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"Discover how scenes of daily life and delicate dabs of color shocked the art world establishment. In this introduction to Impressionism, we explore the artists, subjects, and techniques that first brought the easel out of the studio and shifted artistic attention from history, religion, or portraiture to the evanescent ebb and flow of modern life. As we tour the theaters, bars, and parks of Paris and beyond, we take in the movement's radical innovations in style and subject, from the principle of plein air painting to the rapid, broken brushwork that allowed the Impressionists to emphasize spontaneity, movement, and the changing qualities of light. We take a close look at their unusual new perspectives and their fresh palette of pure, unblended colors, including many vivid shades that brought a whole new level of chromatic intensity to the canvas. Along the way, we recognized Impressionism's established greats, such as Edgar Degas, Claude Monet, Berthe Morisot, and Camille Pissarro, as well as many associated artists worthy of closer attention, including Marie Bracquemond, Medardo Rosso, and Fritz von Udhe." --… (más)
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
Shortly before his death in 1926, Claude Monet, one of the best-known Impressionist painters, wrote in a letter: "I always hated theories..."
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Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
Ultimately Zandomeneghi developed an individual style that seems to have little in common with Impressionist principles, but rather with its use of intensive colour comes closer to the Symbolism of artists such as Giovanni Segantini.
"Discover how scenes of daily life and delicate dabs of color shocked the art world establishment. In this introduction to Impressionism, we explore the artists, subjects, and techniques that first brought the easel out of the studio and shifted artistic attention from history, religion, or portraiture to the evanescent ebb and flow of modern life. As we tour the theaters, bars, and parks of Paris and beyond, we take in the movement's radical innovations in style and subject, from the principle of plein air painting to the rapid, broken brushwork that allowed the Impressionists to emphasize spontaneity, movement, and the changing qualities of light. We take a close look at their unusual new perspectives and their fresh palette of pure, unblended colors, including many vivid shades that brought a whole new level of chromatic intensity to the canvas. Along the way, we recognized Impressionism's established greats, such as Edgar Degas, Claude Monet, Berthe Morisot, and Camille Pissarro, as well as many associated artists worthy of closer attention, including Marie Bracquemond, Medardo Rosso, and Fritz von Udhe." --