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Cargando... Bernard Berenson and the Twentieth Centurypor Mary Ann Calo
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While Bernard Berenson's roles a connoisseur, Renaissance art expert, defender of Western culture, and arbiter of taste extraordinaire are well known, his role as critic and theorist of modern art has until now been little understood. Mary Ann Calo's new intellectual biography is the first study to place Berenson's career in the context of modernist art and criticism.The unequivocal hostility towards modern art Berenson expressed late in life does not adequately represent his views, Calo argues. Tracing his writings over half a century, she examines his transition from an innovative modern critic to a reactionary conservative who used his influence to discredit twentieth-century art and to preserve the notion of culture as aristocratic privilege.Calo point out how Berenson's increasing social, political, and aesthetic conservatism belies his youthful interest in modern art. Her focus on the development of Berenson's aesthetic principles and intellectual life demonstrates that his theory of art anticipated, and perhaps made possible the modernist art he loathed. Author note: Mary Ann Calo, Visiting Assistant Professor at Colgate University, has for a decade taught art history courses in Florence, Italy. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)709.2The arts Modified subdivisions of the arts History, geographic treatment, biography Biography (artists not limited to a specific form)Clasificación de la Biblioteca del CongresoValoraciónPromedio: No hay valoraciones.¿Eres tú?Conviértete en un Autor de LibraryThing. |