Vandana Singh
Autor de Ambiguity Machines and Other Stories
Series
Obras de Vandana Singh
Breaking the Bow: Speculative Fiction Inspired by the Ramayana (2012) — Editor; Contribuidor — 24 copias
Infinities [novelette] 5 copias
Ruminations in an Alien Tongue 4 copias
Delhi {short story} 3 copias
Oblivion: A Journey 2 copias
A Handful of Rice (short story) 2 copias
Shikasta {short story} 2 copias
Requiem {short story} 1 copia
Entanglement 1 copia
Three Tales From Sky River 1 copia
The Wife 1 copia
Hunger [short fiction] 1 copia
Obras relacionadas
Sisters of the Revolution: A Feminist Speculative Fiction Anthology (2015) — Contribuidor — 298 copias
The Year's Best Science Fiction: Twenty-Seventh Annual Collection (2010) — Contribuidor — 283 copias
The Year's Best Fantasy and Horror: Seventeenth Annual Collection (2004) — Contribuidor — 232 copias
The Year's Best Science Fiction Vol. 1: The Saga Anthology of Science Fiction 2020 (2020) — Contribuidor — 87 copias
The Final Frontier: Stories of Exploring Space, Colonizing the Universe, and First Contact (2018) — Contribuidor — 58 copias
The Apex Book of World SF: Volume 5 (Apex World of Speculative Fiction) (2018) — Contribuidor — 40 copias
Visions, Ventures, Escape Velocities: A Collection of Space Futures (2017) — Contribuidor — 19 copias
The Future of Horror: The Collected Solaris Horror Anthologies, featuring House of Fear, Magic and End of the Road (2015) — Contribuidor — 7 copias
Current Futures: A Sci-Fi Ocean Anthology — Contribuidor — 6 copias
Living Tomorrow — Introducción — 1 copia
Etiquetado
Conocimiento común
- Fecha de nacimiento
- 20th century
- Género
- female
- Nacionalidad
- India
- Lugar de nacimiento
- New Delhi, India
- Biografía breve
- science fiction writer
Miembros
Reseñas
What can we make of the relationship between human and machine?
This is three beautifully told related vignettes wrapped in a twist made of awesome. (Really, the twist end booted this very firmly up from four to five stars. I'm into this kind of thing, though.) Available free at Tor. Go and read it already.
This is three beautifully told related vignettes wrapped in a twist made of awesome. (Really, the twist end booted this very firmly up from four to five stars. I'm into this kind of thing, though.) Available free at Tor. Go and read it already.
Esta reseña ha sido escrita por los Primeros Reseñadores de LibraryThing.If you like science fiction and fantasy short stories from a different point of view, read this book. Instead of using the standard European influences, some of these stories are based on Indian mythology. One of my favorites (the last) stars an Indian woman who has traveled to a warming Arctic to collect her aunt's belongings. Even though I've already read this as a pre-release ebook, a print copy is on its way to be added to my collection.
Esta reseña ha sido escrita por los Primeros Reseñadores de LibraryThing.I've been a fan of Vandana Singh since I read The Woman Who Thought She Was a Planet and Other Stories and met her at the Science Fiction Research Association 2015 conference, so I was excited to acquire an advance review copy of this, her second collection of short fiction, covering works released (mostly) after the publication of her first. A second novel is always a tricky thing; I'm wondering if a second short story collection can be even more so.
I enjoyed the first collection for its thoughtfulness and its sense of play, but I'm used to Singh's voice now, and at times I felt that Ambiguity Machines & Other Stories wasn't giving me much that I hadn't got out of the first. Singh has a recurrent interest in how (what one of her characters in TWWTSWP&OS called) "inner space" and "outer space" need to be accessed at the same time. As a result, there are a lot of ruminative stories about people in outer space here, people's ordinary lives paired with extraordinary journeys through time and space. On top of that, AM&OS adds an interest in the environment-- as is common in contemporary sf, a lot of these tales take place after some kind of ecological disaster or environmental collapse, though sometimes they're about one being forestalled. I'll be honest, occasionally it started to all blend together.
But when Singh hits, she really does sing. I really enjoyed "Peripeteia," about a physics academic who, after her lover leaves her, starts to worry that Occam's Razor might not be true, and maybe all of physics is just an ad hoc alien construction. "Are you Sannata3159?", about a man working for a pittance in a meat factory in a stratified future society, is a really dark story, more like what I would expect of Manjula Padmanabhan (it's sort of Harvestesque), but blackly good. "Sailing the Antarsa," about a lone space explorer who discovers there's always a new unknown to know, was a nice and uplifting counterpart to that one. I liked the knitting together of the stories of ordinary people during a fantastic event in "Cry of the Kharchal."
The second-best story in the volume is the last (and the only one not previously published): "Requiem," about a graduate student who goes to Alaska (in a time of environmental collapse) to collect the belongings of her recently deceased beloved aunt. A strong take on grief, with some intriguing ideas under the surface. The best story in the volume is the title story, "Ambiguity Machines: An Examination," three stories about nameless characters encountering machines that may or may not exists, each one on its own an insightful, melancholy tale, but in combination, greater than the sum of their parts. Which is true for many machines, many stories, and many collections, including this one.… (más)
I enjoyed the first collection for its thoughtfulness and its sense of play, but I'm used to Singh's voice now, and at times I felt that Ambiguity Machines & Other Stories wasn't giving me much that I hadn't got out of the first. Singh has a recurrent interest in how (what one of her characters in TWWTSWP&OS called) "inner space" and "outer space" need to be accessed at the same time. As a result, there are a lot of ruminative stories about people in outer space here, people's ordinary lives paired with extraordinary journeys through time and space. On top of that, AM&OS adds an interest in the environment-- as is common in contemporary sf, a lot of these tales take place after some kind of ecological disaster or environmental collapse, though sometimes they're about one being forestalled. I'll be honest, occasionally it started to all blend together.
But when Singh hits, she really does sing. I really enjoyed "Peripeteia," about a physics academic who, after her lover leaves her, starts to worry that Occam's Razor might not be true, and maybe all of physics is just an ad hoc alien construction. "Are you Sannata3159?", about a man working for a pittance in a meat factory in a stratified future society, is a really dark story, more like what I would expect of Manjula Padmanabhan (it's sort of Harvestesque), but blackly good. "Sailing the Antarsa," about a lone space explorer who discovers there's always a new unknown to know, was a nice and uplifting counterpart to that one. I liked the knitting together of the stories of ordinary people during a fantastic event in "Cry of the Kharchal."
The second-best story in the volume is the last (and the only one not previously published): "Requiem," about a graduate student who goes to Alaska (in a time of environmental collapse) to collect the belongings of her recently deceased beloved aunt. A strong take on grief, with some intriguing ideas under the surface. The best story in the volume is the title story, "Ambiguity Machines: An Examination," three stories about nameless characters encountering machines that may or may not exists, each one on its own an insightful, melancholy tale, but in combination, greater than the sum of their parts. Which is true for many machines, many stories, and many collections, including this one.… (más)
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Estadísticas
- Obras
- 29
- También por
- 67
- Miembros
- 594
- Popularidad
- #42,287
- Valoración
- 3.7
- Reseñas
- 30
- ISBNs
- 25
- Idiomas
- 2
- Favorito
- 1
Thoroughly interesting and enjoyable. Some body-horror. Yes, she does think she is a planet. No, I don’t want to spoil it.