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"This book is a chance to get a fix on some of India's best crime writers" (The Globe and Mail, Toronto). These fourteen original stories, from some of India's most outstanding literary talents, take you into a world of sex in parks, male prostitution, and vigilante rickshaw drivers. Set in a city plagued by religious riots, soulless corporate dons, and murderous servants, this collection offers bone-chilling, mesmerizing take on the country's chaotic capital, where opulence and poverty clash, and old-world values and the information age wage a constant battle. Brand new stories by Irwin Allan Sealy, Omair Ahmad, Radhika Jha, Ruchir Joshi, Nalinaksha Bhattacharya, Meera Nair, Siddharth Chowdhury, Mohan Sikka, Palash Krishna Mehrotra, Hartosh Singh Bal, Hirsh Sawhney, Tabish Khair, Uday Prakash, and Manjula Padmanabhan. "Like the rest of this superb series (Brooklyn Noir, L.A. Noir, Toronto Noir, etc.), we are introduced to the city by stories set in locations iconic to the city. In the case of Delhi, that means we go to some very dark spots indeed." --The Globe and Mail (Toronto) "Delhi Noir has no lack of true-to-life characters getting twisted, mangled and discarded. Which is why, like the proverbial train wreck, even as you cringe, you won't be able to look away." --San Francisco Chronicle… (más)
First of all: it is sort of strange to be reading noir-style stories set in a city where police brutality and bribery and all the rest is a very real occurrence. Part of the reason I love noir (books and films) is because the characters and plots have a degree of implausibility. . . I escape into this grimy other world. But the noir-world is the real world in Delhi (to some extent) which makes it kind of. . . depressing.
As for the pieces themselves, they're either hit or miss. The best one (and the most 'noir') is the first one. The worst is the last one (although I didn't even finish it; I don't want sci-fi in my noir). ( )
I’ve only read a small handful of crime fiction anthologies (so take this for what that’s worth), but Delhi Noir is easily the best one I’ve ever cracked open. None of the stories blew me away, but Sawhney’s selections consistently turn out good. I liked every single story in the book. Every single one. Delhi did indeed turn out to be good setting for noir.
"This book is a chance to get a fix on some of India's best crime writers" (The Globe and Mail, Toronto). These fourteen original stories, from some of India's most outstanding literary talents, take you into a world of sex in parks, male prostitution, and vigilante rickshaw drivers. Set in a city plagued by religious riots, soulless corporate dons, and murderous servants, this collection offers bone-chilling, mesmerizing take on the country's chaotic capital, where opulence and poverty clash, and old-world values and the information age wage a constant battle. Brand new stories by Irwin Allan Sealy, Omair Ahmad, Radhika Jha, Ruchir Joshi, Nalinaksha Bhattacharya, Meera Nair, Siddharth Chowdhury, Mohan Sikka, Palash Krishna Mehrotra, Hartosh Singh Bal, Hirsh Sawhney, Tabish Khair, Uday Prakash, and Manjula Padmanabhan. "Like the rest of this superb series (Brooklyn Noir, L.A. Noir, Toronto Noir, etc.), we are introduced to the city by stories set in locations iconic to the city. In the case of Delhi, that means we go to some very dark spots indeed." --The Globe and Mail (Toronto) "Delhi Noir has no lack of true-to-life characters getting twisted, mangled and discarded. Which is why, like the proverbial train wreck, even as you cringe, you won't be able to look away." --San Francisco Chronicle
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As for the pieces themselves, they're either hit or miss. The best one (and the most 'noir') is the first one. The worst is the last one (although I didn't even finish it; I don't want sci-fi in my noir). (