A. J. Arberry (1905–1969)
Autor de The Koran Interpreted (Arberry, 1957)
Sobre El Autor
Créditos de la imagen: Portrait of A. J. Arberry
Series
Obras de A. J. Arberry
Medieval Arab Cookery: Papers by Maxime Rodinson and Charles Perry with a Reprint of a Baghdad Cookery Book (2006) — Traductor — 73 copias
The Rubáiyát of Omar Khayyám and Other Persian Poems: An Anthology of Verse Translations (1954) — Editor — 66 copias
Aspects of Islamic Civilization: As Depicted in the Original Texts (Ann Arbor Paperbacks) (1964) 51 copias
Moorish poetry a translation of the Pennants : an anthology compiled in 1243 by the Andalusian (2001) 10 copias
An Introduction to the History of Sufism: The Sir Abdullah Suhrawardy Lectures for 1942 (1992) 9 copias
Religion in the Middle East: Three Religions in Concord and Conflict. Volume 2: Islam (1969) 7 copias
Religion in the Middle East: Three Religions in Concord and Conflict. Volume 1: Judaism and Christianity (1974) 5 copias
The Chester Beatty Library. A catalogue of the Persian manuscripts and miniatures. Volume 1 2 copias
The Islamic Art Of Persia 2 copias
The Holy Koran 1 copia
The Romance of the Rubaiyat: Edward Fitzgerald's First Edition Reprinted with Introduction and Notes (1959) 1 copia
Specimens of Arabic and Persian Palæography — Editor — 1 copia
A Second Supplementary Hand-list of the Muhammadan Manuscripts in the University and Colleges of Cambridge (2013) 1 copia
Notes on Iqbal's Asrar-i-Khudi 1 copia
Obras relacionadas
Near Eastern Culture and Society: A Symposium on the Meeting of East and West (1951) — Contribuidor — 17 copias
The mysteries of selflessness;: A philosophical poem (The Wisdom of the East series) (1953) — Traductor — 8 copias
Etiquetado
Conocimiento común
- Nombre canónico
- Arberry, A. J.
- Nombre legal
- Arberry, Arthur John
- Fecha de nacimiento
- 1905-05-12
- Fecha de fallecimiento
- 1969-10-02
- Lugar de sepultura
- Ascension Parish, Cambridge, England, UK
- Género
- male
- Nacionalidad
- UK
- País (para mapa)
- England, UK
- Lugar de nacimiento
- Portsmouth, Hampshire, England, UK
- Lugar de fallecimiento
- Cambridge, Cambridgeshire, England, UK
- Educación
- University of Cambridge (Pembroke College)
University of Malta (PhD|Honorary, 1963) - Ocupaciones
- teacher
Assistant Librarian (cataloger of the Oriental collection of the India Office, University of Cambridge)
postal censor (WWII)
professor
scholar
translator (Arabic, Persian, Maltese) - Organizaciones
- Cairo University (Department of Classics)
India Office
Ministry of Information
School of Oriental and African Studies
Cambridge University
Iranian Academy (mostrar todos 7)
Arab Academy of Damascus - Premios y honores
- FBA
Nešān-e Dāneš (First Class awarded by the shah of Iran, 1964)
Miembros
Reseñas
Listas
Premios
También Puede Gustarte
Autores relacionados
Estadísticas
- Obras
- 57
- También por
- 7
- Miembros
- 1,449
- Popularidad
- #17,737
- Valoración
- 4.2
- Reseñas
- 6
- ISBNs
- 136
- Idiomas
- 9
- Favorito
- 1
El tema recurrente de sus poemas es la potencialidad infinita del hombre, como socio de Dios en la configuración del destino del universo. Como musulmán ardiente, Iqbal vio la realización del futuro de la humanidad en una unión de pueblos islámicos, sin restricciones por los lazos de una nación separada, completamente liberada de las cadenas de la dominación imperial.
Javid-nama, comúnmente reconocido como su mayor trabajo, desarrolla este tema dentro del marco de la historia de la Ascensión. En imitación del Profeta del Islam, el poeta se eleva a través de las esferas, encontrando en su viaje celestial muchas grandes figuras de la historia con quienes conversa. El parecido con la Divina Comedia de Dante es obvio. -
Sir Muhammad Iqbal (1873-1938) was not only amongst the leading political figures of his time, but regarded by many as the spiritual father of Pakistan and a great champion of the reform movement of modern Islam. He was also a poet, in both Urdu and Persian.
The recurrent theme of his poems is the infinite potentiality of man, as partner with God in shaping the destiny of the universe. As an ardent Muslim, Iqbal saw the realization of mankind s future in a union of Islamic peoples, unfettered by the bonds of separate nationhood, fully liberated from the chains of imperial domination.
The Javid-nama, commonly acknowledged as his greatest work, develops this theme within the frame-work of the Ascension story. In imitation of the Prophet of Islam, the poet soars through the spheres, encountering on his heavenly journey many great figures of history with whom he converses. The resemblance to Dante s Divine Comedy is obvious.… (más)