Imagen del autor

Keizo Hino (1929–2002)

Autor de Isle of Dreams

53+ Obras 122 Miembros 2 Reseñas

Sobre El Autor

Créditos de la imagen: via Alchetron

Obras de Keizo Hino

Isle of Dreams (1985) 55 copias
台風の眼 (1993) 4 copias
抱擁 (1982年) (1982) 2 copias
葬 (日本の名随筆) (1987) 2 copias
夢を走る (1984) 2 copias
(1995) 2 copias
流砂の声 (1996) 2 copias
天池 (1999) 2 copias
聖家族 (1983年) (1983) 1 copia
鉄の時代 (1979年) (1979) 1 copia
還れぬ旅 (1971年) (1971) 1 copia
都市の感触 (1988) 1 copia
書くことの秘儀 (2003) 1 copia
モノリス (1990) 1 copia
メタモルフォセズ (1990) 1 copia
階段のある空 (1987) 1 copia

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Etiquetado

Conocimiento común

Nombre canónico
Hino, Keizo
Nombre legal
Hino, Keizo
日野啓三
Otros nombres
啓, 野火
Fecha de nacimiento
1929-06-14
Fecha de fallecimiento
2002-10-14
Género
male
Nacionalidad
Japan
País (para mapa)
Japan
Lugar de nacimiento
Tokyo, Japan
Lugar de fallecimiento
Setagaya, Tokyo, Japan
Lugares de residencia
Tokyo, Japan
Fukuyama City, Hiroshima, Japan
Saigon, Vietnam
Seoul, South Korea
Educación
東京大学文学部社会学科
Ocupaciones
novelist
Relaciones
鋭之介, 日野 (son)
Organizaciones
Japan Art Academy
Premios y honores
Akutagawa Prize (72th, 1975)
the Japan Art Academy Prize (2000)

Miembros

Reseñas

This is a deceptively short novel about alienation and the existential condition. When a widower starts visiting a section of reclaimed land in Tokyo Bay, he meets a mysterious motorcycle rider and his life starts to change. Urban decay begins to take on a whole new meaning.
 
Denunciada
dbsovereign | otra reseña | Jan 26, 2016 |
Shozo Sakai, a middle-aged widower and engineer, is enamored with the beauty he sees in modern Tokyo. One day he wanders into another part of the city he is not familiar with, an area of reclaimed land, created by the refuse and trash of the city. He is strangely drawn to this area and finds it beautiful in its own way. It is hear that he is nearly run over by a mysterious, young woman in black leather riding way too fast on a motorcycle. She lures Shozo away from the reclaimed land to another place "far less benign."

I really enjoyed this book, first, because Shozo, on his walks through the city near where he works, really sees modern Tokyo as beautiful and his descriptive thoughts often wax poetic. "Shozo was not indifferent to the charm of the quaint and stately pre-war structures that had survived the air raids, but he was invariably struck by the beauty of contemporary buildings, sharply geometrical in form, devoid of superfluous décor, adroitly bringing to the fore a texture that was both mineral and metallic. Particularly when at dusk, the rain having lifted, he happened to see the clouds suddenly part and the sunlight break through the air like streams of golden arrows to illuminate the walls and windows of the high-rises, row upon row, he found himself, quite involuntarily, trembling with emotion.

So, it is interesting when he comes across the reclaimed land he tells an old friend: "I feel drawn to it, though I myself don't know why. Perhaps one reason is that it reminds me of the burned-out ruins of our childhood. It's just that it's wistfully familiar, as though I were taking a journey home." And even more interesting when he is nearly run down by the speeding motorcycle.

This is a contemplative story, beautifully written, which drifts into magical realism and does so in way that you almost don't notice. The book's back cover calls this a "sinister satire on urban decay" but I think it is saying much more - perhaps commentary about changes in Japanese society - though I feel I am only getting glimpses of it - like seeing the sun through the buildings as you walk down a city street.

Written 2/19/11, entered here much later.
… (más)
3 vota
Denunciada
avaland | otra reseña | Sep 17, 2011 |

Premios

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Estadísticas

Obras
53
También por
37
Miembros
122
Popularidad
#163,289
Valoración
4.1
Reseñas
2
ISBNs
41
Idiomas
2

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