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Surrealism: The Road to the Absolute

por Anna Balakian

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First published in 1959, Surrealism remains the most readable introduction to the French surrealist poets Apollinaire, Breton, Aragon, Eluard, and Reverdy. Providing a much-needed overview of the movement, Balakian places the surrealists in the context of early twentieth-century Paris and describes their reactions to symbolist poetry, World War I, and developments in science and industry, psychology, philosophy, and painting. Her coherent history of the movement is enhanced by her firsthand knowledge of the intellectual climate in which some of these poets worked and her interviews with Reverdy and Breton. In a new introduction, Balakian discusses the influence of surrealism on contemporary poetry. This volume includes photographs of the poets and reproductions of paintings by Ernst, Dali, Tanguy, and others.… (más)
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For those of us who lived through it, Surrealism is an experience so well and so long assimilated that it is almost forgotten — a lock of hair and a faded rose pressed in the family Bible. But now, it is hard to realize, a generation is growing up which knew not André Breton, which never attended the wedding of an umbrella and an aardvark in a diving bell. We who were the history in the flesh forget that our juniors now need a history in the printed page.

Anna Balakian’s book on Surrealist poetry has much to recommend it as an introduction and succinct historical survey. There are chapters on the breakdown of Symbolism and the revolt against it; on Rimbaud, Lautréamont and “Maldoror,” and on Saint-Paul-Roux, who in various degrees and in different ways transcended Symbolism... For those to whom the whole epoch is today the adventure of another generation, this is an excellent introduction and a sympathetic study of some of the leading personalities.
añadido por SnootyBaronet | editarThe Nation, Kenneth Rexroth
 
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First published in 1959, Surrealism remains the most readable introduction to the French surrealist poets Apollinaire, Breton, Aragon, Eluard, and Reverdy. Providing a much-needed overview of the movement, Balakian places the surrealists in the context of early twentieth-century Paris and describes their reactions to symbolist poetry, World War I, and developments in science and industry, psychology, philosophy, and painting. Her coherent history of the movement is enhanced by her firsthand knowledge of the intellectual climate in which some of these poets worked and her interviews with Reverdy and Breton. In a new introduction, Balakian discusses the influence of surrealism on contemporary poetry. This volume includes photographs of the poets and reproductions of paintings by Ernst, Dali, Tanguy, and others.

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