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City of the Future por Sesshu Foster
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City of the Future (edición 2018)

por Sesshu Foster (Autor)

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1811,200,839 (5)1
Twenty-one years after Kaya Press first published Sesshu Foster's City Terrace Field Manual, a powerful collection of prose poems that map the East Los Angeles neighborhood of Foster's childhood, comes a new collection of poetry and prose that takes on gentrification, modernization and globalization, as told from the same corner of this rapidly changing metropolis.These poems are, in the poet's words: "Postcards written with ocotillo and yucca. Gentrification of your face inside your sleep. Privatization of identity, corners, and intimations. Wars on the nerve, colors, breathing. Postcard poems of early and late notes, mucilage, American loneliness. Postcard poems of slopes, films of dust and crows. Incarceration nation 'Wish You Were Here' postcards 35 cents emerge from gentrified pants. You can't live like this. Postcards sent into the future. You can't live here now; you must live in the future, in the City of the Future."Poet, teacher and community activist Sesshu Foster (born 1957) was born and raised in East Los Angeles. He earned his MFA from the Iowa Writers' Workshop and returned to LA to continue teaching, writing and community organizing. His third collection of poetry, World Ball Notebook (2009), won an American Book Award and an Asian American Literary Award for Poetry. Foster is the author of the speculative-fiction novel Atomik Aztex (2005), which won the Believer Book Award and imagines an America free of European colonizers.… (más)
Miembro:RickHarsch
Título:City of the Future
Autores:Sesshu Foster (Autor)
Información:Kaya Press (2018), 188 pages
Colecciones:Tu biblioteca
Valoración:*****
Etiquetas:Ninguno

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City of the Future por Sesshu Foster

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Orgasms are Cries for Help, a review of Sesshu Foster’s City of the Future

"The ticket of the cockroaches and the ticket of the rats
----
The avant-garde poets, those academic experimentalist poets, most of them white, would
Rather you not use the word motherfucker…
Sadly, this use of repetition shall not be construed as poetic by those well-fed motherfuckers
---
The reddened subjunctive is a ball-peen hammer on the tin of peppercorns unnoticed by the sheriff’s dept. SWAT team.
---
Accessorize your Buddha
1.beach umbrella & cooler
2.cell phone
3.shotgun
4.cap
5.porcelain commode ashtray
6.Marlboros & pistol lighter
7.motorcycle jacket
8.tats (yakuza)
9. Ray Bans
10.iPhone
---
In the movie version, the cold beer was played by country music nasal twang, and Jeffrey Hunter was played by slight nausea and nostril flare. His headache was played by the 20th century."

Sesshu Foster’s new book of poetry, City of the Future, is dada returning in giant crab fitted out Humvee come to flatten you out, you and your vegetables and sauna, your socket wrenches and Terrain Hauteur, your indifference and your feigned difference, your acceptance and your diddler, your frank and your explank, and believe me, you don’t read this kind of book in a day—it’s the kind of book you put next to your bed and dip into like a chip into brains of guacamole. I should know, because I got mine around noon today and between this and that finished it around 7 tonight. Don’t do as I do, and definitely not what I say, which is doo doo. And thank Sesshu for dada.
Which is not to say the book is a mess of fernacular sintaxing jackanapes, bounding cross the deserts of L.A., for that is just a part of this montage, this aged man’s mount of his own bones—he kills himself many times in the book, at many different ages—arroyos fill with bones, of Mexicans, manifold arroyos and many festas, even two stark plain manifests, for dada does not shrink from the direct:

"ghost prayer

shoot Dick Cheney through the eye if I am tortured to death in a corner of bagram air force base, in abu ghraib, in a black site tonight

so says the ghost flickering off an on like a midnight street lamp over a Mexicali school yard

shoot Henry Kissinger through the right eye if I am to die with my children in a field, with my children in the desert, with my children in a ditch

so says the ghost flickering off and on like a parking lot light at a midnight sunset boulevard motel

shoot Donald Rumsfeld and donald trump through the teeth of i am to die in the worst possible way, bones dissolved in a barrel of acid, ashes swirling away at the dump

so says the ghost flickering off and on like the little lights in the heels of the toddler’s sneakers skipping down the sidewalk"

Nor the fun of it all, like the fun of seeing folk, as he sees them in the hearty "Another Portrait of Dad", in which he sees his dad and his brother (both now dead), Harry Gamboa, Mario Ybarra, Lawrence Felinghetti, Ernesto Cardenal, Karen Yamashita, Carlo Pedace, a blue whale, Willie Herron and:
"I saw Rick Harsch sitting on my balcony, smoking and drinking a beer. He emitted anxious smoke like my brother." (He means Paul, the one who was around my age and died a couple years back.)

Foster’s poems don’t flinch from the intrusion of beauty, "like the branch bending in the wind", nor does he fear to exclaim Whitmanly that he is happy "like a little bird in a high wind you may find dead on the ground like the stone among the stones in the gravel wash"—no, he does not shrink aback from the happiness emitted as "a stench of carbon monoxide particulate fumes and engine coolant."
And he asks pertinent questions, as in Walking East Manifesto:

"4.Brain damage hurt your feelings?"

If so, burn ahead a few dozen pages and "hair sheen taken in hand or ends flicked back, call it thudding of the earth or several short pencils", but that’s just my homeopathology of his book of wonders, post cards, book reviews of neverbeforeskinned precision: YOU’LL THINK YOU READ THE WHOLE BOOK!, more post cards, advice to the writer, and diagnostic after diagnostic:
"…The city cooked the night. The ocean breathed. Little fish died like eyelids. They swam through your dreams, fishes and eyelids, desiccated, hanging in salty bags all the way from the South Pacific to Ranch 99 Market…"
And the sausage factory security guard on his tricycle.
You’ll never read another book like this, but you ought to try, like Foster’s World Ball Notebook. And for you baseball fans out there, guess what? Dodger dogs are made from pigs! As Sesshu Foster would say: "I’ve awoken in gentrified white hipster America and I can’t find my pants" ( )
8 vota RickHarsch | May 3, 2018 |
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Twenty-one years after Kaya Press first published Sesshu Foster's City Terrace Field Manual, a powerful collection of prose poems that map the East Los Angeles neighborhood of Foster's childhood, comes a new collection of poetry and prose that takes on gentrification, modernization and globalization, as told from the same corner of this rapidly changing metropolis.These poems are, in the poet's words: "Postcards written with ocotillo and yucca. Gentrification of your face inside your sleep. Privatization of identity, corners, and intimations. Wars on the nerve, colors, breathing. Postcard poems of early and late notes, mucilage, American loneliness. Postcard poems of slopes, films of dust and crows. Incarceration nation 'Wish You Were Here' postcards 35 cents emerge from gentrified pants. You can't live like this. Postcards sent into the future. You can't live here now; you must live in the future, in the City of the Future."Poet, teacher and community activist Sesshu Foster (born 1957) was born and raised in East Los Angeles. He earned his MFA from the Iowa Writers' Workshop and returned to LA to continue teaching, writing and community organizing. His third collection of poetry, World Ball Notebook (2009), won an American Book Award and an Asian American Literary Award for Poetry. Foster is the author of the speculative-fiction novel Atomik Aztex (2005), which won the Believer Book Award and imagines an America free of European colonizers.

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