 3
The Buffalo installation was the first United States presentation of Holzer’s recent work and included a number of works from the Biennale installation, as well as several new works designed for the Albright-Knox’s exhibition space.
Since her first series of public art texts, TRUISMS, appeared as broadsides throughout New York in 1977, Holzer has employed the medium of language in a variety of formats to convey her artistic messages. Her texts were inscribed on Italian marble tile floors as well as on a series of light-emitting dicode (LED) signs, the electronic message boards for which she is best known. The Buffalo installation was the first United States presentation of Holzer’s work. Following the 1990 Biennale, the exhibition traveled to Städtische Kunsthalle in Dusseldorf, Germany, and to the Louisiana Museum, Humlebaek, Denmark.
Born in Gallipolis, Ohio, in 1950, Holzer attended Duke University and the University of Chicago before completing a bachelor of fine arts degree at Ohio University in Athens. She entered the master of fine arts program at the Rhode Island School of Design in 1975, where she began her first work with language. She enrolled in the Whitney Museum of American Art’s Independent Study Program in 1977, and then applied her words to such media as billboards, metal plaques, television spots, t-shirts and tractor hats. Each body of Holzer’s writing speaks in a unique voice, and the voice can run effortlessly from a graffiti-based harangue to elegiac narrative. The texts, as they evolved, include: TRUISMS, 1977–1979; INFLAMMATORY ESSAYS, 1979–1982; LIVING, 1980–1982; UNDER A ROCK, 1985–1987; and LAMENTS, 1987–1989.… (más)