In their new book, Hypermodernity & The End of the World, John David Ebert, Brian Francis Culkin and Michael Aaron Kamins map out the cartography of Hypermodernity, an epoch which the authors demarcate as having come into being in 1995 with the advent of the Internet. As they travel across the digital medial landscape, the authors discuss the transformations wrought by Hypermodernity across the domains of economics, politics, art, film, literature and culture generally. The deworlding of the human individual by computational technologies wed together with neoliberal capitalism is discussed in great detail, as well as the rise of the avataric subject, pandemic narcissism, the ominous significance of Donald Trump, data mining by privateers, the dissolution of community, the erosion of cultural values and the eclipsing of the human by the Abyss-it's all in here, the first ever thorough discussion of the implications of Hypermodernity as a structurally distinct epoch from Modernity and Postmodernity. So buy your ticket, step right up, strap on your seatbelt, and get ready for a wild ride.