Gillian Wearing has emerged as one of the foremost British artists of her generation, creating video installations and photographic works that document the shocking, amusing, and tragic stories and behavior of the ordinary people of Britain. Winner of the prestigious Turner Prize in 1997, Wearing has exhibited extensively around the world.
This full-color monograph, covering the period 1992 to 2002, represents the most eagerly anticipated, up-to-date, and incisive survey yet published of Wearing's painfully affecting art: art that holds an exacting and often unbearable mirror to the absurdity, ennui, and anxiety of everyday life, demonstrating the maddening impossibility of ever truly understanding the complexity of the human psyche.