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Cargando... Black Phoenix: Third World Perspectives on Contemporary Art and Culture (edición 2022)por Rasheed Araeen (Editor)
Información de la obraBlack Phoenix: Third World Perspectives on Contemporary Art and Culture por Rasheed Araeen
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Edited and published by Rasheed Araeen and Mahmood Jamal between 1978 and 1979 in the UK, Black Phoenix remains a key and radical document of transnational solidarity and cultural production in the fields of visual art, literature, activism, and beyond. This publication compiles all three issues of the journal into a single volume. More than a decade after the liberation movements of the 1960s and the historic Bandung and Tricontinental Conferences, which called for social and political alignment and solidarity among the nations of Africa, Asia, and Latin America in order to dismantle Western imperialism and (neo)colonialism, Black Phoenix issued a rallying cry for the formation of a liberatory arts and culture movement throughout the Third World. International in scope, Black Phoenix positioned diasporic and colonial histories at the center of an evolving anti-racist and anti-imperialist consciousness in late 1970s Britain and beyond - one that would yield complex and nuanced discourses of race, class, and postcolonial theory in the decade that followed. Black Phoenix proposed a horizon for Blackness that transcended racial binaries, across the Third World and the West. Contributors include art critics, scholars, artists, poets, and writers, including Rasheed Araaen (Pakistan) and Mahmood Jamal (Pakistan), Guy Brett (UK), Kenneth Coutts-Smith (UK), Ariel Dorfman (Chile), Eduardo Galeano (Uruguay), N. Kilele (Tanzania), Babatunde Lawal (Nigeria), David Medalla (Philippines), Ayyub Malik (Pakistan), Susil Siriwardena (Sri Lanka), and Chris Wanjala (Kenya) No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)700.91724The arts Modified subdivisions of the arts Standard subdivisions of the arts Historical, geographic, persons treatment of the artsClasificación de la Biblioteca del CongresoValoraciónPromedio: No hay valoraciones.¿Eres tú?Conviértete en un Autor de LibraryThing. |
Published in three issues between 1978 and 1979, Black Phoenix: Journal of Contemporary Art & Culture in the Third World (the subtitle was changed to Third World Perspectives on Contemporary Art and Culture for its second and third issues) stands as a key document of its time. More than a decade after ’60s liberation movements and the historic Bandung and Tricontinental Conferences that called for social and political alignment and solidarity to dismantle Western imperialism and (neo)colonialism, Black Phoenix issued a rallying call for the formation of a Third World, liberatory arts and culture movement on the eve of Margaret Thatcher’s election in 1979.
Based in the UK, and both international and national in scope, Black Phoenix positioned diasporic and colonial histories at the center of an evolving anti-racist and anti-imperialist consciousness in late 1970s Britain―one that would yield complex and nuanced discourses on race, class and postcolonial theory in England in the decade that followed.
A precursor to the British Black Arts Movement that formed in 1982 (which encompassed such cultural practitioners as the Black Audio Film Collective and cultural studies theorist Stuart Hall), Black Phoenix proposed a horizon for Blackness beyond racial binaries, across the Third World and the colonized of the interior in the West. This single-volume facsimile reprint gathers all three issues of the journal, which include contributions by art critics, scholars, artists, poets and writers, including editors Rasheed Araaen and Mahmood Jamal, Guy Brett, Kenneth Coutts-Smith, Ariel Dorfman, Eduardo Galeano, N. Kilele, Babatunde Lawal, David Medalla, Ayyub Malik, Susil Sirivardana and Chris Wanjala.