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Cargando... Y [Hardcover] (2012 original; edición 2012)por Marjorie Celona
Información de la obraY por Marjorie Celona (2012)
  
Actualmente no hay Conversaciones sobre este libro.   ) gingerhat | Mar 1, 2022 |  ) jslantz1948 | Sep 15, 2018 | ) Rdra1962 | Aug 1, 2018 | When I started this story I didn't think I would even make it past the first 20 pages, but the writing kept me reading even if the subject matter wasn't much to my liking. (  ) Iambookish | Dec 14, 2016 | I don't think I have ever been so sad to see a book end. It caught me by surprise and I must have stared at the last page for 5 minutes before I finally closed the book. It was like saying goodbye to a friend that you don't want to lose. I grew so attached to the main character that I almost cried. One of my favourite things about this book is the way it was written. The narrative is beautiful and 150% suits how you imagine Shannon would think if she was an actual human being. She doesn't always describe what's going on in full sentences, but when you think about it, when does anyone in real life think to themselves in full sentences when something is going on? I sure don't. In my opinion the narrative is pretty much what made this book exceptional. I loved how not one character in this book was perfect. Their flaws don't get pointed out blatantly, but you know that they have them and you know what they are for the most part. It's like you've been talking to this character for a bit and you notice they have a tick or something. Their flaws are slipped in just like that. And it makes them so much more vivid and life like. Last but not least, the plot. I only have one word for this: phenomenal. I seriously can't explain it any other way. If I had the time and I thought someone would actually read it, I'd write two pages on just the plot alone. It flowed so smoothly and weaved together so wonderfully that I didn't even feel like I was reading a book. No questions were left unanswered, and yet there was still a hint of mystery at the end. But I was left satisfied instead of upset with that. I would, and have already, recommend this book to everyone I meet. Strangers walking down the street might even be told to read this book. I loved it that much. (  ) keyboardscoffee | May 30, 2016 |
 The backstory about Shannon’s parents is told in alternating chapters with Shannon’s story. Celona weaves in their history, leaving readers guessing as much as Shannon is guessing. It’s a skilful storytelling tactic, and the two stories race to a well-paced peak at the end of the book. With any mystery in life there is a question: is it better to know or not to know? Celona’s book explores that question with grace, wit and insight. She’s a talented writer and this is a well-written story that is both sad and heartwarming. Once readers meet Shannon and read about her truth, they are unlikely to forget her.  One of the strongest aspects of the novel is its exploration of how memory works, and how people misremember or block traumatic events as a form of self-protection...Though the trajectory of Shannon’s life story is upward and Yula’s is downward, Celona has nevertheless infused Yula’s more deliberately paced passages with enough depth and emotion to leave the reader invested in her. When the two stories finally meet, the novel becomes a real tear-jerker. Yula’s story is enthralling – arguably more so than Shannon’s – which makes it hard to let go of as Celona summarily skips over the 17 years in Yula’s life after she abandoned Shannon. In the final analysis, Y is an uneven novel about the interplay of chance and choice in our lives. We are born in a certain place, to certain people, but the choices we make later in life are our own. A first novel by West Coast writer Marjorie Celona, Y, fits resonantly into the category of orphan hero novels: a newborn, wrapped in her mother’s sweatshirt, is left at the doors of the YMCA one early morning. The foundling is bounced from one family to another until she is finally adopted by a cleaning woman of great empathy, Miranda. Miranda is a single mother bringing up her own daughter Lydia-Rose but is willing to open her heart to Shannon, a small girl with candy floss hair and a strabismic eye....Y was lauded for months before its publishing date. One must take that with a grain of salt. This isn’t Dickens or Montgomery . . . yet. But it is a splendid start for a first novelist who can create characters with many of the qualities of a brave Oliver Twist or an independent Anne Shirley. According to the ethos of this novel, then, the road to salvation is friendship and giving distressed people autonomy and learning to ride a bike — Vaughn instructs Shannon — and to express feelings. After listening to Lydia-Rose’s resentments regarding Shannon, the latter comments, “None of these things has ever been said. But once they are, I realize I’m not holding on to any pain from the past anymore.” There are other tips for mental hygiene. Whether they are adequate to meet the needs of grown-up foundlings, the reader may decide. The novel remains engrossing, in any case. Somehow the author makes Shannon, who would be a pain in real life, not a pain for the reader, no doubt partly because evil is convincingly evoked in the novel and we, as spectators, naturally want the relatively innocent to be spared. In Y, her stunning debut novel, Marjorie Celona has created a world so rich and so full that every line merely seems to confirm something that has already happened. In saying so, I don’t mean to imply that her prose is predictable, but rather that it has an inevitable or ineluctable quality, a cohesion twinned with the unexpected and amazing. This is a novel that demands willing suspension of disbelief at points. But the challenge to the reader is richly rewarded...This is a novel about connections and about relationships, causal and otherwise. Despite the picaresque nature of the plot, Shannon shakes off her status as a picaro by the novel’s end. It is not surprising that she is changed by the events of her life and their recounting. The real joy is that the reader may be as well. PremiosListas de sobresalientes
A foster child who has been shuffled through the system after being abandoned at the YMCA as a baby wonders about her birth family and the reasons she was given up, questions that lead to the tragic story of her flawed and desperate mother. No se han encontrado descripciones de biblioteca. |
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 Google Books — Cargando...GénerosSistema Decimal Melvil (DDC)813.6Literature English (North America) American fiction 21st CenturyClasificación de la Biblioteca del CongresoValoraciónPromedio: (3.69)
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