These are great as individual poems (mostly) but, as an anthology, the same themes endlessly repeated become tedious. I also think the initial shock of some of Duffy's imagery does not return on repeat readings because, sure, studying the word "cunt" with my English teacher is an experience, but not the profound poetic kind.

I do love me some asyndetic listing though, that's for sure. ( )

It's going to be difficult for me to rate this book.

Initially, I wasn't sold on Carol Ann Duffy, but eventually she grew on me, like when you're waiting for the sun to come up. At first, it's cold and dark and there isn't much to do except stand around, but then the sunset happens and you're grateful you woke up to see it.

Some of Duffy's poems really didn't resonate with me, but as a whole it's a really cohesive collection and I am very grateful that I read it. I am also grateful that I read poetry by a queer woman, who wrote queer women into some of her poems. I also identify as queer and often write queer women into my poetry so it was great to read something I could relate to.

I liked some of her more narrative-style poems and I loved her poems based on myths and legends.

I never would have picked this up if it weren't for the Feminist Orchestra Book Club and for that, I am eternally grateful. ( )

Scottish poet Carol Ann Duffy is one of the best of the "modern"poets writing in the United Kingdom ( )